FM-1 firmware · drum-v0.16.0
Hortator
An eight-track drum machine with 64-step patterns, Grids rhythms, two ACID bass tracks, motion recording, song chains and live effects. By DEADACTIVE, based on Felucca by Leo Kuroshita. This is for playing and programming drums on the FM-1, with optional bass lines and Bluetooth MIDI.
- Turns it into
- An eight-track rhythm box with two ACID bass tracks, 64-step patterns, motion and song chains
- Best for
- Drum-focused live sets and rhythmic improvisation
- Install
- GitHub release or hub, which uses the build without Bluetooth
Where everything is on Hortator
TapSwipe across the panel, then tap any control to see what it does on Hortator.
Start here
These facts were read in the tagged source; nothing was tested on a unit. Each entry’s evidence and pinned source links are in [hortator.json](hortator.json).
The modes
Page modes describe the screen; key modes describe the overlay that owns the keys. NAME, menu and confirmations take over their navigation controls. PERFORM takes key presses first. KEYS takes priority over LAYER and LFO octave-button shortcuts, while TRACKS and COMP keep their own keys. The menu still permits drum-pad hits, and the release path can send drum MIDI note-offs even when a page claimed the press.
| Mode | Get there | What it does |
|---|---|---|
| Drum pads | Leave KEYS off and use a screen outside SEQ, COMP, TRACKS, the menu and NAME. | The first eight white keys play the eight tracks; on HOME and track editing screens they select the track too. |
| Chromatic keys | Press SEL to enable KEYS outside TRACKS and COMP. | All 27 keys play the selected track across F3 to G5 at octave zero; the octave shift ranges from -2 to +2. |
| Step keys | Leave KEYS off on any SEQ screen, or open TRACKS with no tracks armed. | The sixteen white keys edit the visible bank of steps; SONG running or armed and a Grids source block step editing. |
| TRACKS with recording armed | Tap REC on TRACKS. | Drum pads sound and record armed tracks; hold REC for mute shortcuts. |
| TRACKS mute shortcuts | Hold REC on TRACKS. | The first eight white keys toggle track mutes and the upper C# and D# choose mute timing. |
| Compressor track keys | Tap HOME from HOME to reach either COMP screen. | The first eight white keys choose which tracks the compressor ducks; the source track cannot be ducked. |
| Step recording | Enable KEYS on STEP while stopped, then tap REC. | Notes are entered at a cursor; keys advance on release and EDIT inserts a rest. If multiple keys arrive in the same scan, only the highest new key enters a note. |
| Project name | On PROJECT choose a used slot, stop playback, then turn NAME right. | An on-device text editor for a saved project name, up to twelve characters. |
| Device menu | Hold HOME past 0.7 seconds. | Device options, calibration, ABOUT and, in the Bluetooth build, Bluetooth controls. The first eight white keys still play and can record drum hits; this also applies to ABOUT and Bluetooth. |
| About screen | Select ABOUT in the menu and press OCT+. | Version, build date, credits and licence information. |
| Bluetooth menu | Use the Bluetooth build, open the menu, choose BLUETOOTH and press OCT+. | Connection state, mode, remembered device and discovery results; Bluetooth starts off after power-on. It needs surviving manufacturer radio calibration; a failed radio start requires a power cycle before retrying. |
| Clear confirmation | Hold REC on SEQ, or turn CLEAR right on MOTION. | OCT+ confirms the named clear or delete operation and OCT- cancels it. The dialog ignores key editing commands but leaves the previous screen’s audio and MIDI routing active. |
| Live performance effects | Hold FX for 0.4 seconds, or hold FX and use a key or KNOB 1-4. | Momentary master effects and track mutes; PERFORM PAGE in the menu can leave this screen open after FX is released. |
| Panel calibration | Hold both OCT buttons at power-on or choose HARDWARE CALIBRATION in the menu. | Follow each button and encoder prompt; thirty seconds without the requested input restores the previous table. |
| Safe start | Hold SEQ while powering on. | Safe start silences audio and disables normal panel editing and user samples while USB recovery remains available; turn the power off to leave. |
| USB update mode | Hold OCT- and OCT+ together for more than five seconds. | Audio stops for the USB updater, and the next firmware boot discards unsaved working sounds, steps, motion and song; save the working project before entering update mode. |
| NAV SOUND navigation | Press EDIT with KEYS off. | The OCT+ shortcut applies to every model’s SOUND page. |
| LAYER navigation | Press OCT+ from SOUND with KEYS off. | The OCT- shortcut applies to both LAYER pages. |
| LFO navigation | Press LFO with KEYS off. | OCT- chooses which LFO is shown and OCT+ changes its timing mode. |
| Home | Tap HOME from another section or cycle past both COMP pages. | Shows the selected sound’s four main controls and an audio trace. |
| K808 SOUND 1 | Choose K808 on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows K808 controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| K808 SOUND 2 | Choose K808 on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows K808 controls DIP, DRIVE, LEVEL, PAN and the sound graphic. |
| K808 SOUND 3 | Choose K808 on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows K808 controls MIDI NOTE, CHOKE and the sound graphic. |
| K909 SOUND 1 | Choose K909 on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows K909 controls MODEL, TUNE, DECAY, SWEEP and the sound graphic. |
| K909 SOUND 2 | Choose K909 on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows K909 controls CLICK, SWPT, DRIVE, LEVEL and the sound graphic. |
| K909 SOUND 3 | Choose K909 on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows K909 controls PAN, MIDI NOTE, CHOKE and the sound graphic. |
| KBOOM SOUND 1 | Choose KBOOM on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows KBOOM controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| KBOOM SOUND 2 | Choose KBOOM on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows KBOOM controls PUNCH, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| KBOOM SOUND 3 | Choose KBOOM on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows KBOOM controls CHOKE and the sound graphic. |
| KPUNC SOUND 1 | Choose KPUNC on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows KPUNC controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| KPUNC SOUND 2 | Choose KPUNC on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows KPUNC controls FM, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| KPUNC SOUND 3 | Choose KPUNC on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows KPUNC controls CHOKE and the sound graphic. |
| S808 SOUND 1 | Choose S808 on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows S808 controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| S808 SOUND 2 | Choose S808 on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows S808 controls SNAP, NTONE, LEVEL, PAN and the sound graphic. |
| S808 SOUND 3 | Choose S808 on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows S808 controls MIDI NOTE, CHOKE and the sound graphic. |
| S909 SOUND 1 | Choose S909 on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows S909 controls MODEL, TUNE, DECAY, BODY and the sound graphic. |
| S909 SOUND 2 | Choose S909 on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows S909 controls SNAP, NTONE, LEVEL, PAN and the sound graphic. |
| S909 SOUND 3 | Choose S909 on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows S909 controls MIDI NOTE, CHOKE and the sound graphic. |
| C808 SOUND 1 | Choose C808 on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows C808 controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| C808 SOUND 2 | Choose C808 on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows C808 controls TAIL, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| C808 SOUND 3 | Choose C808 on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows C808 controls CHOKE and the sound graphic. |
| C909 SOUND 1 | Choose C909 on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows C909 controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| C909 SOUND 2 | Choose C909 on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows C909 controls SPRD, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| C909 SOUND 3 | Choose C909 on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows C909 controls CHOKE and the sound graphic. |
| SSNAP SOUND 1 | Choose SSNAP on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows SSNAP controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| SSNAP SOUND 2 | Choose SSNAP on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows SSNAP controls SNAP, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| SSNAP SOUND 3 | Choose SSNAP on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows SSNAP controls CHOKE and the sound graphic. |
| SCRAK SOUND 1 | Choose SCRAK on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows SCRAK controls MODEL, TUNE, DECAY, FM and the sound graphic. |
| SCRAK SOUND 2 | Choose SCRAK on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows SCRAK controls SNAP, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| SCRAK SOUND 3 | Choose SCRAK on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows SCRAK controls CHOKE and the sound graphic. |
| HATC SOUND 1 | Choose HATC on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows HATC controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| HATC SOUND 2 | Choose HATC on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows HATC controls BRITE, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| HATC SOUND 3 | Choose HATC on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows HATC controls CHOKE and the sound graphic. |
| HATO SOUND 1 | Choose HATO on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows HATO controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| HATO SOUND 2 | Choose HATO on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows HATO controls BRITE, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| HATO SOUND 3 | Choose HATO on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows HATO controls CHOKE and the sound graphic. |
| CYMB SOUND 1 | Choose CYMB on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows CYMB controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| CYMB SOUND 2 | Choose CYMB on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows CYMB controls BAL, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| CYMB SOUND 3 | Choose CYMB on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows CYMB controls CHOKE and the sound graphic. |
| COWB SOUND 1 | Choose COWB on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows COWB controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| COWB SOUND 2 | Choose COWB on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows COWB controls TAIL, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| COWB SOUND 3 | Choose COWB on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows COWB controls CHOKE and the sound graphic. |
| HMETL SOUND 1 | Choose HMETL on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows HMETL controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| HMETL SOUND 2 | Choose HMETL on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows HMETL controls NOISE, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| HMETL SOUND 3 | Choose HMETL on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows HMETL controls CHOKE and the sound graphic. |
| HNOIS SOUND 1 | Choose HNOIS on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows HNOIS controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| HNOIS SOUND 2 | Choose HNOIS on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows HNOIS controls NOISE, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| HNOIS SOUND 3 | Choose HNOIS on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows HNOIS controls CHOKE and the sound graphic. |
| TOM SOUND 1 | Choose TOM on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows TOM controls MODEL, TUNE, DECAY, NOISE and the sound graphic. |
| TOM SOUND 2 | Choose TOM on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows TOM controls DROP, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| TOM SOUND 3 | Choose TOM on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows TOM controls CHOKE and the sound graphic. |
| CONGA SOUND 1 | Choose CONGA on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows CONGA controls MODEL, TUNE, DECAY, SLAP and the sound graphic. |
| CONGA SOUND 2 | Choose CONGA on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows CONGA controls DROP, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| CONGA SOUND 3 | Choose CONGA on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows CONGA controls CHOKE and the sound graphic. |
| RIM SOUND 1 | Choose RIM on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows RIM controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| RIM SOUND 2 | Choose RIM on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows RIM controls DRIVE, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| RIM SOUND 3 | Choose RIM on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows RIM controls CHOKE and the sound graphic. |
| CLAVE SOUND 1 | Choose CLAVE on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows CLAVE controls MODEL, TUNE, DECAY, CLICK and the sound graphic. |
| CLAVE SOUND 2 | Choose CLAVE on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows CLAVE controls DROP, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| CLAVE SOUND 3 | Choose CLAVE on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows CLAVE controls CHOKE and the sound graphic. |
| MEMB SOUND 1 | Choose MEMB on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows MEMB controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| MEMB SOUND 2 | Choose MEMB on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows MEMB controls HEAD, POS, BEND, STICK and the sound graphic. |
| MEMB SOUND 3 | Choose MEMB on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows MEMB controls LEVEL, PAN, MIDI NOTE, CHOKE and the sound graphic. |
| FM SOUND 1 | Choose FM on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows FM controls MODEL, TUNE, DECAY, INDEX and the sound graphic. |
| FM SOUND 2 | Choose FM on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows FM controls RATIO, MDEC, SWEEP, FBK and the sound graphic. |
| FM SOUND 3 | Choose FM on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows FM controls VEL, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| FM SOUND 4 | Choose FM on EDIT’s first page, then use EDIT or PRESETS to reach page 4. | Shows FM controls CHOKE and the sound graphic. |
| ACID SOUND 1 | Choose ACID on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows ACID controls MODEL, TUNE, DECAY, CUTOF and the sound graphic. |
| ACID SOUND 2 | Choose ACID on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows ACID controls RESO, ENVMD, ACCNT, WAVE and the sound graphic. |
| ACID SOUND 3 | Choose ACID on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows ACID controls GATE, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| ACID SOUND 4 | Choose ACID on EDIT’s first page, then use EDIT or PRESETS to reach page 4. | Shows ACID controls CHOKE and the sound graphic. |
| SMPL SOUND 1 | Choose SMPL on EDIT’s first page, then use EDIT or PRESETS to reach page 1. | Shows SMPL controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| SMPL SOUND 2 | Choose SMPL on EDIT’s first page, then use EDIT or PRESETS to reach page 2. | Shows SMPL controls DRIVE, SET, KEY, LEVEL and the sound graphic. |
| SMPL SOUND 3 | Choose SMPL on EDIT’s first page, then use EDIT or PRESETS to reach page 3. | Shows SMPL controls PAN, MIDI NOTE, CHOKE and the sound graphic. |
| LAYER 1 | Turn KEYS off, open EDIT and press OCT+. | Shows the layer’s set, note, level and tuning. |
| LAYER 2 | Press EDIT again within LAYER. | Shows the layered sample’s decay. |
| FILTER 1 | Tap FX and use FX or PRESETS for FILTER 1. | Shows the track’s filter type, cutoff, resonance and envelope amount. |
| FILTER 2 | Use FX or PRESETS for FILTER 2. | Shows the track’s filter-envelope decay. |
| FX | Use FX or PRESETS for FX. | Shows the selected track’s distortion, chorus, delay and reverb amounts. |
| SLICER | Use FX or PRESETS for SLICER. | Shows the track’s slicer mode, pattern, rate and depth. |
| RESON 1 | Use FX or PRESETS for RESON 1. | Shows the track’s resonator model, tuning, decay and mix. |
| RESON 2 | Use FX or PRESETS for RESON 2. | Shows resonator tone, structure or chord, and position. |
| DLY | Use FX or PRESETS for DLY. | Shows the shared delay’s time, feedback, color and mix. |
| REVERB | Use FX or PRESETS for REVERB. | Shows the shared reverb’s model, size and damping. |
| CHORUS | Use FX or PRESETS for CHORUS. | Shows the shared chorus’s rate and depth. |
| COMP 1 | Tap HOME from Home. | Shows ducking source, threshold, ratio and release with a level graphic. |
| COMP 2 | Tap HOME from COMP 1. | Shows ducking attack, knee, makeup and ghost behavior with its curve. |
| STEP | Press SEQ, then turn PRESETS until STEP is shown; SEQ reopens its last-used page and repeated presses cycle the section. | Shows the selected track’s steps, or a piano roll for a gated sound, and the bank number. |
| PATTERN | Use SEQ or PRESETS for PATTERN. | Shows pattern length, division, swing and step source with its step overview. |
| MOTION | Use SEQ or PRESETS for MOTION. | Shows this track’s motion-event count and marks steps that hold events. |
| SONG | Use SEQ or PRESETS for SONG. | Shows song rows, referenced project slots, repeats and looping, with the active row marked. |
| GLOBAL 1 | Press GLO, then turn PRESETS until the first GLOBAL page is shown; GLO reopens its last-used page and repeated presses cycle the section. | Shows tempo, global swing, clock source and drum MIDI channel. |
| SYSTEM | Use GLO or PRESETS for SYSTEM. | Shows USB connection status, inactive SYNC and ROUT fields, and CPU use. |
| GLOBAL 3 | Use GLO or PRESETS for GLOBAL 3. | Shows whether TRACKS mutes take effect now or at the next bar. |
| PROJECT | Press SAVE, then turn PRESETS until the title reads PROJECT; SAVE may reopen TOOLS and pressing SAVE again cycles pages. | Shows four project slots and their names, with the selected slot and load/save controls. |
| TOOLS | Use SAVE or PRESETS for TOOLS. | Shows clear-track, initialize-sound, clear-all-patterns and initialize-all controls. |
| GRIDS MAP | Press ARP and choose MAP on KNOB 1. | Shows Grids map position, variation and the generated kick, snare and hat rhythms. |
| GRIDS EUCL | Press ARP and choose EUCL on KNOB 1. | Shows the Euclidean kick, snare and hat lengths and generated rhythms. |
| GRIDS FILL | Use ARP or PRESETS for GRIDS 2. | Shows the three Grids fills and the tracks routed to each generated rhythm. |
| LFO PAGE 1 | Press LFO and use OCT- to choose LFO 1 or 2. | Shows the selected LFO’s wave, rate, morph and depth with its waveform. |
| LFO PAGE 2 | Use LFO or PRESETS for LFO page 2. | Shows the selected LFO’s destination, trigger and phase with its waveform. |
| TRACKS | Tap REC from another section. | Shows all eight tracks with mute, armed and activity states plus the selected track’s level, length and pan. |
| SEQ track clear | Open STEP, PATTERN or MOTION. | The REC hold clears the selected working track through a confirmation, with KEYS either on or off. |
| Startup title | Power on normally. | The startup logo appears briefly before the main screen. |
| Firmware update progress | Start a supported firmware update over USB. | Update stages, completion or failure replace the normal screen. |
| Home with a K808 track selected | Select a track already using K808 with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses K808, so Home shows that model’s four main sound controls. |
| Home with a K909 track selected | Select a track already using K909 with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses K909, so Home shows that model’s four main sound controls. |
| Home with a KBOOM track selected | Select a track already using KBOOM with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses KBOOM, so Home shows that model’s four main sound controls. |
| Home with a KPUNC track selected | Select a track already using KPUNC with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses KPUNC, so Home shows that model’s four main sound controls. |
| Home with an S808 track selected | Select a track already using S808 with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses S808, so Home shows that model’s four main sound controls. |
| Home with an S909 track selected | Select a track already using S909 with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses S909, so Home shows that model’s four main sound controls. |
| Home with a C808 track selected | Select a track already using C808 with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses C808, so Home shows that model’s four main sound controls. |
| Home with a C909 track selected | Select a track already using C909 with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses C909, so Home shows that model’s four main sound controls. |
| Home with a SSNAP track selected | Select a track already using SSNAP with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses SSNAP, so Home shows that model’s four main sound controls. |
| Home with a SCRAK track selected | Select a track already using SCRAK with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses SCRAK, so Home shows that model’s four main sound controls. |
| Home with a HATC track selected | Select a track already using HATC with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses HATC, so Home shows that model’s four main sound controls. |
| Home with a HATO track selected | Select a track already using HATO with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses HATO, so Home shows that model’s four main sound controls. |
| Home with a CYMB track selected | Select a track already using CYMB with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses CYMB, so Home shows that model’s four main sound controls. |
| Home with a COWB track selected | Select a track already using COWB with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses COWB, so Home shows that model’s four main sound controls. |
| Home with a HMETL track selected | Select a track already using HMETL with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses HMETL, so Home shows that model’s four main sound controls. |
| Home with a HNOIS track selected | Select a track already using HNOIS with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses HNOIS, so Home shows that model’s four main sound controls. |
| Home with a TOM track selected | Select a track already using TOM with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses TOM, so Home shows that model’s four main sound controls. |
| Home with a CONGA track selected | Select a track already using CONGA with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses CONGA, so Home shows that model’s four main sound controls. |
| Home with a RIM track selected | Select a track already using RIM with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses RIM, so Home shows that model’s four main sound controls. |
| Home with a CLAVE track selected | Select a track already using CLAVE with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses CLAVE, so Home shows that model’s four main sound controls. |
| Home with a MEMB track selected | Select a track already using MEMB with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses MEMB, so Home shows that model’s four main sound controls. |
| Home with an FM track selected | Select a track already using FM with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses FM, so Home shows that model’s four main sound controls. |
| Home with an ACID track selected | Select a track already using ACID with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses ACID, so Home shows that model’s four main sound controls. |
| Home with a SMPL track selected | Select a track already using SMPL with ALGORITHM, then tap HOME from another section or cycle past both COMP pages. | The selected track uses SMPL, so Home shows that model’s four main sound controls. |
Play, navigate and record
HOME and REC taps act when released; most other buttons act when pressed. HOME and REC long holds use 0.7 seconds; FX and step-accent holds use 0.4 seconds. PRESETS stops at a section’s ends, while repeated section-button presses wrap.
| Do this | What happens |
|---|---|
| EDIT: Press (ordinary screens) | Outside modal screens, opens sound pages, or the LAYER pages when already in LAYER and cycles within that section on further presses. |
| EDIT: Press (Step recording) | Clears the cursor step’s note-on, tie, probability condition, ratchet, accent and slide flags in memory, then advances the cursor without saving a project or providing undo. |
| SEQ: Press (ordinary screens) | Outside modal screens, opens STEP, PATTERN, MOTION and SONG and cycles within that section on further presses. |
| GLO: Press (ordinary screens) | Outside modal screens, opens GLOBAL, SYSTEM and mute timing and cycles within that section on further presses. |
| SAVE: Press (ordinary screens) | Outside modal screens, opens PROJECT and TOOLS and cycles within that section on further presses. |
| ARP: Press (ordinary screens) | Outside modal screens, opens the two GRIDS pages and cycles within that section on further presses. |
| LFO: Press (ordinary screens) | Outside modal screens, opens the selected LFO’s two pages and cycles within that section on further presses. |
| ENV: Press (ordinary screens) | Has no assigned action outside panel calibration. |
| SEL (SCL): Press (ordinary screens) | Outside modal screens, toggles chromatic KEYS mode while TRACKS and COMP keep their own key functions. |
| HOME: Release (ordinary screens) | After a short tap outside modal screens, goes to HOME from other sections or cycles HOME, COMP 1 and COMP 2. |
| HOME: Long hold (ordinary screens) | After holding past 0.7 seconds outside NAME, opens or closes the menu; closing can write device settings without an edit or question, at once when stopped or after playback stops, and that write can replace another firmware’s stored data. |
| HOME: Release (Project name) | Cancels the name edit after a short tap without writing it. |
| HOME: Long hold (Project name) | Cancels the name edit after holding past 0.7 seconds without writing it. |
| HOME: Release (Device menu) | A short tap has no action in the menu. |
| FX: Release (ordinary screens) | A short unused tap outside modal screens opens or cycles the FILTER, FX, SLICER, RESON, DLY, REVERB and CHORUS pages. |
| FX: Long hold (ordinary screens) | Holding for 0.4 seconds outside modal screens opens PERFORM; using a key or macro knob with FX held opens it immediately. |
| FX: Release (Live performance effects) | In HOLD operation releasing FX resets the macro knobs even if a held effect key keeps PERFORM visible; PAGE operation retains the screen and macros until another screen opens. |
| PLAY/STOP: Press (ordinary screens) | Outside the menu and clear dialog, starts the current patterns from step one or stops playback, ending step recording; with external clock selected the steps wait for clock pulses. |
| PLAY/STOP: Press (SONG) | While stopped on SONG prepares and starts the chain if every referenced project is usable, or stops a running or armed chain. |
| PLAY/STOP: Press (Project name) | Starts or stops playback while NAME stays open, with renaming blocked during playback. |
| REC: Release (ordinary screens) | A short tap outside modal screens opens TRACKS unless already on TRACKS or in the stopped STEP recording context. |
| REC: Release (TRACKS) | A short unused tap arms or disarms the selected track and starts playback when arming while stopped, unless a song is running or armed. |
| REC: Release (TRACKS with recording armed) | A short unused tap toggles recording for the selected track, unless a song is running or armed. |
| REC: Hold (TRACKS) | While held gives the first eight white keys track mute duties and upper C# and D# mute timing choices, consuming the REC tap when a key is used. |
| REC: Release (STEP) | With KEYS enabled and playback stopped starts step recording at the first step of the visible bank, unless a song or Grids source owns the pattern. |
| REC: Release (Step recording) | Ends step recording and keeps the working pattern edits in memory without saving a project. |
| REC: Long hold (SEQ track clear) | Unless a song is running or armed, on STEP, PATTERN or MOTION after holding past 0.7 seconds asks to clear the selected track’s steps, motion and last keyboard note in memory; OCT+ confirms, saved projects stay unchanged until saved and no undo is provided. |
| REC: Long hold (SONG) | Unless a song is running or armed, after holding past 0.7 seconds asks to delete the selected song row, or all rows when the add row is selected; OCT+ applies it in memory with no undo, leaving saved projects unchanged until saved. |
| OCT-: Press (Chromatic keys) | Shifts the chromatic keys one octave down within the -2 to +2 range, taking priority over LAYER and LFO shortcuts. |
| OCT-: Press (Step keys) | Shows the previous sixteen-step bank within the selected pattern’s length. |
| OCT-: Press (Clear confirmation) | Cancels the pending clear or delete without applying it. |
| OCT-: Press (Device menu) | Closes the menu and can write device settings without an edit or question, at once when stopped or after playback stops, and that write can replace another firmware’s stored data. |
| OCT-: Press (About screen) | Returns from ABOUT to the menu list without writing settings yet. |
| OCT-: Press (Project name) | Closes NAME without writing the name edit. |
| OCT-: Press (LAYER navigation) | With KEYS off returns to the last SOUND page. |
| OCT-: Press (LFO navigation) | With KEYS off switches the selected track between LFO 1 and LFO 2 while keeping the current LFO page. |
| OCT+: Press (Chromatic keys) | Shifts the chromatic keys one octave up within the -2 to +2 range, taking priority over LAYER and LFO shortcuts. |
| OCT+: Press (Step keys) | Shows the next sixteen-step bank within the selected pattern’s length. |
| OCT+: Press (Clear confirmation) | Applies the named track, motion or song deletion in memory at once, with no undo or project save. |
| OCT+: Press while holding OCT- (ordinary screens) | Holding both OCT buttons for more than five seconds enters the USB updater; the countdown starts after two seconds and releasing either button cancels it, but returning through a firmware boot loses unsaved work, so save first. |
| OCT+: Press (Project name) | While stopped immediately rewrites the selected saved project’s name only and updates the working name if this is the last loaded or saved slot, without a further question or undo. |
| OCT+: Press (NAV SOUND navigation) | With KEYS off enters the first LAYER page. |
| OCT+: Press (LFO navigation) | With KEYS off cycles the shown LFO between SYNC, Hz and TIME operation. |
| Power switch: Power on while holding OCT- + OCT+ (ordinary screens) | Starts panel calibration and requests a device-settings write when it returns, even after a timeout restores the old table, without another question and potentially replacing another firmware’s stored data. |
| Power switch: Power on while holding SEQ (ordinary screens) | Starts safe start with no audio, normal panel editing disabled and user samples hidden, without erasing saved projects; turn the power off to leave. |
| MASTER: Turn (ordinary screens) | Changes the main output level; USB audio follows it in MASTER mode and uses a fixed level in FIXED mode. |
| USB-C: Press (ordinary screens) | Connects USB MIDI input and output, stereo USB audio recording at 44.1 kHz and the firmware updater; the inherited project editor protocol is disabled. |
| MIDI IN: Press (ordinary screens) | Receives drum notes on the selected channel and clock when TRS is chosen, while MIDI note-offs do not stop one-shot drum hits. |
| PRESETS: Turn (ordinary screens) | Outside dialogs and menus, moves through the current section’s pages and stops at each end. |
| PRESETS: Turn (Device menu) | Moves through menu rows and wraps at the ends. |
| PRESETS: Turn (Bluetooth menu) | Moves through Bluetooth settings and discovered devices, wrapping at the ends. |
| PRESETS: Turn (About screen) | Does nothing in this screen. |
| PRESETS: Turn (Project name) | Does nothing in this screen. |
| PRESETS: Turn (Clear confirmation) | Does nothing in this screen. |
| PRESETS: Turn (Safe start) | Does nothing in this screen. |
| PRESETS: Turn right (Panel calibration) | When its encoder is prompted, teaches the encoder identity and right-turn direction; power-on calibration requests a settings write on return, while menu calibration waits for menu close, with a pending write deferred during playback. |
| ALGORITHM: Turn (ordinary screens) | Outside dialogs and menus, chooses one of eight tracks and ends step recording when the track changes. |
| ALGORITHM: Turn (Device menu) | Does nothing in this screen. |
| ALGORITHM: Turn (About screen) | Does nothing in this screen. |
| ALGORITHM: Turn (Bluetooth menu) | Does nothing in this screen. |
| ALGORITHM: Turn (Project name) | Does nothing in this screen. |
| ALGORITHM: Turn (Clear confirmation) | Does nothing in this screen. |
| ALGORITHM: Turn (Safe start) | Does nothing in this screen. |
| ALGORITHM: Turn right (Panel calibration) | When its encoder is prompted, teaches the encoder identity and right-turn direction; power-on calibration requests a settings write on return, while menu calibration waits for menu close, with a pending write deferred during playback. |
| SELECT: Turn (ordinary screens) | Outside dialogs and menus, changes tempo from 40 to 240 BPM with the internal clock, or reports the external clock source. |
| SELECT: Turn (Device menu) | Does nothing in this screen. |
| SELECT: Turn (About screen) | Does nothing in this screen. |
| SELECT: Turn (Bluetooth menu) | Does nothing in this screen. |
| SELECT: Turn (Project name) | Does nothing in this screen. |
| SELECT: Turn (Clear confirmation) | Does nothing in this screen. |
| SELECT: Turn (Safe start) | Does nothing in this screen. |
| SELECT: Turn right (Panel calibration) | When its encoder is prompted, teaches the encoder identity and right-turn direction; power-on calibration requests a settings write on return, while menu calibration waits for menu close, with a pending write deferred during playback. |
| OCT+: Press (Device menu) | On COLOR, steps to the next display palette, with a settings save requested on menu close and delayed until stop if playing. |
| OCT+: Press (Device menu) | On SPEAKER EQ, cycles FLAT, LOWCUT and BASS+, with a settings save requested on menu close and delayed until stop if playing. |
| OCT+: Press (Device menu) | On USB LEVEL, toggles fixed USB level or following MASTER, with a settings save requested on menu close and delayed until stop if playing. |
| OCT+: Press (Device menu) | On PERFORM, toggles held-layer operation or a persistent PERFORM page, with a settings save requested on menu close and delayed until stop if playing. |
| OCT+: Press (Device menu) | On ZOOM, toggles value enlargement, with a settings save requested on menu close and delayed until stop if playing. |
| OCT+: Press (Device menu) | On ACCEL, toggles encoder acceleration, with a settings save requested on menu close and delayed until stop if playing. |
| OCT+: Press (Device menu) | On HARDWARE CALIBRATION, starts panel teaching; a timeout restores the old mapping, but closing the menu can still write a first settings record without an edit or another question. |
| OCT+: Press (Device menu) | On ABOUT, opens the version and credits screen. |
| OCT+: Press (Device menu) | On BLUETOOTH in the Bluetooth package, opens its connection page. |
| OCT+: Press (Device menu) | On BACK, closes the menu and can write device options without edits or a question, at once when stopped or after playback stops, potentially replacing foreign data. |
| OCT+: Press (Bluetooth menu) | On BLUETOOTH, toggles connection and reconnection on or off for this power session without storing its on/off state; a failed start requires a power cycle before retrying. |
| OCT+: Press (Bluetooth menu) | On MODE, cycles AUTO, SMC DAW and MIDI, with the device-settings write requested when the menu closes and delayed until stop if playing. |
| OCT+: Press (Bluetooth menu) | On SCAN with Bluetooth enabled, starts discovery; an off radio reports BLUETOOTH IS OFF and a failed radio requires a power cycle. |
| OCT+: Press (Bluetooth menu) | On a discovered-device row, remembers and targets that device without another question or undo, requesting a settings write immediately when stopped or after playback stops and potentially replacing foreign settings. |
| OCT-: Press (Bluetooth menu) | Returns to the menu list and resumes automatic reconnection without closing the menu or requesting a settings write yet. |
Use the keys
In normal drum-pad use, the first eight white keys are tracks 1–8. All sixteen white keys are steps when a grid owns them. In KEYS, each pitch shown below is shifted by OCT- or OCT+. Names use repeated taps within 0.8 seconds; holding an arrow or backspace starts repeating after 0.45 seconds.
F3
| Do this | What happens |
|---|---|
| Press (Drum pads) | Plays track 1 at velocity 100 and sends its assigned MIDI note on the drum channel; on HOME and per-track screens also selects it. |
| Press (TRACKS with recording armed) | Plays track 1 and records to its nearest step when that track is armed, playing and using its own steps, while sending its assigned MIDI note. |
| Release (Drum pads) | Sends track 1’s MIDI note-off without stopping a one-shot drum sound. |
| Press while holding REC (TRACKS mute shortcuts) | Toggles track 1’s persistent mute at once or at the next bar according to MUTE timing, taking effect at once when stopped. |
| Press (Compressor track keys) | Toggles compressor ducking for track 1 unless it is the compressor’s source. |
| Press (Step keys) | Toggles visible-bank step 1 within LEN unless a song or Grids owns it; switching it off clears its flags, while a new ACID step uses the last keyboard note and a new drum step uses C4. |
| Long hold (Step keys) | After 0.4 seconds restores visible-bank step 1 to its previous settings, forces it on without a tie and flips its accent, unless that step is unavailable. |
| Press (Project name) | In ABC mode types or cycles AB when tapped again within 0.8 seconds; in 123 mode types 1 once. |
| Press (Chromatic keys) | Plays the selected track at F3 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate and sends track 1’s assigned MIDI note-off. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN and sends track 1’s assigned MIDI note-off. |
| Press while holding FX (Live performance effects) | Mutes track 1 while this performance key is held without changing its saved mute setting; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases the temporary performance mute of track 1. |
| Press (Device menu) | Plays track 1 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Press (About screen) | Plays track 1 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Press (Bluetooth menu) | Plays track 1 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Release (ordinary screens) | Unless PERFORM claimed the key, sends track 1’s assigned MIDI note-off even when the grid, NAME or a menu consumed its press. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, mutes track 1 while this performance key is held without changing its saved mute setting. |
F#3
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Has no REC-held mute shortcut. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Has no step-grid action. |
| Press (Project name) | Moves the name cursor left. |
| Hold (Project name) | Moves the name cursor left repeatedly after 0.45 seconds, then every 0.09 seconds. |
| Press (Chromatic keys) | Plays the selected track at F#3 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Applies repeat 1/8 to the master on the next sixteenth-note boundary while playing, or immediately while stopped while held, if available; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases repeat 1/8, returning to any earlier held buffer effect when applicable. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, applies repeat 1/8 to the master on the next sixteenth-note boundary while playing, or immediately while stopped while held, if available. |
G3
| Do this | What happens |
|---|---|
| Press (Drum pads) | Plays track 2 at velocity 100 and sends its assigned MIDI note on the drum channel; on HOME and per-track screens also selects it. |
| Press (TRACKS with recording armed) | Plays track 2 and records to its nearest step when that track is armed, playing and using its own steps, while sending its assigned MIDI note. |
| Release (Drum pads) | Sends track 2’s MIDI note-off without stopping a one-shot drum sound. |
| Press while holding REC (TRACKS mute shortcuts) | Toggles track 2’s persistent mute at once or at the next bar according to MUTE timing, taking effect at once when stopped. |
| Press (Compressor track keys) | Toggles compressor ducking for track 2 unless it is the compressor’s source. |
| Press (Step keys) | Toggles visible-bank step 2 within LEN unless a song or Grids owns it; switching it off clears its flags, while a new ACID step uses the last keyboard note and a new drum step uses C4. |
| Long hold (Step keys) | After 0.4 seconds restores visible-bank step 2 to its previous settings, forces it on without a tie and flips its accent, unless that step is unavailable. |
| Press (Project name) | In ABC mode types or cycles CD when tapped again within 0.8 seconds; in 123 mode types 2 once. |
| Press (Chromatic keys) | Plays the selected track at G3 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate and sends track 2’s assigned MIDI note-off. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN and sends track 2’s assigned MIDI note-off. |
| Press while holding FX (Live performance effects) | Mutes track 2 while this performance key is held without changing its saved mute setting; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases the temporary performance mute of track 2. |
| Press (Device menu) | Plays track 2 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Press (About screen) | Plays track 2 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Press (Bluetooth menu) | Plays track 2 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Release (ordinary screens) | Unless PERFORM claimed the key, sends track 2’s assigned MIDI note-off even when the grid, NAME or a menu consumed its press. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, mutes track 2 while this performance key is held without changing its saved mute setting. |
G#3
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Has no REC-held mute shortcut. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Has no step-grid action. |
| Press (Project name) | Inserts a space into the name. |
| Press (Chromatic keys) | Plays the selected track at G#3 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Applies repeat 1/16 to the master on the next sixteenth-note boundary while playing, or immediately while stopped while held, if available; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases repeat 1/16, returning to any earlier held buffer effect when applicable. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, applies repeat 1/16 to the master on the next sixteenth-note boundary while playing, or immediately while stopped while held, if available. |
A3
| Do this | What happens |
|---|---|
| Press (Drum pads) | Plays track 3 at velocity 100 and sends its assigned MIDI note on the drum channel; on HOME and per-track screens also selects it. |
| Press (TRACKS with recording armed) | Plays track 3 and records to its nearest step when that track is armed, playing and using its own steps, while sending its assigned MIDI note. |
| Release (Drum pads) | Sends track 3’s MIDI note-off without stopping a one-shot drum sound. |
| Press while holding REC (TRACKS mute shortcuts) | Toggles track 3’s persistent mute at once or at the next bar according to MUTE timing, taking effect at once when stopped. |
| Press (Compressor track keys) | Toggles compressor ducking for track 3 unless it is the compressor’s source. |
| Press (Step keys) | Toggles visible-bank step 3 within LEN unless a song or Grids owns it; switching it off clears its flags, while a new ACID step uses the last keyboard note and a new drum step uses C4. |
| Long hold (Step keys) | After 0.4 seconds restores visible-bank step 3 to its previous settings, forces it on without a tie and flips its accent, unless that step is unavailable. |
| Press (Project name) | In ABC mode types or cycles EF when tapped again within 0.8 seconds; in 123 mode types 3 once. |
| Press (Chromatic keys) | Plays the selected track at A3 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate and sends track 3’s assigned MIDI note-off. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN and sends track 3’s assigned MIDI note-off. |
| Press while holding FX (Live performance effects) | Mutes track 3 while this performance key is held without changing its saved mute setting; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases the temporary performance mute of track 3. |
| Press (Device menu) | Plays track 3 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Press (About screen) | Plays track 3 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Press (Bluetooth menu) | Plays track 3 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Release (ordinary screens) | Unless PERFORM claimed the key, sends track 3’s assigned MIDI note-off even when the grid, NAME or a menu consumed its press. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, mutes track 3 while this performance key is held without changing its saved mute setting. |
A#3
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Has no REC-held mute shortcut. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Has no step-grid action. |
| Press (Project name) | Moves the name cursor right. |
| Hold (Project name) | Moves the name cursor right repeatedly after 0.45 seconds, then every 0.09 seconds. |
| Press (Chromatic keys) | Plays the selected track at A#3 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Applies repeat 1/32 to the master on the next sixteenth-note boundary while playing, or immediately while stopped while held, if available; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases repeat 1/32, returning to any earlier held buffer effect when applicable. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, applies repeat 1/32 to the master on the next sixteenth-note boundary while playing, or immediately while stopped while held, if available. |
B3
| Do this | What happens |
|---|---|
| Press (Drum pads) | Plays track 4 at velocity 100 and sends its assigned MIDI note on the drum channel; on HOME and per-track screens also selects it. |
| Press (TRACKS with recording armed) | Plays track 4 and records to its nearest step when that track is armed, playing and using its own steps, while sending its assigned MIDI note. |
| Release (Drum pads) | Sends track 4’s MIDI note-off without stopping a one-shot drum sound. |
| Press while holding REC (TRACKS mute shortcuts) | Toggles track 4’s persistent mute at once or at the next bar according to MUTE timing, taking effect at once when stopped. |
| Press (Compressor track keys) | Toggles compressor ducking for track 4 unless it is the compressor’s source. |
| Press (Step keys) | Toggles visible-bank step 4 within LEN unless a song or Grids owns it; switching it off clears its flags, while a new ACID step uses the last keyboard note and a new drum step uses C4. |
| Long hold (Step keys) | After 0.4 seconds restores visible-bank step 4 to its previous settings, forces it on without a tie and flips its accent, unless that step is unavailable. |
| Press (Project name) | In ABC mode types or cycles GH when tapped again within 0.8 seconds; in 123 mode types 4 once. |
| Press (Chromatic keys) | Plays the selected track at B3 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate and sends track 4’s assigned MIDI note-off. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN and sends track 4’s assigned MIDI note-off. |
| Press while holding FX (Live performance effects) | Mutes track 4 while this performance key is held without changing its saved mute setting; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases the temporary performance mute of track 4. |
| Press (Device menu) | Plays track 4 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Press (About screen) | Plays track 4 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Press (Bluetooth menu) | Plays track 4 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Release (ordinary screens) | Unless PERFORM claimed the key, sends track 4’s assigned MIDI note-off even when the grid, NAME or a menu consumed its press. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, mutes track 4 while this performance key is held without changing its saved mute setting. |
C4
| Do this | What happens |
|---|---|
| Press (Drum pads) | Plays track 5 at velocity 100 and sends its assigned MIDI note on the drum channel; on HOME and per-track screens also selects it. |
| Press (TRACKS with recording armed) | Plays track 5 and records to its nearest step when that track is armed, playing and using its own steps, while sending its assigned MIDI note. |
| Release (Drum pads) | Sends track 5’s MIDI note-off without stopping a one-shot drum sound. |
| Press while holding REC (TRACKS mute shortcuts) | Toggles track 5’s persistent mute at once or at the next bar according to MUTE timing, taking effect at once when stopped. |
| Press (Compressor track keys) | Toggles compressor ducking for track 5 unless it is the compressor’s source. |
| Press (Step keys) | Toggles visible-bank step 5 within LEN unless a song or Grids owns it; switching it off clears its flags, while a new ACID step uses the last keyboard note and a new drum step uses C4. |
| Long hold (Step keys) | After 0.4 seconds restores visible-bank step 5 to its previous settings, forces it on without a tie and flips its accent, unless that step is unavailable. |
| Press (Project name) | In ABC mode types or cycles IJK when tapped again within 0.8 seconds; in 123 mode types 5 once. |
| Press (Chromatic keys) | Plays the selected track at C4 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate and sends track 5’s assigned MIDI note-off. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN and sends track 5’s assigned MIDI note-off. |
| Press while holding FX (Live performance effects) | Mutes track 5 while this performance key is held without changing its saved mute setting; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases the temporary performance mute of track 5. |
| Press (Device menu) | Plays track 5 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Press (About screen) | Plays track 5 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Press (Bluetooth menu) | Plays track 5 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Release (ordinary screens) | Unless PERFORM claimed the key, sends track 5’s assigned MIDI note-off even when the grid, NAME or a menu consumed its press. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, mutes track 5 while this performance key is held without changing its saved mute setting. |
C#4
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Has no REC-held mute shortcut. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Has no step-grid action. |
| Press (Project name) | Deletes the character before the name cursor. |
| Hold (Project name) | Deletes the character before the name cursor repeatedly after 0.45 seconds, then every 0.09 seconds. |
| Press (Chromatic keys) | Plays the selected track at C#4 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Applies reverse to the master on the next sixteenth-note boundary while playing, or immediately while stopped while held, if available; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases reverse, returning to any earlier held buffer effect when applicable. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, applies reverse to the master on the next sixteenth-note boundary while playing, or immediately while stopped while held, if available. |
D4
| Do this | What happens |
|---|---|
| Press (Drum pads) | Plays track 6 at velocity 100 and sends its assigned MIDI note on the drum channel; on HOME and per-track screens also selects it. |
| Press (TRACKS with recording armed) | Plays track 6 and records to its nearest step when that track is armed, playing and using its own steps, while sending its assigned MIDI note. |
| Release (Drum pads) | Sends track 6’s MIDI note-off without stopping a one-shot drum sound. |
| Press while holding REC (TRACKS mute shortcuts) | Toggles track 6’s persistent mute at once or at the next bar according to MUTE timing, taking effect at once when stopped. |
| Press (Compressor track keys) | Toggles compressor ducking for track 6 unless it is the compressor’s source. |
| Press (Step keys) | Toggles visible-bank step 6 within LEN unless a song or Grids owns it; switching it off clears its flags, while a new ACID step uses the last keyboard note and a new drum step uses C4. |
| Long hold (Step keys) | After 0.4 seconds restores visible-bank step 6 to its previous settings, forces it on without a tie and flips its accent, unless that step is unavailable. |
| Press (Project name) | In ABC mode types or cycles LM when tapped again within 0.8 seconds; in 123 mode types 6 once. |
| Press (Chromatic keys) | Plays the selected track at D4 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate and sends track 6’s assigned MIDI note-off. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN and sends track 6’s assigned MIDI note-off. |
| Press while holding FX (Live performance effects) | Mutes track 6 while this performance key is held without changing its saved mute setting; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases the temporary performance mute of track 6. |
| Press (Device menu) | Plays track 6 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Press (About screen) | Plays track 6 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Press (Bluetooth menu) | Plays track 6 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Release (ordinary screens) | Unless PERFORM claimed the key, sends track 6’s assigned MIDI note-off even when the grid, NAME or a menu consumed its press. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, mutes track 6 while this performance key is held without changing its saved mute setting. |
D#4
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Has no REC-held mute shortcut. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Has no step-grid action. |
| Press (Project name) | Toggles the white keys between ABC groups and single 123 characters. |
| Press (Chromatic keys) | Plays the selected track at D#4 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Applies tape stop to the master immediately while held, if available; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases tape stop, returning to any earlier held buffer effect when applicable. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, applies tape stop to the master immediately while held, if available. |
E4
| Do this | What happens |
|---|---|
| Press (Drum pads) | Plays track 7 at velocity 100 and sends its assigned MIDI note on the drum channel; on HOME and per-track screens also selects it. |
| Press (TRACKS with recording armed) | Plays track 7 and records to its nearest step when that track is armed, playing and using its own steps, while sending its assigned MIDI note. |
| Release (Drum pads) | Sends track 7’s MIDI note-off without stopping a one-shot drum sound. |
| Press while holding REC (TRACKS mute shortcuts) | Toggles track 7’s persistent mute at once or at the next bar according to MUTE timing, taking effect at once when stopped. |
| Press (Compressor track keys) | Toggles compressor ducking for track 7 unless it is the compressor’s source. |
| Press (Step keys) | Toggles visible-bank step 7 within LEN unless a song or Grids owns it; switching it off clears its flags, while a new ACID step uses the last keyboard note and a new drum step uses C4. |
| Long hold (Step keys) | After 0.4 seconds restores visible-bank step 7 to its previous settings, forces it on without a tie and flips its accent, unless that step is unavailable. |
| Press (Project name) | In ABC mode types or cycles NO when tapped again within 0.8 seconds; in 123 mode types 7 once. |
| Press (Chromatic keys) | Plays the selected track at E4 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate and sends track 7’s assigned MIDI note-off. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN and sends track 7’s assigned MIDI note-off. |
| Press while holding FX (Live performance effects) | Mutes track 7 while this performance key is held without changing its saved mute setting; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases the temporary performance mute of track 7. |
| Press (Device menu) | Plays track 7 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Press (About screen) | Plays track 7 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Press (Bluetooth menu) | Plays track 7 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Release (ordinary screens) | Unless PERFORM claimed the key, sends track 7’s assigned MIDI note-off even when the grid, NAME or a menu consumed its press. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, mutes track 7 while this performance key is held without changing its saved mute setting. |
F4
| Do this | What happens |
|---|---|
| Press (Drum pads) | Plays track 8 at velocity 100 and sends its assigned MIDI note on the drum channel; on HOME and per-track screens also selects it. |
| Press (TRACKS with recording armed) | Plays track 8 and records to its nearest step when that track is armed, playing and using its own steps, while sending its assigned MIDI note. |
| Release (Drum pads) | Sends track 8’s MIDI note-off without stopping a one-shot drum sound. |
| Press while holding REC (TRACKS mute shortcuts) | Toggles track 8’s persistent mute at once or at the next bar according to MUTE timing, taking effect at once when stopped. |
| Press (Compressor track keys) | Toggles compressor ducking for track 8 unless it is the compressor’s source. |
| Press (Step keys) | Toggles visible-bank step 8 within LEN unless a song or Grids owns it; switching it off clears its flags, while a new ACID step uses the last keyboard note and a new drum step uses C4. |
| Long hold (Step keys) | After 0.4 seconds restores visible-bank step 8 to its previous settings, forces it on without a tie and flips its accent, unless that step is unavailable. |
| Press (Project name) | In ABC mode types or cycles PQ when tapped again within 0.8 seconds; in 123 mode types 8 once. |
| Press (Chromatic keys) | Plays the selected track at F4 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate and sends track 8’s assigned MIDI note-off. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN and sends track 8’s assigned MIDI note-off. |
| Press while holding FX (Live performance effects) | Mutes track 8 while this performance key is held without changing its saved mute setting; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases the temporary performance mute of track 8. |
| Press (Device menu) | Plays track 8 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Press (About screen) | Plays track 8 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Press (Bluetooth menu) | Plays track 8 and sends its drum-channel MIDI note without moving the menu cursor, recording the hit if that track is armed and playing its own steps. |
| Release (ordinary screens) | Unless PERFORM claimed the key, sends track 8’s assigned MIDI note-off even when the grid, NAME or a menu consumed its press. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, mutes track 8 while this performance key is held without changing its saved mute setting. |
F#4
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Has no REC-held mute shortcut. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Has no step-grid action. |
| Press (Project name) | Moves the name cursor left. |
| Hold (Project name) | Moves the name cursor left repeatedly after 0.45 seconds, then every 0.09 seconds. |
| Press (Chromatic keys) | Plays the selected track at F#4 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Applies low-pass to the master immediately while held, if available; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases low-pass, returning to any earlier held buffer effect when applicable. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, applies low-pass to the master immediately while held, if available. |
G4
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Has no REC-held mute shortcut. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Toggles visible-bank step 9 within LEN unless a song or Grids owns it; switching it off clears its flags, while a new ACID step uses the last keyboard note and a new drum step uses C4. |
| Long hold (Step keys) | After 0.4 seconds restores visible-bank step 9 to its previous settings, forces it on without a tie and flips its accent, unless that step is unavailable. |
| Press (Project name) | In ABC mode types or cycles RS when tapped again within 0.8 seconds; in 123 mode types 9 once. |
| Press (Chromatic keys) | Plays the selected track at G4 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Has no performance effect and does not play or record a note. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, has no performance effect and does not play or record a note. |
G#4
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Has no REC-held mute shortcut. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Has no step-grid action. |
| Press (Project name) | Inserts a space into the name. |
| Press (Chromatic keys) | Plays the selected track at G#4 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Applies high-pass to the master immediately while held, if available; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases high-pass, returning to any earlier held buffer effect when applicable. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, applies high-pass to the master immediately while held, if available. |
A4
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Has no REC-held mute shortcut. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Toggles visible-bank step 10 within LEN unless a song or Grids owns it; switching it off clears its flags, while a new ACID step uses the last keyboard note and a new drum step uses C4. |
| Long hold (Step keys) | After 0.4 seconds restores visible-bank step 10 to its previous settings, forces it on without a tie and flips its accent, unless that step is unavailable. |
| Press (Project name) | In ABC mode types or cycles TU when tapped again within 0.8 seconds; in 123 mode types 0 once. |
| Press (Chromatic keys) | Plays the selected track at A4 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Has no performance effect and does not play or record a note. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, has no performance effect and does not play or record a note. |
A#4
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Has no REC-held mute shortcut. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Has no step-grid action. |
| Press (Project name) | Moves the name cursor right. |
| Hold (Project name) | Moves the name cursor right repeatedly after 0.45 seconds, then every 0.09 seconds. |
| Press (Chromatic keys) | Plays the selected track at A#4 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Applies freeze to the master immediately while held, if available; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases freeze, returning to any earlier held buffer effect when applicable. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, applies freeze to the master immediately while held, if available. |
B4
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Has no REC-held mute shortcut. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Toggles visible-bank step 11 within LEN unless a song or Grids owns it; switching it off clears its flags, while a new ACID step uses the last keyboard note and a new drum step uses C4. |
| Long hold (Step keys) | After 0.4 seconds restores visible-bank step 11 to its previous settings, forces it on without a tie and flips its accent, unless that step is unavailable. |
| Press (Project name) | In ABC mode types or cycles VW when tapped again within 0.8 seconds; in 123 mode types - once. |
| Press (Chromatic keys) | Plays the selected track at B4 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Has no performance effect and does not play or record a note. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, has no performance effect and does not play or record a note. |
C5
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Has no REC-held mute shortcut. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Toggles visible-bank step 12 within LEN unless a song or Grids owns it; switching it off clears its flags, while a new ACID step uses the last keyboard note and a new drum step uses C4. |
| Long hold (Step keys) | After 0.4 seconds restores visible-bank step 12 to its previous settings, forces it on without a tie and flips its accent, unless that step is unavailable. |
| Press (Project name) | In ABC mode types or cycles XYZ when tapped again within 0.8 seconds; in 123 mode types . once. |
| Press (Chromatic keys) | Plays the selected track at C5 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Has no performance effect and does not play or record a note. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, has no performance effect and does not play or record a note. |
C#5
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Sets TRACKS mute timing to immediately and saves the device option at once when stopped or after stopping playback, without a question. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Has no step-grid action. |
| Press (Project name) | Deletes the character before the name cursor. |
| Hold (Project name) | Deletes the character before the name cursor repeatedly after 0.45 seconds, then every 0.09 seconds. |
| Press (Chromatic keys) | Plays the selected track at C#5 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Applies octave up to the master immediately while held, if available; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases octave up, returning to any earlier held buffer effect when applicable. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, applies octave up to the master immediately while held, if available. |
D5
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Has no REC-held mute shortcut. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Toggles visible-bank step 13 within LEN unless a song or Grids owns it; switching it off clears its flags, while a new ACID step uses the last keyboard note and a new drum step uses C4. |
| Long hold (Step keys) | After 0.4 seconds restores visible-bank step 13 to its previous settings, forces it on without a tie and flips its accent, unless that step is unavailable. |
| Press (Project name) | In ABC mode types or cycles 123 when tapped again within 0.8 seconds; in 123 mode types _ once. |
| Press (Chromatic keys) | Plays the selected track at D5 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Has no performance effect and does not play or record a note. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, has no performance effect and does not play or record a note. |
D#5
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Sets TRACKS mute timing to at the next bar and saves the device option at once when stopped or after stopping playback, without a question. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Has no step-grid action. |
| Press (Project name) | Toggles the white keys between ABC groups and single 123 characters. |
| Press (Chromatic keys) | Plays the selected track at D#5 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Applies octave down to the master immediately while held, if available; PAGE operation also accepts the key without FX held. |
| Release (Live performance effects) | Releases octave down, returning to any earlier held buffer effect when applicable. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, applies octave down to the master immediately while held, if available. |
E5
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Has no REC-held mute shortcut. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Toggles visible-bank step 14 within LEN unless a song or Grids owns it; switching it off clears its flags, while a new ACID step uses the last keyboard note and a new drum step uses C4. |
| Long hold (Step keys) | After 0.4 seconds restores visible-bank step 14 to its previous settings, forces it on without a tie and flips its accent, unless that step is unavailable. |
| Press (Project name) | In ABC mode types or cycles 456 when tapped again within 0.8 seconds; in 123 mode types / once. |
| Press (Chromatic keys) | Plays the selected track at E5 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Has no performance effect and does not play or record a note. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, has no performance effect and does not play or record a note. |
F5
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Has no REC-held mute shortcut. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Toggles visible-bank step 15 within LEN unless a song or Grids owns it; switching it off clears its flags, while a new ACID step uses the last keyboard note and a new drum step uses C4. |
| Long hold (Step keys) | After 0.4 seconds restores visible-bank step 15 to its previous settings, forces it on without a tie and flips its accent, unless that step is unavailable. |
| Press (Project name) | In ABC mode types or cycles 789 when tapped again within 0.8 seconds; in 123 mode types # once. |
| Press (Chromatic keys) | Plays the selected track at F5 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Has no performance effect and does not play or record a note. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, has no performance effect and does not play or record a note. |
F#5
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Has no REC-held mute shortcut. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Has no step-grid action. |
| Press (Project name) | Moves the name cursor left. |
| Hold (Project name) | Moves the name cursor left repeatedly after 0.45 seconds, then every 0.09 seconds. |
| Press (Chromatic keys) | Plays the selected track at F#5 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Has no performance effect and does not play or record a note. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, has no performance effect and does not play or record a note. |
G5
| Do this | What happens |
|---|---|
| Press (Drum pads) | Has no drum-pad function with KEYS off. |
| Press (TRACKS with recording armed) | Has no drum-pad function on armed TRACKS. |
| Press while holding REC (TRACKS mute shortcuts) | Has no REC-held mute shortcut. |
| Press (Compressor track keys) | Has no compressor duck shortcut. |
| Press (Step keys) | Toggles visible-bank step 16 within LEN unless a song or Grids owns it; switching it off clears its flags, while a new ACID step uses the last keyboard note and a new drum step uses C4. |
| Long hold (Step keys) | After 0.4 seconds restores visible-bank step 16 to its previous settings, forces it on without a tie and flips its accent, unless that step is unavailable. |
| Press (Project name) | In ABC mode types or cycles 0-. when tapped again within 0.8 seconds; in 123 mode types + once. |
| Press (Chromatic keys) | Plays the selected track at G5 plus the octave shift, recording its note when armed and playing with its own steps, without sending a MIDI note-on. |
| Hold (Chromatic keys) | For ACID holds the sounding note and writes ties during live recording, with legato notes able to create slides, but its gate closes after about 5.5 seconds from the latest note or slide. |
| Release (Chromatic keys) | Ends this key’s held ACID note if it still owns the gate. |
| Press (Step recording) | Writes this key’s note at the cursor with the current accent and slide flags; a press overlapping the previous key adds a slide flag there and enters the next step. |
| Release (Step recording) | Advances the cursor when the key that entered its current note is released, wrapping within LEN. |
| Press while holding FX (Live performance effects) | Has no performance effect and does not play or record a note. |
| Press (Device menu) | Does not move the menu cursor or act as a drum pad. |
| Press (Clear confirmation) | Keeps the underlying screen’s sound and MIDI routing while the confirmation ignores its step-edit or track-selection command. |
| Press (Live performance effects) | With PERFORM PAGE open, has no performance effect and does not play or record a note. |
Switching from your firmware
Pick the firmware on your FM-1 now to see what installing Hortator does to its data.
1 · Back up first, on Stock V15
- Stock V15 has no way to back up your voices or patterns. The FM-1 only sends notes over MIDI, never voice data.
- One indirect way to back up, from Baud Girl's own docs (not tested by us): installing her FM-1+VA keeps your saved stock presets and patterns, and its browser Device Manager can then save all 128 presets and 16 patterns as files. FM-1+VA is closed source; install it at your own risk.
2 · What happens to your Stock V15 data
Possibly at risk
(the layout is reported or inferred, not read in code)
- stock settings (and possibly patterns)
(weakest evidence: reported)
Everything else on Hortator
Choose the package
The community hub catalogue lists hortator-0.16.0.fwsc, the plain package. hortator-0.16.0-bluetooth.fwsc adds Bluetooth MIDI, its connection menu and SMC-Mixer support. Bluetooth starts off after every power-on and runs only after you enable it. Both use the same project and device-settings formats; a Bluetooth clock selection loaded in the plain build becomes internal clock.
Use the release page or the community hub; Les does not host either package.
Shape sounds, patterns, effects and projects
Each table follows what KNOB 1–4 do on that screen. Empty positions have no assigned turn action. Parameter changes and recording affect the working project; motion-capable knob changes are recorded when their track is armed and playing.
Step recording
| Do this | What happens |
|---|---|
| KNOB1: Turn | Moves the step-record cursor within the track’s pattern. |
| KNOB2: Turn | Changes the note at the step-record cursor. |
| KNOB3: Turn | Chooses NOTE, TIE or REST for the step-record cursor. |
| KNOB4: Turn | Chooses no flags, accent, slide or both for the step-record cursor. |
Project name
| Do this | What happens |
|---|---|
| KNOB1: Turn | Moves the name cursor. |
| KNOB2: Turn | Changes the character at the name cursor, inserting a space first when the cursor is at the end. |
| KNOB3: Turn | Does nothing in this screen. |
| KNOB4: Turn | Does nothing in this screen. |
Device menu
| Do this | What happens |
|---|---|
| KNOB1: Turn | On COLOR, changes the display palette. |
| KNOB1: Turn | On SPEAKER EQ, chooses FLAT, LOWCUT or BASS+ and stops at the ends. |
| KNOB1: Turn | On USB LEVEL, turns clockwise for fixed USB level or counterclockwise to follow MASTER. |
| KNOB1: Turn | On PERFORM, turns clockwise to keep the effect page open or counterclockwise for the held layer. |
| KNOB1: Turn | On ZOOM, turns value enlargement on clockwise or off counterclockwise. |
| KNOB1: Turn | On ACCEL, turns encoder acceleration on clockwise or off counterclockwise. |
| KNOB2: Turn | Does nothing in this screen. |
| KNOB3: Turn | Does nothing in this screen. |
| KNOB4: Turn | Does nothing in this screen. |
About screen
| Do this | What happens |
|---|---|
| KNOB1: Turn | Does nothing in this screen. |
| KNOB2: Turn | Does nothing in this screen. |
| KNOB3: Turn | Does nothing in this screen. |
| KNOB4: Turn | Does nothing in this screen. |
Bluetooth menu
| Do this | What happens |
|---|---|
| KNOB1: Turn | On BLUETOOTH, enables the radio clockwise or disables it counterclockwise without storing its on/off state. |
| KNOB1: Turn | On MODE, chooses AUTO, SMC DAW or MIDI and saves it when the menu closes, or after playback stops. |
| KNOB1: Turn left | On DEVICE, forgets the saved peer and drops its connection without asking, writing settings now when stopped or after playback stops, with no undo. |
| KNOB2: Turn | Does nothing in this screen. |
| KNOB3: Turn | Does nothing in this screen. |
| KNOB4: Turn | Does nothing in this screen. |
Clear confirmation
| Do this | What happens |
|---|---|
| KNOB1: Turn | Does nothing in this screen. |
| KNOB2: Turn | Does nothing in this screen. |
| KNOB3: Turn | Does nothing in this screen. |
| KNOB4: Turn | Does nothing in this screen. |
Live performance effects
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the temporary master filter, with low-pass to the left and high-pass to the right. |
| KNOB2: Turn | Changes temporary master bit crushing. |
| KNOB3: Turn | Adds a temporary master send to delay and reverb. |
| KNOB4: Turn | Reduces the buffer effects’ wet level, or increases shimmer while an octave effect runs. |
Panel calibration
| Do this | What happens |
|---|---|
| KNOB1: Turn right | When its encoder is prompted, teaches the encoder identity and right-turn direction; power-on calibration requests a settings write on return, while menu calibration waits for menu close, with a pending write deferred during playback. |
| KNOB2: Turn right | When its encoder is prompted, teaches the encoder identity and right-turn direction; power-on calibration requests a settings write on return, while menu calibration waits for menu close, with a pending write deferred during playback. |
| KNOB3: Turn right | When its encoder is prompted, teaches the encoder identity and right-turn direction; power-on calibration requests a settings write on return, while menu calibration waits for menu close, with a pending write deferred during playback. |
| KNOB4: Turn right | When its encoder is prompted, teaches the encoder identity and right-turn direction; power-on calibration requests a settings write on return, while menu calibration waits for menu close, with a pending write deferred during playback. |
Safe start
| Do this | What happens |
|---|---|
| KNOB1: Turn | Does nothing in this screen. |
| KNOB2: Turn | Does nothing in this screen. |
| KNOB3: Turn | Does nothing in this screen. |
| KNOB4: Turn | Does nothing in this screen. |
Home
| Do this | What happens |
|---|---|
| KNOB 1: Turn | Adjusts the selected track’s TUNE from -24 to +24 semitones, changing pitch or filter tuning according to its model. |
| KNOB 2: Turn | Adjusts the selected track’s DECAY, controlling sound decay or ACID’s filter-envelope decay. |
| KNOB 3: Turn | Changes the selected track’s third main sound control, whose function depends on that track’s model. |
| KNOB 4: Turn | Changes the selected track’s fourth main sound control, whose function depends on that track’s model. |
Home with a K808 track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For K808, changes the selected track’s pitch. |
| KNOB 2: Turn | For K808, changes the selected track’s decay. |
| KNOB 3: Turn | For K808, changes the selected track’s attack blip level. |
| KNOB 4: Turn | For K808, changes the selected track’s pitch dip. |
Home with a K909 track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For K909, changes the selected track’s pitch. |
| KNOB 2: Turn | For K909, changes the selected track’s decay. |
| KNOB 3: Turn | For K909, changes the selected track’s pitch sweep. |
| KNOB 4: Turn | For K909, changes the selected track’s click level. |
Home with a KBOOM track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For KBOOM, changes the selected track’s pitch. |
| KNOB 2: Turn | For KBOOM, changes the selected track’s decay. |
| KNOB 3: Turn | For KBOOM, changes the selected track’s tone. |
| KNOB 4: Turn | For KBOOM, changes the selected track’s punch. |
Home with a KPUNC track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For KPUNC, changes the selected track’s pitch. |
| KNOB 2: Turn | For KPUNC, changes the selected track’s decay. |
| KNOB 3: Turn | For KPUNC, changes the selected track’s tone. |
| KNOB 4: Turn | For KPUNC, changes the selected track’s FM amount. |
Home with an S808 track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For S808, changes the selected track’s pitch. |
| KNOB 2: Turn | For S808, changes the selected track’s decay. |
| KNOB 3: Turn | For S808, changes the selected track’s balance between the two body tones. |
| KNOB 4: Turn | For S808, changes the selected track’s snare snap. |
Home with an S909 track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For S909, changes the selected track’s pitch. |
| KNOB 2: Turn | For S909, changes the selected track’s decay. |
| KNOB 3: Turn | For S909, changes the selected track’s body level. |
| KNOB 4: Turn | For S909, changes the selected track’s snare snap. |
Home with a C808 track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For C808, changes the selected track’s filter tuning. |
| KNOB 2: Turn | For C808, changes the selected track’s decay. |
| KNOB 3: Turn | For C808, changes the selected track’s filter frequency. |
| KNOB 4: Turn | For C808, changes the selected track’s tail level. |
Home with a C909 track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For C909, changes the selected track’s filter tuning. |
| KNOB 2: Turn | For C909, changes the selected track’s decay. |
| KNOB 3: Turn | For C909, changes the selected track’s filter frequency. |
| KNOB 4: Turn | For C909, changes the selected track’s clap spread. |
Home with a SSNAP track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For SSNAP, changes the selected track’s pitch. |
| KNOB 2: Turn | For SSNAP, changes the selected track’s decay. |
| KNOB 3: Turn | For SSNAP, changes the selected track’s tone. |
| KNOB 4: Turn | For SSNAP, changes the selected track’s snare snap. |
Home with a SCRAK track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For SCRAK, changes the selected track’s pitch. |
| KNOB 2: Turn | For SCRAK, changes the selected track’s decay. |
| KNOB 3: Turn | For SCRAK, changes the selected track’s FM amount. |
| KNOB 4: Turn | For SCRAK, changes the selected track’s snare snap. |
Home with a HATC track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For HATC, changes the selected track’s filter tuning. |
| KNOB 2: Turn | For HATC, changes the selected track’s decay. |
| KNOB 3: Turn | For HATC, changes the selected track’s band-pass frequency. |
| KNOB 4: Turn | For HATC, changes the selected track’s high-pass frequency. |
Home with a HATO track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For HATO, changes the selected track’s filter tuning. |
| KNOB 2: Turn | For HATO, changes the selected track’s decay. |
| KNOB 3: Turn | For HATO, changes the selected track’s band-pass frequency. |
| KNOB 4: Turn | For HATO, changes the selected track’s high-pass frequency. |
Home with a CYMB track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For CYMB, changes the selected track’s filter tuning. |
| KNOB 2: Turn | For CYMB, changes the selected track’s decay. |
| KNOB 3: Turn | For CYMB, changes the selected track’s filter frequencies. |
| KNOB 4: Turn | For CYMB, changes the selected track’s balance between the lower and higher metal bands. |
Home with a COWB track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For COWB, changes the selected track’s pitch. |
| KNOB 2: Turn | For COWB, changes the selected track’s decay. |
| KNOB 3: Turn | For COWB, changes the selected track’s tone. |
| KNOB 4: Turn | For COWB, changes the selected track’s balance between the short attack and longer tail. |
Home with a HMETL track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For HMETL, changes the selected track’s pitch. |
| KNOB 2: Turn | For HMETL, changes the selected track’s decay. |
| KNOB 3: Turn | For HMETL, changes the selected track’s tone. |
| KNOB 4: Turn | For HMETL, changes the selected track’s noise level. |
Home with a HNOIS track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For HNOIS, changes the selected track’s pitch. |
| KNOB 2: Turn | For HNOIS, changes the selected track’s decay. |
| KNOB 3: Turn | For HNOIS, changes the selected track’s tone. |
| KNOB 4: Turn | For HNOIS, changes the selected track’s noise level. |
Home with a TOM track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For TOM, changes the selected track’s pitch. |
| KNOB 2: Turn | For TOM, changes the selected track’s decay. |
| KNOB 3: Turn | For TOM, changes the selected track’s noise level. |
| KNOB 4: Turn | For TOM, changes the selected track’s pitch drop. |
Home with a CONGA track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For CONGA, changes the selected track’s pitch. |
| KNOB 2: Turn | For CONGA, changes the selected track’s decay. |
| KNOB 3: Turn | For CONGA, changes the selected track’s slap level. |
| KNOB 4: Turn | For CONGA, changes the selected track’s pitch drop. |
Home with a RIM track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For RIM, changes the selected track’s pitch. |
| KNOB 2: Turn | For RIM, changes the selected track’s decay. |
| KNOB 3: Turn | For RIM, changes the selected track’s balance between the two body tones. |
| KNOB 4: Turn | For RIM, changes the selected track’s drive. |
Home with a CLAVE track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For CLAVE, changes the selected track’s pitch. |
| KNOB 2: Turn | For CLAVE, changes the selected track’s decay. |
| KNOB 3: Turn | For CLAVE, changes the selected track’s click level. |
| KNOB 4: Turn | For CLAVE, changes the selected track’s pitch drop. |
Home with a MEMB track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For MEMB, changes the selected track’s pitch. |
| KNOB 2: Turn | For MEMB, changes the selected track’s decay. |
| KNOB 3: Turn | For MEMB, changes the selected track’s tone. |
| KNOB 4: Turn | For MEMB, changes the selected track’s blend from an inharmonic head to a harmonic head. |
Home with an FM track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For FM, changes the selected track’s pitch. |
| KNOB 2: Turn | For FM, changes the selected track’s decay. |
| KNOB 3: Turn | For FM, changes the selected track’s FM index. |
| KNOB 4: Turn | For FM, changes the selected track’s FM ratio. |
Home with an ACID track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For ACID, changes the selected track’s pitch. |
| KNOB 2: Turn | For ACID, changes the selected track’s filter-envelope decay. |
| KNOB 3: Turn | For ACID, changes the selected track’s filter cutoff. |
| KNOB 4: Turn | For ACID, changes the selected track’s resonance. |
Home with a SMPL track selected
| Do this | What happens |
|---|---|
| KNOB 1: Turn | For SMPL, changes the selected track’s pitch. |
| KNOB 2: Turn | For SMPL, changes the selected track’s decay. |
| KNOB 3: Turn | For SMPL, changes the selected track’s tone. |
| KNOB 4: Turn | For SMPL, changes the selected track’s drive. |
K808 SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected K808 track’s pitch. |
| KNOB3: Turn | Changes the selected K808 track’s decay. |
| KNOB4: Turn | Changes the selected K808 track’s attack blip level. |
K808 SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected K808 track’s pitch dip. |
| KNOB2: Turn | Changes the selected K808 track’s drive. |
| KNOB3: Turn | Changes the selected track’s level. |
| KNOB4: Turn | Moves the selected track across the stereo field. |
K808 SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the MIDI note that triggers this track. |
| KNOB2: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
K909 SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected K909 track’s pitch. |
| KNOB3: Turn | Changes the selected K909 track’s decay. |
| KNOB4: Turn | Changes the selected K909 track’s pitch sweep. |
K909 SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected K909 track’s click level. |
| KNOB2: Turn | Changes the selected K909 track’s pitch-sweep time. |
| KNOB3: Turn | Changes the selected K909 track’s drive. |
| KNOB4: Turn | Changes the selected track’s level. |
K909 SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Moves the selected track across the stereo field. |
| KNOB2: Turn | Changes the MIDI note that triggers this track. |
| KNOB3: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB4: Turn | Does nothing on this page. |
KBOOM SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected KBOOM track’s pitch. |
| KNOB3: Turn | Changes the selected KBOOM track’s decay. |
| KNOB4: Turn | Changes the selected KBOOM track’s tone. |
KBOOM SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected KBOOM track’s punch. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
KBOOM SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
KPUNC SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected KPUNC track’s pitch. |
| KNOB3: Turn | Changes the selected KPUNC track’s decay. |
| KNOB4: Turn | Changes the selected KPUNC track’s tone. |
KPUNC SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected KPUNC track’s FM amount. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
KPUNC SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
S808 SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected S808 track’s pitch. |
| KNOB3: Turn | Changes the selected S808 track’s decay. |
| KNOB4: Turn | Changes the selected S808 track’s balance between the two body tones. |
S808 SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected S808 track’s snare snap. |
| KNOB2: Turn | Changes the selected S808 track’s noise tone. |
| KNOB3: Turn | Changes the selected track’s level. |
| KNOB4: Turn | Moves the selected track across the stereo field. |
S808 SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the MIDI note that triggers this track. |
| KNOB2: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
S909 SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected S909 track’s pitch. |
| KNOB3: Turn | Changes the selected S909 track’s decay. |
| KNOB4: Turn | Changes the selected S909 track’s body level. |
S909 SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected S909 track’s snare snap. |
| KNOB2: Turn | Changes the selected S909 track’s noise tone. |
| KNOB3: Turn | Changes the selected track’s level. |
| KNOB4: Turn | Moves the selected track across the stereo field. |
S909 SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the MIDI note that triggers this track. |
| KNOB2: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
C808 SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected C808 track’s filter tuning. |
| KNOB3: Turn | Changes the selected C808 track’s decay. |
| KNOB4: Turn | Changes the selected C808 track’s filter frequency. |
C808 SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected C808 track’s tail level. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
C808 SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
C909 SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected C909 track’s filter tuning. |
| KNOB3: Turn | Changes the selected C909 track’s decay. |
| KNOB4: Turn | Changes the selected C909 track’s filter frequency. |
C909 SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected C909 track’s clap spread. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
C909 SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
SSNAP SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected SSNAP track’s pitch. |
| KNOB3: Turn | Changes the selected SSNAP track’s decay. |
| KNOB4: Turn | Changes the selected SSNAP track’s tone. |
SSNAP SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected SSNAP track’s snare snap. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
SSNAP SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
SCRAK SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected SCRAK track’s pitch. |
| KNOB3: Turn | Changes the selected SCRAK track’s decay. |
| KNOB4: Turn | Changes the selected SCRAK track’s FM amount. |
SCRAK SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected SCRAK track’s snare snap. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
SCRAK SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
HATC SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected HATC track’s filter tuning. |
| KNOB3: Turn | Changes the selected HATC track’s decay. |
| KNOB4: Turn | Changes the selected HATC track’s band-pass frequency. |
HATC SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected HATC track’s high-pass frequency. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
HATC SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
HATO SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected HATO track’s filter tuning. |
| KNOB3: Turn | Changes the selected HATO track’s decay. |
| KNOB4: Turn | Changes the selected HATO track’s band-pass frequency. |
HATO SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected HATO track’s high-pass frequency. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
HATO SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
CYMB SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected CYMB track’s filter tuning. |
| KNOB3: Turn | Changes the selected CYMB track’s decay. |
| KNOB4: Turn | Changes the selected CYMB track’s filter frequencies. |
CYMB SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected CYMB track’s balance between the lower and higher metal bands. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
CYMB SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
COWB SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected COWB track’s pitch. |
| KNOB3: Turn | Changes the selected COWB track’s decay. |
| KNOB4: Turn | Changes the selected COWB track’s tone. |
COWB SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected COWB track’s balance between the short attack and longer tail. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
COWB SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
HMETL SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected HMETL track’s pitch. |
| KNOB3: Turn | Changes the selected HMETL track’s decay. |
| KNOB4: Turn | Changes the selected HMETL track’s tone. |
HMETL SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected HMETL track’s noise level. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
HMETL SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
HNOIS SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected HNOIS track’s pitch. |
| KNOB3: Turn | Changes the selected HNOIS track’s decay. |
| KNOB4: Turn | Changes the selected HNOIS track’s tone. |
HNOIS SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected HNOIS track’s noise level. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
HNOIS SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
TOM SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected TOM track’s pitch. |
| KNOB3: Turn | Changes the selected TOM track’s decay. |
| KNOB4: Turn | Changes the selected TOM track’s noise level. |
TOM SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected TOM track’s pitch drop. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
TOM SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
CONGA SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected CONGA track’s pitch. |
| KNOB3: Turn | Changes the selected CONGA track’s decay. |
| KNOB4: Turn | Changes the selected CONGA track’s slap level. |
CONGA SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected CONGA track’s pitch drop. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
CONGA SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
RIM SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected RIM track’s pitch. |
| KNOB3: Turn | Changes the selected RIM track’s decay. |
| KNOB4: Turn | Changes the selected RIM track’s balance between the two body tones. |
RIM SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected RIM track’s drive. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
RIM SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
CLAVE SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected CLAVE track’s pitch. |
| KNOB3: Turn | Changes the selected CLAVE track’s decay. |
| KNOB4: Turn | Changes the selected CLAVE track’s click level. |
CLAVE SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected CLAVE track’s pitch drop. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
CLAVE SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
MEMB SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected MEMB track’s pitch. |
| KNOB3: Turn | Changes the selected MEMB track’s decay. |
| KNOB4: Turn | Changes the selected MEMB track’s tone. |
MEMB SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected MEMB track’s blend from an inharmonic head to a harmonic head. |
| KNOB2: Turn | Changes the selected MEMB track’s strike position. |
| KNOB3: Turn | Changes the selected MEMB track’s pitch drop after the strike. |
| KNOB4: Turn | Changes the selected MEMB track’s stick level. |
MEMB SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected track’s level. |
| KNOB2: Turn | Moves the selected track across the stereo field. |
| KNOB3: Turn | Changes the MIDI note that triggers this track. |
| KNOB4: Turn | Assigns the selected track to a choke group or turns its grouping off. |
FM SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected FM track’s pitch. |
| KNOB3: Turn | Changes the selected FM track’s decay. |
| KNOB4: Turn | Changes the selected FM track’s FM index. |
FM SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected FM track’s FM ratio. |
| KNOB2: Turn | Changes the selected FM track’s modulator decay. |
| KNOB3: Turn | Changes the selected FM track’s pitch sweep. |
| KNOB4: Turn | Changes the selected FM track’s feedback. |
FM SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected FM track’s velocity influence on FM index. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
FM SOUND 4
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
ACID SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected ACID track’s pitch. |
| KNOB3: Turn | Changes the selected ACID track’s filter-envelope decay. |
| KNOB4: Turn | Changes the selected ACID track’s filter cutoff. |
ACID SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected ACID track’s resonance. |
| KNOB2: Turn | Changes the selected ACID track’s filter-envelope amount. |
| KNOB3: Turn | Changes the selected ACID track’s accent amount. |
| KNOB4: Turn | Changes the selected ACID track’s waveform. |
ACID SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected ACID track’s gate length. |
| KNOB2: Turn | Changes the selected track’s level. |
| KNOB3: Turn | Moves the selected track across the stereo field. |
| KNOB4: Turn | Changes the MIDI note that triggers this track. |
ACID SOUND 4
| Do this | What happens |
|---|---|
| KNOB1: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
SMPL SOUND 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a sound model, replacing its model controls and choke group at once and rebasing its motion without undo; saving the project makes this persistent, and ACID is skipped when two other tracks use it. |
| KNOB2: Turn | Changes the selected SMPL track’s pitch. |
| KNOB3: Turn | Changes the selected SMPL track’s decay. |
| KNOB4: Turn | Changes the selected SMPL track’s tone. |
SMPL SOUND 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected SMPL track’s drive. |
| KNOB2: Turn | Changes the selected SMPL track’s sample set. |
| KNOB3: Turn | Changes the selected SMPL track’s sample note. |
| KNOB4: Turn | Changes the selected track’s level. |
SMPL SOUND 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Moves the selected track across the stereo field. |
| KNOB2: Turn | Changes the MIDI note that triggers this track. |
| KNOB3: Turn | Assigns the selected track to a choke group or turns its grouping off. |
| KNOB4: Turn | Does nothing on this page. |
LAYER 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses the sample set layered with the selected track. |
| KNOB2: Turn | Chooses the layered sample’s note. |
| KNOB3: Turn | Changes the layered sample’s level. |
| KNOB4: Turn | Transposes the layered sample from -24 to +24 semitones. |
LAYER 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the layered sample’s decay. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
FILTER 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses off, low-pass, band-pass, high-pass or notch filtering for the track. |
| KNOB2: Turn | Changes the selected track’s filter cutoff. |
| KNOB3: Turn | Changes the selected track’s filter resonance. |
| KNOB4: Turn | Changes the selected track’s signed filter-envelope amount. |
FILTER 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected track’s filter-envelope decay. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
FX
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected track’s distortion. |
| KNOB2: Turn | Changes the selected track’s chorus amount. |
| KNOB3: Turn | Changes the selected track’s delay send. |
| KNOB4: Turn | Changes the selected track’s reverb send. |
SLICER
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses off, gate or stutter for the track. |
| KNOB2: Turn | Chooses one of 16 slicer patterns. |
| KNOB3: Turn | Changes the track’s slicer division. |
| KNOB4: Turn | Changes the track’s slicer depth. |
RESON 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses off, string, pipe, chord or modal resonance, skipping choices whose track limit is full. |
| KNOB2: Turn | Changes the selected track’s resonator pitch. |
| KNOB3: Turn | Changes the selected track’s resonator decay. |
| KNOB4: Turn | Changes the selected track’s resonator mix. |
RESON 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the selected track’s resonator tone. |
| KNOB2: Turn | Changes resonator structure, or chooses the chord when the model is CHORD. |
| KNOB3: Turn | Changes the selected track’s resonator position. |
| KNOB4: Turn | Does nothing on this page. |
DLY
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the shared delay’s clock division. |
| KNOB2: Turn | Changes the shared delay’s feedback. |
| KNOB3: Turn | Changes the shared delay’s tone. |
| KNOB4: Turn | Changes the shared delay’s mix. |
REVERB
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses room or spring for the shared reverb. |
| KNOB2: Turn | Changes the shared reverb’s size. |
| KNOB3: Turn | Changes the shared reverb’s damping. |
| KNOB4: Turn | Does nothing on this page. |
CHORUS
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the shared chorus’s modulation rate. |
| KNOB2: Turn | Changes the shared chorus’s modulation depth. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
COMP 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses the track that triggers ducking, or turns it off. |
| KNOB2: Turn | Changes the ducking threshold. |
| KNOB3: Turn | Changes the ducking ratio. |
| KNOB4: Turn | Changes the ducking release. |
COMP 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the ducking attack. |
| KNOB2: Turn | Chooses a hard or soft ducking knee. |
| KNOB3: Turn | Changes the ducked signal’s makeup gain. |
| KNOB4: Turn | Chooses MUTE to stop ducking when the source is muted, KEEP to keep ducking while muted, or HIDE to keep the source unheard while it triggers ducking. |
STEP
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses the visible bank of up to 16 steps. |
| KNOB1: Turn while holding F3 | When this is the most recently pressed step key still held, changes its probability, one-shot or cycle condition, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB1: Turn while holding G3 | When this is the most recently pressed step key still held, changes its probability, one-shot or cycle condition, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB1: Turn while holding A3 | When this is the most recently pressed step key still held, changes its probability, one-shot or cycle condition, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB1: Turn while holding B3 | When this is the most recently pressed step key still held, changes its probability, one-shot or cycle condition, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB1: Turn while holding C4 | When this is the most recently pressed step key still held, changes its probability, one-shot or cycle condition, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB1: Turn while holding D4 | When this is the most recently pressed step key still held, changes its probability, one-shot or cycle condition, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB1: Turn while holding E4 | When this is the most recently pressed step key still held, changes its probability, one-shot or cycle condition, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB1: Turn while holding F4 | When this is the most recently pressed step key still held, changes its probability, one-shot or cycle condition, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB1: Turn while holding G4 | When this is the most recently pressed step key still held, changes its probability, one-shot or cycle condition, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB1: Turn while holding A4 | When this is the most recently pressed step key still held, changes its probability, one-shot or cycle condition, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB1: Turn while holding B4 | When this is the most recently pressed step key still held, changes its probability, one-shot or cycle condition, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB1: Turn while holding C5 | When this is the most recently pressed step key still held, changes its probability, one-shot or cycle condition, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB1: Turn while holding D5 | When this is the most recently pressed step key still held, changes its probability, one-shot or cycle condition, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB1: Turn while holding E5 | When this is the most recently pressed step key still held, changes its probability, one-shot or cycle condition, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB1: Turn while holding F5 | When this is the most recently pressed step key still held, changes its probability, one-shot or cycle condition, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB1: Turn while holding G5 | When this is the most recently pressed step key still held, changes its probability, one-shot or cycle condition, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB2: Turn while holding F3 | When this is the most recently pressed step key still held, chooses one to four hits, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB2: Turn while holding G3 | When this is the most recently pressed step key still held, chooses one to four hits, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB2: Turn while holding A3 | When this is the most recently pressed step key still held, chooses one to four hits, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB2: Turn while holding B3 | When this is the most recently pressed step key still held, chooses one to four hits, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB2: Turn while holding C4 | When this is the most recently pressed step key still held, chooses one to four hits, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB2: Turn while holding D4 | When this is the most recently pressed step key still held, chooses one to four hits, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB2: Turn while holding E4 | When this is the most recently pressed step key still held, chooses one to four hits, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB2: Turn while holding F4 | When this is the most recently pressed step key still held, chooses one to four hits, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB2: Turn while holding G4 | When this is the most recently pressed step key still held, chooses one to four hits, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB2: Turn while holding A4 | When this is the most recently pressed step key still held, chooses one to four hits, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB2: Turn while holding B4 | When this is the most recently pressed step key still held, chooses one to four hits, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB2: Turn while holding C5 | When this is the most recently pressed step key still held, chooses one to four hits, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB2: Turn while holding D5 | When this is the most recently pressed step key still held, chooses one to four hits, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB2: Turn while holding E5 | When this is the most recently pressed step key still held, chooses one to four hits, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB2: Turn while holding F5 | When this is the most recently pressed step key still held, chooses one to four hits, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB2: Turn while holding G5 | When this is the most recently pressed step key still held, chooses one to four hits, restoring its earlier flags and forcing it on without a tie on the first turn; steps outside LEN or generated by Grids cannot be edited. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
PATTERN
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the track’s pattern length unless a song is running or armed. |
| KNOB2: Turn | Changes the track’s pattern clock division unless a song is running or armed. |
| KNOB3: Turn | Changes the track’s swing unless a song is running or armed. |
| KNOB4: Turn | Chooses the track’s own steps or a Grids kick, snare or hat pattern unless a song is running or armed. |
MOTION
| Do this | What happens |
|---|---|
| KNOB1: Turn | Turns this track’s motion playback on clockwise or off counterclockwise unless a song is running or armed. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Unless a song is running or armed, a clockwise turn asks to clear this track’s recorded motion when any exists; OCT+ clears it in working memory at once without undo, leaving its saved project unchanged until SAVE. |
SONG
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses a song row or the extra row for adding one. |
| KNOB2: Turn | Chooses a row’s project slot A–D, or adds a row at the extra row, unless a song is running or armed. |
| KNOB3: Turn | Changes a row’s repeats from 1 to 16, or adds a row at the extra row, unless a song is running or armed. |
| KNOB4: Turn | Turns song looping on clockwise or off counterclockwise unless a song is running or armed. |
GLOBAL 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes tempo from 40 to 240 BPM only when the internal clock is selected. |
| KNOB2: Turn | Changes global swing. |
| KNOB3: Turn | Chooses internal, USB or TRS clock, with BLE also available in the Bluetooth build. |
| KNOB4: Turn | Changes the drum MIDI channel from 1 to 16. |
SYSTEM
| Do this | What happens |
|---|---|
| KNOB1: Turn | Does nothing on this page. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
GLOBAL 3
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses immediate mutes or mutes at the next bar and saves this device setting now when stopped or after playback stops without asking. |
| KNOB2: Turn | Does nothing on this page. |
| KNOB3: Turn | Does nothing on this page. |
| KNOB4: Turn | Does nothing on this page. |
PROJECT
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses project slot A, B, C or D without loading it. |
| KNOB2: Turn | While stopped, a clockwise turn opens NAME for a used project slot without writing it or saving the working project; OCT+ later writes the name without another question. |
| KNOB3: Turn | Two clockwise turns within about 1.5 seconds load the chosen project and stop playback, replacing unsaved working data without undo; an armed or running song blocks loading. |
| KNOB4: Turn | While stopped, two clockwise turns within about 1.5 seconds immediately save the whole working project in the selected slot, which can show EMPTY SLOT over another firmware’s data; the first turn arms the write, with no foreign-data warning, further question or undo. |
TOOLS
| Do this | What happens |
|---|---|
| KNOB1: Turn | Unless a song is running or armed, two clockwise turns within about 1.5 seconds clear the working track’s steps and motion and reset its last keyboard note at once without undo; project flash changes only when saved. |
| KNOB2: Turn | Two clockwise turns within about 1.5 seconds immediately reset the current model’s eight sound controls, choke group and track filter, rebase its motion and silence its active voices without undo; this changes working memory only until a project SAVE. |
| KNOB3: Turn | Unless a song is running or armed, two clockwise turns within about 1.5 seconds clear every working pattern, motion lane and song row and reset pattern timing and sources at once without undo; project flash changes only when saved. |
| KNOB4: Turn | Unless a song is running or armed, two clockwise turns within about 1.5 seconds reset the working kit, patterns, motion, song, effects and global settings and stop playback at once without undo, keeping saved projects and device settings. |
GRIDS MAP
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses MAP or EUCL rhythm generation. |
| KNOB2: Turn | Moves horizontally through the Grids rhythm map. |
| KNOB3: Turn | Moves vertically through the Grids rhythm map. |
| KNOB4: Turn | Changes the Grids variation amount. |
GRIDS EUCL
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses MAP or EUCL rhythm generation. |
| KNOB2: Turn | Changes the Euclidean kick pattern’s length from 1 to 32 steps. |
| KNOB3: Turn | Changes the Euclidean snare pattern’s length from 1 to 32 steps. |
| KNOB4: Turn | Changes the Euclidean hat pattern’s length from 1 to 32 steps. |
GRIDS FILL
| Do this | What happens |
|---|---|
| KNOB1: Turn | Changes the generated kick pattern’s fill. |
| KNOB2: Turn | Changes the generated snare pattern’s fill. |
| KNOB3: Turn | Changes the generated hat pattern’s fill. |
| KNOB4: Turn | Does nothing on this page. |
LFO PAGE 1
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses the selected LFO’s wave shape. |
| KNOB2: Turn | Changes the selected LFO’s rate in the SYNC, Hz or TIME mode selected with OCT+. |
| KNOB3: Turn | Changes the selected LFO’s wave morph. |
| KNOB4: Turn | Changes the selected LFO’s signed modulation depth. |
LFO PAGE 2
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses the selected LFO’s sound, mixer, resonator or filter destination, or turns it off. |
| KNOB2: Turn | Chooses free running, retrigger on a hit or retrigger on play for the selected LFO. |
| KNOB3: Turn | Changes the selected LFO’s starting phase. |
| KNOB4: Turn | Does nothing on this page. |
TRACKS
| Do this | What happens |
|---|---|
| KNOB1: Turn | Chooses one of eight tracks. |
| KNOB2: Turn | Changes the selected track’s level, with the first turn only unmuting a muted track. |
| KNOB3: Turn | Changes the selected track’s pattern length unless a song is running or armed. |
| KNOB4: Turn | Moves the selected track across the stereo field. |
Hold FX and turn the macros
| Do this | What happens |
|---|---|
| KNOB1: Turn while holding FX | Changes the temporary master filter, with low-pass to the left and high-pass to the right. |
| KNOB2: Turn while holding FX | Changes temporary master bit crushing. |
| KNOB3: Turn while holding FX | Adds a temporary master send to delay and reverb. |
| KNOB4: Turn while holding FX | Reduces the buffer effects’ wet level, or increases shimmer while an octave effect runs. |
Read the screen and lights
| Where / state | What it shows |
|---|---|
| Screen (Home) | Shows the selected track, its four main sound controls, an audio trace and the step strip. |
| Screen (K808 SOUND 1) | Shows K808 controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| Screen (K808 SOUND 2) | Shows K808 controls DIP, DRIVE, LEVEL, PAN and the sound graphic. |
| Screen (K808 SOUND 3) | Shows K808 controls MIDI NOTE, CHOKE and the sound graphic. |
| Screen (K909 SOUND 1) | Shows K909 controls MODEL, TUNE, DECAY, SWEEP and the sound graphic. |
| Screen (K909 SOUND 2) | Shows K909 controls CLICK, SWPT, DRIVE, LEVEL and the sound graphic. |
| Screen (K909 SOUND 3) | Shows K909 controls PAN, MIDI NOTE, CHOKE and the sound graphic. |
| Screen (KBOOM SOUND 1) | Shows KBOOM controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| Screen (KBOOM SOUND 2) | Shows KBOOM controls PUNCH, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (KBOOM SOUND 3) | Shows KBOOM controls CHOKE and the sound graphic. |
| Screen (KPUNC SOUND 1) | Shows KPUNC controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| Screen (KPUNC SOUND 2) | Shows KPUNC controls FM, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (KPUNC SOUND 3) | Shows KPUNC controls CHOKE and the sound graphic. |
| Screen (S808 SOUND 1) | Shows S808 controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| Screen (S808 SOUND 2) | Shows S808 controls SNAP, NTONE, LEVEL, PAN and the sound graphic. |
| Screen (S808 SOUND 3) | Shows S808 controls MIDI NOTE, CHOKE and the sound graphic. |
| Screen (S909 SOUND 1) | Shows S909 controls MODEL, TUNE, DECAY, BODY and the sound graphic. |
| Screen (S909 SOUND 2) | Shows S909 controls SNAP, NTONE, LEVEL, PAN and the sound graphic. |
| Screen (S909 SOUND 3) | Shows S909 controls MIDI NOTE, CHOKE and the sound graphic. |
| Screen (C808 SOUND 1) | Shows C808 controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| Screen (C808 SOUND 2) | Shows C808 controls TAIL, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (C808 SOUND 3) | Shows C808 controls CHOKE and the sound graphic. |
| Screen (C909 SOUND 1) | Shows C909 controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| Screen (C909 SOUND 2) | Shows C909 controls SPRD, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (C909 SOUND 3) | Shows C909 controls CHOKE and the sound graphic. |
| Screen (SSNAP SOUND 1) | Shows SSNAP controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| Screen (SSNAP SOUND 2) | Shows SSNAP controls SNAP, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (SSNAP SOUND 3) | Shows SSNAP controls CHOKE and the sound graphic. |
| Screen (SCRAK SOUND 1) | Shows SCRAK controls MODEL, TUNE, DECAY, FM and the sound graphic. |
| Screen (SCRAK SOUND 2) | Shows SCRAK controls SNAP, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (SCRAK SOUND 3) | Shows SCRAK controls CHOKE and the sound graphic. |
| Screen (HATC SOUND 1) | Shows HATC controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| Screen (HATC SOUND 2) | Shows HATC controls BRITE, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (HATC SOUND 3) | Shows HATC controls CHOKE and the sound graphic. |
| Screen (HATO SOUND 1) | Shows HATO controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| Screen (HATO SOUND 2) | Shows HATO controls BRITE, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (HATO SOUND 3) | Shows HATO controls CHOKE and the sound graphic. |
| Screen (CYMB SOUND 1) | Shows CYMB controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| Screen (CYMB SOUND 2) | Shows CYMB controls BAL, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (CYMB SOUND 3) | Shows CYMB controls CHOKE and the sound graphic. |
| Screen (COWB SOUND 1) | Shows COWB controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| Screen (COWB SOUND 2) | Shows COWB controls TAIL, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (COWB SOUND 3) | Shows COWB controls CHOKE and the sound graphic. |
| Screen (HMETL SOUND 1) | Shows HMETL controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| Screen (HMETL SOUND 2) | Shows HMETL controls NOISE, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (HMETL SOUND 3) | Shows HMETL controls CHOKE and the sound graphic. |
| Screen (HNOIS SOUND 1) | Shows HNOIS controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| Screen (HNOIS SOUND 2) | Shows HNOIS controls NOISE, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (HNOIS SOUND 3) | Shows HNOIS controls CHOKE and the sound graphic. |
| Screen (TOM SOUND 1) | Shows TOM controls MODEL, TUNE, DECAY, NOISE and the sound graphic. |
| Screen (TOM SOUND 2) | Shows TOM controls DROP, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (TOM SOUND 3) | Shows TOM controls CHOKE and the sound graphic. |
| Screen (CONGA SOUND 1) | Shows CONGA controls MODEL, TUNE, DECAY, SLAP and the sound graphic. |
| Screen (CONGA SOUND 2) | Shows CONGA controls DROP, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (CONGA SOUND 3) | Shows CONGA controls CHOKE and the sound graphic. |
| Screen (RIM SOUND 1) | Shows RIM controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| Screen (RIM SOUND 2) | Shows RIM controls DRIVE, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (RIM SOUND 3) | Shows RIM controls CHOKE and the sound graphic. |
| Screen (CLAVE SOUND 1) | Shows CLAVE controls MODEL, TUNE, DECAY, CLICK and the sound graphic. |
| Screen (CLAVE SOUND 2) | Shows CLAVE controls DROP, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (CLAVE SOUND 3) | Shows CLAVE controls CHOKE and the sound graphic. |
| Screen (MEMB SOUND 1) | Shows MEMB controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| Screen (MEMB SOUND 2) | Shows MEMB controls HEAD, POS, BEND, STICK and the sound graphic. |
| Screen (MEMB SOUND 3) | Shows MEMB controls LEVEL, PAN, MIDI NOTE, CHOKE and the sound graphic. |
| Screen (FM SOUND 1) | Shows FM controls MODEL, TUNE, DECAY, INDEX and the sound graphic. |
| Screen (FM SOUND 2) | Shows FM controls RATIO, MDEC, SWEEP, FBK and the sound graphic. |
| Screen (FM SOUND 3) | Shows FM controls VEL, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (FM SOUND 4) | Shows FM controls CHOKE and the sound graphic. |
| Screen (ACID SOUND 1) | Shows ACID controls MODEL, TUNE, DECAY, CUTOF and the sound graphic. |
| Screen (ACID SOUND 2) | Shows ACID controls RESO, ENVMD, ACCNT, WAVE and the sound graphic. |
| Screen (ACID SOUND 3) | Shows ACID controls GATE, LEVEL, PAN, MIDI NOTE and the sound graphic. |
| Screen (ACID SOUND 4) | Shows ACID controls CHOKE and the sound graphic. |
| Screen (SMPL SOUND 1) | Shows SMPL controls MODEL, TUNE, DECAY, TONE and the sound graphic. |
| Screen (SMPL SOUND 2) | Shows SMPL controls DRIVE, SET, KEY, LEVEL and the sound graphic. |
| Screen (SMPL SOUND 3) | Shows SMPL controls PAN, MIDI NOTE, CHOKE and the sound graphic. |
| Screen (LAYER 1) | Shows the layer’s set, note, level and tuning. |
| Screen (LAYER 2) | Shows the layered sample’s decay. |
| Screen (FILTER 1) | Shows the track’s filter type, cutoff, resonance and envelope amount. |
| Screen (FILTER 2) | Shows the track’s filter-envelope decay. |
| Screen (FX) | Shows the selected track’s distortion, chorus, delay and reverb amounts. |
| Screen (SLICER) | Shows the track’s slicer mode, pattern, rate and depth. |
| Screen (RESON 1) | Shows the track’s resonator model, tuning, decay and mix. |
| Screen (RESON 2) | Shows resonator tone, structure or chord, and position. |
| Screen (DLY) | Shows the shared delay’s time, feedback, color and mix. |
| Screen (REVERB) | Shows the shared reverb’s model, size and damping. |
| Screen (CHORUS) | Shows the shared chorus’s rate and depth. |
| Screen (COMP 1) | Shows ducking source, threshold, ratio and release with a level graphic. |
| Screen (COMP 2) | Shows ducking attack, knee, makeup and ghost behavior with its curve. |
| Screen (STEP) | Shows the selected track’s steps, or a piano roll for a gated sound, and the bank number. |
| Screen (PATTERN) | Shows pattern length, division, swing and step source with its step overview. |
| Screen (MOTION) | Shows this track’s motion-event count and marks steps that hold events. |
| Screen (SONG) | Shows song rows, referenced project slots, repeats and looping, with the active row marked. |
| Screen (GLOBAL 1) | Shows tempo, global swing, clock source and drum MIDI channel. |
| Screen (SYSTEM) | Shows USB connection status, inactive SYNC and ROUT fields, and CPU use. |
| Screen (GLOBAL 3) | Shows whether TRACKS mutes take effect now or at the next bar. |
| Screen (PROJECT) | Shows four project slots and their names, with the selected slot and load/save controls. |
| Screen (TOOLS) | Shows clear-track, initialize-sound, clear-all-patterns and initialize-all controls. |
| Screen (GRIDS MAP) | Shows Grids map position, variation and the generated kick, snare and hat rhythms. |
| Screen (GRIDS EUCL) | Shows the Euclidean kick, snare and hat lengths and generated rhythms. |
| Screen (GRIDS FILL) | Shows the three Grids fills and the tracks routed to each generated rhythm. |
| Screen (LFO PAGE 1) | Shows the selected LFO’s wave, rate, morph and depth with its waveform. |
| Screen (LFO PAGE 2) | Shows the selected LFO’s destination, trigger and phase with its waveform. |
| Screen (TRACKS) | Shows all eight tracks with mute, armed and activity states plus the selected track’s level, length and pan. |
| Screen (Step recording) | Shows the step-record cursor, note, NOTE/TIE/REST choice and accent/slide flags. |
| Screen (Live performance effects) | Shows the live effect keys, track mutes and four temporary master-effect controls. |
| Screen (Device menu) | Shows color, speaker EQ, USB level, performance mode, zoom, acceleration, calibration, About and Back, plus Bluetooth in its build. |
| Screen (About screen) | Shows the firmware version, build date, author credits and licence information. |
| Screen (Bluetooth menu) | Shows radio state, connection mode, saved device, scan results, signal strengths and errors in the Bluetooth build. |
| Screen (Project name) | Shows the project name, cursor, active letter group and key functions. |
| Screen (Clear confirmation) | Shows the requested clear or delete operation with OCT- to cancel and OCT+ to act. |
| Screen (Safe start) | Shows that sound is disabled and USB updating is available until power is turned off. |
| Screen (Panel calibration) | Prompts for each button and then each encoder turned right; 30 seconds without input restores the previous mapping. |
| Screen (Startup title) | Shows the startup logo in the selected display palette before ordinary operation. |
| Screen (USB update mode) | Shows the USB boot updater after the five-second OCT-button hold; save first because a subsequent firmware boot discards unsaved working edits. |
| Screen (Firmware update progress) | Shows the package, header check, loader, confirmation and restart stages, or the update failure result. |
| Screen (Bluetooth menu, failure states) | Shows FAILED and NO RF TRIM IN FLASH when manufacturer radio calibration is missing, requires a power cycle after a failed start, and cannot open the Bluetooth page during safe start. |
| FX: Lit (ordinary screens) | Lights when the FX section is selected. |
| FX: Dark (Safe start) | Remains off during safe start. |
| EDIT: Lit (ordinary screens) | Lights steadily for SOUND and blinks on LAYER pages. |
| EDIT: Blinking (LAYER 1) | Blinks every half second while a LAYER page is selected. |
| EDIT: Blinking (LAYER 2) | Blinks every half second while a LAYER page is selected. |
| EDIT: Dark (Safe start) | Remains off during safe start. |
| GLO: Lit (ordinary screens) | Lights when the GLOBAL section is selected. |
| GLO: Dark (Safe start) | Remains off during safe start. |
| HOME: Lit (ordinary screens) | Lights when the HOME or COMP section is selected. |
| HOME: Dark (Safe start) | Remains off during safe start. |
| SAVE: Lit (ordinary screens) | Lights when the PROJECT or TOOLS section is selected. |
| SAVE: Dark (Safe start) | Remains off during safe start. |
| ARP: Lit (ordinary screens) | Lights when the GRIDS section is selected. |
| ARP: Dark (Safe start) | Remains off during safe start. |
| SEQ: Lit (ordinary screens) | Lights when the SEQ section is selected. |
| SEQ: Dark (Safe start) | Remains off during safe start. |
| LFO: Lit (ordinary screens) | Lights steadily on an LFO page for LFO 1 and blinks for LFO 2. |
| LFO: Blinking (ordinary screens) | Blinks with 250 milliseconds on and off when LFO 2 is selected on an LFO page. |
| LFO: Dark (Safe start) | Remains off during safe start. |
| REC: Lit (ordinary screens) | Lights when the TRACKS section is selected. |
| REC: Lit (ordinary screens) | Lights when any track is armed or step recording is active, and also when TRACKS is the selected section. |
| REC: Dark (Safe start) | Remains off during safe start. |
| PLAY/STOP: Blinking (ordinary screens) | Blinks during playback according to the sequencer tick. |
| PLAY/STOP: Dark (Safe start) | Remains off during safe start. |
| SEL (SCL): Lit (ordinary screens) | Lights while the KEYS toggle is on. |
| SEL (SCL): Dark (Safe start) | Remains off during safe start. |
| ENV: Dark (ordinary screens) | Remains dark because no indicator is assigned to ENV. |
| ENV: Dark (Safe start) | Remains off during safe start. |
| OCT-: Lit (Step keys) | Lights when an earlier step bank exists. |
| OCT-: Lit (Chromatic keys) | Lights when the keyboard octave is below zero. |
| OCT-: Dark (Safe start) | Remains off during safe start. |
| OCT+: Lit (Step keys) | Lights when a later step bank exists. |
| OCT+: Lit (Chromatic keys) | Lights when the keyboard octave is above zero. |
| OCT+: Dark (Safe start) | Remains off during safe start. |
| Key lights: Dark (Safe start) | All panel and key lights stay off during safe start. |
| Key lights: Lit (Project name) | Keys with a naming function light, while the active cycling-letter key blinks. |
| Key lights: Lit (Live performance effects) | Available unheld effect keys blink, held effects stay lit and unavailable effects stay dark; track keys light while unmuted and not temporarily muted. |
| Key lights: Lit (TRACKS mute shortcuts) | Unmuted track keys light and queued bar-boundary mute changes blink. |
| Key lights: Lit (Step keys) | Keys show enabled steps in the visible bank, with the playing step’s light inverted. |
| Key lights: Lit (Compressor track keys) | Keys light for ducked tracks except the source track. |
| Key lights: Lit (Chromatic keys) | Held note keys light. |
| Key lights: Lit (Drum pads) | Held note keys light. |
Save, load and keep your work
Working pattern, sound, motion and song edits stay in memory until a deliberate project SAVE; there is no working-project autosave or undo, and power-off or a restart after entering update mode discards unsaved edits.
Before turning a save knob, check that the title is PROJECT: SAVE can reopen TOOLS, where KNOB 4 instead runs INIT ALL after arming. SAVE needs two right turns within about 1.5 seconds, even when a slot looks empty because another firmware’s project is unreadable. The first turn arms it; the second writes the selected slot immediately while stopped. There is no additional overwrite question. NAME opens an existing saved slot for renaming; OCT+ writes that name directly. LOAD also uses the two-turn confirmation, replaces unsaved working data and stops ordinary pattern playback; an armed or running song blocks it. Clear and reset operations affect working memory until you save them, and there is no undo.
SONG uses the saved slots’ steps, timing and motion with the current sounds; saved model identities only determine which sound-motion events remain compatible. Stopping restores the prior timing and recording arming.
The unit has no supported complete project export/restore in this release. The browser editor files inherited in the source tree do not make a working Hortator backup tool, and there is no functioning browser-bank transfer to describe. A unit slot is not an independent backup.
Bluetooth startup requirements
If the manufacturer’s saved radio calibration is missing, Hortator displays FAILED with NO RF TRIM IN FLASH. After a failed start, switch the FM-1 off and on before retrying. Safe start blocks Bluetooth because its menu cannot be opened.
Before you switch firmware
- Back up first. Save the working project into one of the four unit slots before powering off, but treat those slots as unit storage rather than independent backups; the inherited browser editor cannot back up or restore Hortator projects in this release, so retain the previous firmware’s own external backups before changing firmware.
- Back up in the firmware you are leaving first, with its own tool (above). Anything below marked at risk can be written over; whether an older saved copy survives depends on how often you saved, so do not count on it.
- What installing Hortator does to the firmware you had before.
Show the detail
install through the package loader: The package contains a 0x93000-byte flash image; its loader installs changed app sectors only, with read-back verification. It preserves flash head 0..3FFF and has no blanket VM/USR formatting step. The updater that was running before installation may have already written its own staging area (A successful package validation and update session; identical sectors skipped). finish installing: invalidate update records: Scans the final 256-byte area of every sector, reading 80 bytes at boundary-0x100. Erases that entire sector only if +6 is 0x5441 and its nonzero leading CRC matches CRC16(bytes 2..79). This is a conditional sector erase, not a blanket erase of the range. It can erase foreign data satisfying that record test. This package-loader scan is separate from startup cleanup: an isolated journal at0xE1000 does not trigger either startup probe, although its sector tail is still tested by this install scan (Matching committed update record; scans after app writing). first start and every later start: Erases five sectors if any byte in E0000..E0003 or E4F00..E4F07 is not FF, without an ownership check or question. Boot otherwise reads settings, four projects and shared samples; it does not automatically save default settings/projects. Exception: if both OCT buttons invoke calibration, settings_save runs after either success or timeout; timeout restores the old table but can still write it when no saved settings record was imported (JEDEC id 0x856014 and either prefix non-erased).
- Stock V15: Possibly at risk (layout reported or inferred): stock settings (and possibly patterns).
- Baud Girl FM-1+VA: Possibly at risk (layout reported or inferred): Baud Girl presets (128); Baud Girl patterns (16, with locks).
- Felucca: At risk by itself: settings, button calibration, favourites, MIDI LEARN map. At risk when you act: project slot A; project slot B; project slot C; project slot D. Carried over: user sample slot USR1 (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested); user sample slot USR2 (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested); user sample slot USR3 (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested).
- SLOOP: At risk by itself: settings, calibration, song order, SYN1-4 kits, MIDI LEARN, theme and favourites. At risk when you act: song section A (a whole project); song section B (a whole project); song section C (a whole project); song section D (a whole project). Carried over: user sample slot USR1 (header at 0xA0000) (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested); user sample slot USR2 (header at 0xB4000) (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested); user sample slot USR3 (header at 0xC8000) (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested).
- X0X: At risk by itself: the whole X0X project (settings, sound, all 32 patterns, song, knob motion). Carried over: break loops slot 1 (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested); break loops slot 2 (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested); break loops slot 3 (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested).
- JIANT: At risk by itself: settings, calibration, favourites, MENU options. At risk when you act: song 1 section A (a whole project); song 1 section B (a whole project); song 1 section C (a whole project); song 1 section D (a whole project).
- Melodee: At risk by itself: settings, factory favourites, calibration, saved template. At risk when you act: shared user presets U289-U378 (some of it lost); shared user presets U379-U384.
- FoMni: At risk by itself: FoMni setup (pages, chord buttons, lights).
- AMB-1: At risk by itself: AMB-1 pieces and setup.
- ChoralRoot: At risk by itself: options, playing setup and panel calibration.
- GHOULBOX: At risk by itself: settings and panel calibration. At risk when you act: project A; project B; project C; project D. Carried over: user sample slot USR1 (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested); user sample slot USR2 (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested); user sample slot USR3 (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested).
- M-VAVE FM-1 Open: At risk by itself: Open shared sample audio. At risk when you act: Open USER project 1; Open USER project 2; Open USER project 3; Open USER project 4; Open USER project 5; Open USER project 6; Open USER project 7; Open USER project 8; Open USER project 9; Open USER project 10; Open USER project 11; Open USER project 12; Open USER project 13; Open USER project 14; Open USER project 15; Open USER project 16; Open device preferences.
- FM-106: At risk by itself: octave, last selected preset and MIDI preferences. At risk when you act: older stored user bank, if present (Beta4 does not store new edits). A valid user bank stored by an earlier FM-106 build can still be present and readable in Beta4; the bank risks listed here, if any, apply if it exists. FM-106 Beta4’s new user-sound edits are only in memory: panel save, delete and librarian bank commit do not store them, even when they report success. Read the unit into the librarian and export both user banks before switching or powering off; those exports omit sequence notes, locks and extended controls.
- OberVave: At risk by itself: saved programs and global settings; pattern 1 (its B-track sound can change if it uses a saved program; its pattern notes remain); pattern 2 (its B-track sound can change if it uses a saved program; its pattern notes remain); pattern 3 (its B-track sound can change if it uses a saved program; its pattern notes remain); pattern 4 (its B-track sound can change if it uses a saved program; its pattern notes remain); pattern 5 (its B-track sound can change if it uses a saved program; its pattern notes remain); pattern 6 (its B-track sound can change if it uses a saved program; its pattern notes remain); pattern 7 (its B-track sound can change if it uses a saved program; its pattern notes remain); pattern 8 (its B-track sound can change if it uses a saved program; its pattern notes remain).
- Polly: At risk by itself: Polly setup and channel sounds. At risk when you act: All four Polly songs; Polly shared memory 1; Polly shared memory 2; Polly shared memory 3.
- Skiff: At risk by itself: settings, calibration and favourites. At risk when you act: project A; project B; project C; project D. Carried over: user sample USR1 (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested); user sample USR2 (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested); user sample USR3 (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested).
- What the next firmware does to Hortator's data.
- Stock V15: Possibly at risk (layout reported or inferred): project A; project B; project C; project D; user samples USR1; user samples USR2; user samples USR3.
- Baud Girl FM-1+VA: Possibly at risk (layout reported or inferred): project A; project B; project C; project D; user samples USR1; user samples USR2; user samples USR3.
- Felucca: At risk by itself: settings and panel calibration (converted: After this firmware writes its newer settings format, returning to Hortator starts settings, panel calibration and the remembered Bluetooth device from defaults. It does not retry an older copy just because the newest record is too large; settings convert when read; next save writes a newer format the previous firmware cannot import). At risk when you act: project A; project B; project C; project D. Carried over: user samples USR1 (sample loop and slice behaviour follow this reader’s engines); user samples USR2 (sample loop and slice behaviour follow this reader’s engines); user samples USR3 (sample loop and slice behaviour follow this reader’s engines).
- SLOOP: At risk by itself: settings and panel calibration (converted: After this firmware writes its newer settings format, returning to Hortator starts settings, panel calibration and the remembered Bluetooth device from defaults. It does not retry an older copy just because the newest record is too large; settings convert when read; next save writes a newer format the previous firmware cannot import). At risk when you act: project A; project B; project C; project D. Carried over: user samples USR1 (sample loop and slice behaviour follow this reader’s engines); user samples USR2 (sample loop and slice behaviour follow this reader’s engines); user samples USR3 (sample loop and slice behaviour follow this reader’s engines).
- X0X: At risk by itself: project A; project B; project C; project D; settings and panel calibration. Carried over: user samples USR1 (Sample bytes carry over; X0X’s break-loop playback uses its own zone and loop selection rather than the previous firmware’s sound or one-shot behaviour. No unit switch was tested); user samples USR2 (Sample bytes carry over; X0X’s break-loop playback uses its own zone and loop selection rather than the previous firmware’s sound or one-shot behaviour. No unit switch was tested); user samples USR3 (Sample bytes carry over; X0X’s break-loop playback uses its own zone and loop selection rather than the previous firmware’s sound or one-shot behaviour. No unit switch was tested).
- JIANT: At risk by itself: user samples USR3; settings and panel calibration (converted: After this firmware writes its newer settings format, returning to Hortator starts settings, panel calibration and the remembered Bluetooth device from defaults. It does not retry an older copy just because the newest record is too large; settings convert when read; next save writes a newer format the previous firmware cannot import). At risk when you act: project A; project B; project C; project D; user samples USR1; user samples USR2.
- Melodee: At risk by itself: settings and panel calibration. At risk by itself, under a condition: project A; project B; project C; project D; user samples USR3. At risk when you act: user samples USR1; user samples USR2.
- FoMni: At risk by itself: settings and panel calibration.
- AMB-1: At risk by itself: settings and panel calibration.
- ChoralRoot: At risk by itself: user samples USR2; user samples USR3; settings and panel calibration (converted: After this firmware writes its newer settings format, returning to Hortator starts settings, panel calibration and the remembered Bluetooth device from defaults. It does not retry an older copy just because the newest record is too large; settings convert when read; next save writes a newer format the previous firmware cannot import). At risk when you act: project A; project B; project C; project D; user samples USR1.
- GHOULBOX: At risk by itself: settings and panel calibration (converted: After this firmware writes its newer settings format, returning to Hortator starts settings, panel calibration and the remembered Bluetooth device from defaults. It does not retry an older copy just because the newest record is too large; settings convert when read; next save writes a newer format the previous firmware cannot import). At risk when you act: project A; project B; project C; project D. Carried over: user samples USR1 (sample loop and slice behaviour follow this reader’s engines); user samples USR2 (sample loop and slice behaviour follow this reader’s engines); user samples USR3 (sample loop and slice behaviour follow this reader’s engines).
- M-VAVE FM-1 Open: At risk by itself: project A; project B; project C; project D. At risk when you act: user samples USR1; user samples USR2; user samples USR3; settings and panel calibration.
- FM-106: At risk by itself: settings and panel calibration.
- OberVave: At risk by itself: settings and panel calibration.
- Polly: At risk by itself: project A; project B; project C; project D; user samples USR1; user samples USR2; settings and panel calibration. At risk when you act: user samples USR3.
- Skiff: At risk by itself: settings and panel calibration (converted: Skiff imports the old preferences, then writes its newer settings format by itself at first start. Returning to Hortator cannot read that newest record: settings, panel calibration and the remembered Bluetooth device start from defaults; it does not retry the older copy). At risk by itself, under a condition: project A; project B; project C; project D. Carried over: user samples USR1 (sample loop and slice behaviour follow this reader’s engines); user samples USR2 (sample loop and slice behaviour follow this reader’s engines); user samples USR3 (sample loop and slice behaviour follow this reader’s engines).
- Who reads whose data.
Show the detail
Other firmwares reading Hortator's data: Felucca takes over Hortator's settings and panel calibration, converting them (settings convert when read; next save writes a newer format the previous firmware cannot import); SLOOP takes over Hortator's settings and panel calibration, converting them (settings convert when read; next save writes a newer format the previous firmware cannot import); JIANT takes over Hortator's settings and panel calibration, converting them (settings convert when read; next save writes a newer format the previous firmware cannot import); ChoralRoot takes over Hortator's settings and panel calibration, converting them (settings convert when read; next save writes a newer format the previous firmware cannot import); GHOULBOX takes over Hortator's settings and panel calibration, converting them (settings convert when read; next save writes a newer format the previous firmware cannot import); Skiff takes over Hortator's settings and panel calibration, converting them (Skiff imports the old preferences, then writes its newer settings format by itself at first start. Returning to Hortator cannot read that newest record: settings, panel calibration and the remembered Bluetooth device start from defaults; it does not retry the older copy); Felucca reads and uses Hortator's user samples USR1; user samples USR2; user samples USR3 (sample loop and slice behaviour follow this reader’s engines); SLOOP reads and uses Hortator's user samples USR1; user samples USR2; user samples USR3 (sample loop and slice behaviour follow this reader’s engines); X0X reads and uses Hortator's user samples USR1; user samples USR2; user samples USR3 (Sample bytes carry over; X0X’s break-loop playback uses its own zone and loop selection rather than the previous firmware’s sound or one-shot behaviour. No unit switch was tested); GHOULBOX reads and uses Hortator's user samples USR1; user samples USR2; user samples USR3 (sample loop and slice behaviour follow this reader’s engines); Skiff reads and uses Hortator's user samples USR1; user samples USR2; user samples USR3 (sample loop and slice behaviour follow this reader’s engines). What Hortator reads of other firmwares' data: Hortator reads and uses Felucca's user sample slot USR1; user sample slot USR2; user sample slot USR3 (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested); Hortator reads and uses SLOOP's user sample slot USR1 (header at 0xA0000); user sample slot USR2 (header at 0xB4000); user sample slot USR3 (header at 0xC8000) (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested); Hortator reads and uses X0X's break loops slot 1; break loops slot 2; break loops slot 3 (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested); Hortator reads and uses GHOULBOX's user sample slot USR1; user sample slot USR2; user sample slot USR3 (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested); Hortator reads and uses Skiff's user sample USR1; user sample USR2; user sample USR3 (Sample bytes remain on the unit; playback follows Hortator’s one-shot engines, so loop and slice behaviour can differ. Valid header and zone bounds are required; no unit switch was tested). Everything else of another firmware's looks empty or foreign to the reader.
- Every way each write can happen, for all mapped firmwares: the flash atlas's table. Read in each firmware's source (closed ones: their docs or third-party reports); nothing was tested on a unit.
Four saved slots keep sounds, steps, motion, song rows, names and project settings; device options separately keep the panel mapping and Bluetooth device and mode, while power-off or any new firmware boot discards the unsaved working project.
Hortator opens its own older project formats but writes a newer format that drum-v0.15.0 cannot read; it does not import other firmwares’ projects, and it has no project undo or supported project export/restore in this release. Preserve any independent backups before switching; see the switching advice in this section.
A confirmed project SAVE or stopped name confirmation writes its slot immediately; menu close, mute-timing changes, Bluetooth device changes and returning from power-on calibration can write device options without another question, even without edits or after calibration times out, with busy-playback writes delayed until stop; startup can also erase the entire temporary update area when either checked prefix is nonblank, without checking who owns the bytes, so it can erase another firmware’s work before any save action. Powering off before a delayed write runs loses that pending change; power-off does not save.
Older Hortator projects convert when loaded and are written in the new format on the next SAVE or rename; a return to drum-v0.15.0 needs projects saved for that version, and switching between plain and Bluetooth builds keeps the project format but plain changes a loaded Bluetooth clock selection to the internal clock.
Keep independent backups from the firmware you are leaving before switching; see the switching advice in this section for installation, startup and ordinary-use risks.
Existing compatible user sample sets can be read by the sample model and layers as one-shots; this release has no sample uploader, so changing firmware can remove access to those sounds. Back up what your current firmware can export; see the switching advice in this section.
The first settings write can replace saved work even if you only opened and closed the menu, picked a Bluetooth device or let power-on calibration time out; when no readable shared storage record survives, it uses the first copy, A, which can replace FoMni’s whole setup or X0X settings, while a valid shared record from Felucca, SLOOP, JIANT or Melodee makes it use the other copy, with a later write able to take the remaining copy.
Projects from Felucca, SLOOP, JIANT, X0X or Melodee can appear as EMPTY SLOT because Hortator cannot load them; two right turns on SAVE still write without a foreign-data warning, using the other copy when a valid shared storage record survives or copy A otherwise, and a later save can replace the remaining copy, so preserve the previous firmware’s external backups before switching.
The Bluetooth package needs the manufacturer’s saved radio calibration, which can be overwritten by other firmware; without it Bluetooth reports FAILED with NO RF TRIM IN FLASH, and retrying after a failure requires turning the FM-1 off and on, while safe start blocks Bluetooth by disabling access to its menu.
Hortator’s updater accepts a recognized official loader or its Felucca-family loader; another loader is refused with update error -7, so use a supported package or the boot updater when changing firmware.
Switch off only after stopping playback and allowing a pending device-settings save to finish; there is no save on power-off.
These cross-firmware risks come from comparing the source with the stored-data layouts; they were not tested by switching a unit.
Where the docs and the firmware disagree
- Bluetooth device persistence during playback: Selecting or forgetting a device requests a settings save; flash persistence waits for playback to stop if the transport is busy.
- KEYS MIDI output on release: KEYS presses produce no MIDI note-on, but releasing one of the first eight white keys still sends its drum track’s assigned MIDI note-off through the shared release path.
- Sound knobs vary by model: Several models replace TONE and the fourth macro, including K909 with SWEEP and CLICK, TOM with NOISE and DROP, and ACID with CUTOF and RESO.
Limits of this map
- No behavior was measured on an FM-1; this is a source reading of the release.
- The Bluetooth scan reads manufacturer radio-calibration records; the manufacturer’s private record payload is not decoded here.
- The unused inherited browser editor and read-only debug console are not mapped as working project backup tools.
Mapped from deadactive/hortator at drum-v0.16.0 (f3d7e5a), 2026-10-16. Every mapped action is checked against the firmware’s source; the sources and evidence grades are in [hortator.json](hortator.json). Code licence: GPL-3.0-only; assets and third-party components have separate licences. This is an independent guide, unaffiliated with Hortator, Hügelton Instruments or M-VAVE.
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How to use the arpeggiator0:37 · 4 STEPS
How to make a deep bass0:38 · 4 STEPS
How to make an evolving pad0:44 · 4 STEPS
How the Mod Matrix works0:39 · 3 STEPS
How to morph between two versions of a pad0:40 · 4 STEPS
How the two wave knobs on a PolyBrute oscillator work0:42 · 4 STEPS
How to add swing0:34 · 2 STEPS
How to change the bells on the FM-1 AMB-10:36 · 3 STEPS · AMB-1
How to turn the FM-1 AMB-1 into a drone0:37 · 3 STEPS · AMB-1
How to steer the melody on the FM-1 AMB-10:36 · 3 STEPS · AMB-1
How to use the arpeggiator0:41 · 4 STEPS · STOCK
How to play a dominant 7th on the FM-1 with ChoralRoot0:33 · 3 STEPS · CHORALROOT
How to play minor 9th chords with one finger on the FM-1 with ChoralRoot0:37 · 3 STEPS · CHORALROOT
How to play a I-vi-IV-V on the FM-1 with ChoralRoot0:39 · 4 STEPS · CHORALROOT
How to get the Casio CZ sound on the FM-1 with Melodee0:34 · 3 STEPS · MELODEE
How to get a Prophet-5 sound on the FM-1 with Melodee0:40 · 4 STEPS · MELODEE
How to record without quantize on the FM-1 with Melodee0:28 · 2 STEPS · MELODEE
Every firmware, every controlPick the firmware on yours, then tap any control to see what it does.
How to add glide to one step0:38 · 3 STEPS
How to play a random sequence0:28 · 2 STEPS
Les is independent and not affiliated with M-VAVE or the firmware authors. M-VAVE and FM-1 are trademarks of their owners.