FM-1 firmware · v2.5-b28-test
SLOOP DX7 Banks
A four-track groovebox with three synth parts, drums, live loops, samples and twelve banks for DX7 voices. It suits playing and recording several parts on the FM-1, with a browser editor for deep sound work and banks.
- What it is
- A four-track groovebox with twelve DX7 voice banks, three synth parts, drums, samples and live looping
- Best for
- Keeping a large DX7 collection alongside loops made on the panel
- Install
- GitHub release or hub
- Scan
- Not scanned yet What we checked
What each control does on SLOOP DX7 Banks
TapSwipe across the panel, then tap any control to see what it does on SLOOP DX7 Banks.
Start here
Install from the release page or the community hub. Les does not host firmware files.
Every behaviour here was read in this release’s source. Named page modes overlap playing modes: a key can play notes while a page is open, unless that page gives it a different job.
The modes
| Mode | How to get there | What it does |
|---|---|---|
| Playing a synth track | Turn ALGORITHM to track 1, 2 or 3 and hold no function button. | The keys play the selected synth track. Its KEYS setting can round notes into the scale (SNAP) or lay the scale over the white keys starting at C4, leaving the black keys silent (WHITE). |
| Chord mode on a synth track | Hold SEL and turn KNOB 1 to a chord type (or set CHORD on the SEL page). | Each white key plays a chord built from the track's scale, with C4 as the first degree; held black keys alter the chords. On the chromatic scale (CHR) the chords are taken from natural minor. |
| Playing the drum track | Turn ALGORITHM to track 4. | The 16 white keys play the 16 drum sounds; each black key doubles the white key just left of it. OCT- and OCT+ held make hits ghost or hard. |
| TRACKS screen | Tap HOME. | The performance view: tempo, transport, the four tracks with their steps and levels, and four dials (swing, level, steps, pan). |
| Visualiser | Tap HOME while the TRACKS screen is showing. | A full-screen picture of the sound in one of twelve styles. Keys, PLAY, REC and the layers keep working. |
| A button's pages | Tap a page button; tap it again or turn SELECT to move within that family. | Four knobs follow the displayed page; ENV has two pages, LFO two, FX six, SEL two, EDIT four, ARP two, SEQ STEP and PATTERN plus SONG, and GLO four. |
| SEQ STEP page (synth tracks) | Tap SEQ on a synth track (its first page). | Step entry one step at a time: the keys write the step under the cursor, the knobs move the cursor and shape the step. |
| SAVE pages | Tap SAVE away from TRACKS, DRUMS and SONG, then tap again to change page. | PRESETS browses sounds, USER keeps 32 sounds, PROJECT keeps four loops, and TOOLS clears or resets the working music; GO actions need two rightward clicks. |
| SAVE > PRESETS page | Tap SAVE away from TRACKS, DRUMS or SONG and choose PRESETS. | Factory sounds come first, followed by loaded DX7 voices and user sounds; KNOB 1 chooses a sound, KNOB 2 an engine, KNOB 3 a kind or bank, and KNOB 4 is unused. |
| SAVE > USER page | Tap SAVE again from PRESETS. | The 32 user sound slots: pick one, then load, erase or save with two clicks each. |
| SAVE > PROJECT page | Tap SAVE to PROJECT. | Four stored projects, also used as sections A–D: choose slot 1–4, then load or save with two rightward clicks while stopped; KNOB 2 is unused. |
| SAVE > TOOLS page | Tap SAVE to TOOLS. | Clear the selected pattern, reset its sound or start a fresh working loop; each action needs two rightward clicks and the stored projects remain. |
| DRUMS screen, grid page | Select the drum track and tap EDIT or SEQ on TRACKS; DRUMS returns to its last page, so turn SELECT fully left to reach GRID before using keys as steps. | All 16 drum sounds against 16 steps; the white keys become the steps of the sound KNOB 1 picks. |
| DRUMS screen, kit page | On the DRUMS grid tap EDIT or SEQ once, or turn SELECT toward KIT. | 16 pads that flash on each hit; the knobs set kit, drum level, drum reverb and drum pan. |
| SONG screen | Tap SAVE on the TRACKS or DRUMS screen, or hold SAVE and press white key 16. | Edits the song order by hand: up to 16 entries, each a section A-D and a length in bars. |
| Transport stopped | Press PLAY/STOP while the loop plays. | All tracks are stopped; PROJECT load/save and USER save/erase need this state, while live section stores can be made during playback and reach flash after stopping. |
| Transport playing | Press PLAY. | All four tracks loop. |
| Song mode | Hold SAVE and press white key 13, or press OCT- on the SONG screen. | PLAY plays the song order instead of the loop; recording waits until the song is stopped. |
| REC armed (rec ready) | Tap REC while stopped. | The selected track waits for recording; an empty project offers a free take, otherwise notes or PLAY begin a loop at the set tempo; KNOB 1–3 set MODE, LENGTH and START when available. |
| Count-in | Armed with START set to count, press PLAY. | One bar of four clicks, then the loop and recording start; notes played meanwhile only sound. |
| Free take | Arm an empty project with MODE free, then play a note. | Play without a click, then press REC at the next downbeat to make a 1, 2 or 4 bar loop and fit its tempo; notes round to steps and the take closes by itself after 24 seconds. |
| Clear-track ring | Hold REC past 0.7 s. | A ring fills; keep holding to clear the selected track, let go to cancel. |
| FX layer (punch) | Hold FX. | The 16 white keys apply punch effects to the mix while held; the knobs set master filter, DUST, DUCK and track filter, and releasing an effect returns to KEEP when enabled. |
| EDIT layer (erase) | Hold EDIT. | Keys erase their notes or drum sounds; the knobs shift, resize and transpose the pattern, and OCT- and OCT+ undo or redo notes and pattern length. |
| ARP layer (note repeat) | Hold ARP. | A held key repeats in time at the roll RATE (KNOB 1); while recording, rolls are written as ratchets. |
| SEQ layer (steps) | Hold SEQ. | Each white key stands for one of the 16 steps shown; F#3, G#3, A#3 and C#4 switch between the four pages of steps of the selected track. |
| SEQ layer with step keys held | Hold SEQ, then hold one or more step keys. | The knobs edit held steps: sound or note, level, ratchet and nudge; PRESETS and ALGORITHM set a parameter lock, while OCT- clears extra step settings and OCT+ changes fill conditions. |
| SEL layer (key and chords) | Hold SEL. | Any key sets the song's key; the knobs set chord type, scale, KEYS mode and transpose. |
| GLO layer (mix) | Hold GLO. | White keys mute tracks, solo tracks, trigger fills or tap the tempo; the knobs set the four track levels. |
| SAVE layer (song) | Hold SAVE. | Keys 1 to 4 call up sections A to D (tap several during one hold to chain them); keys 5 to 8 save the current loop as section A to D; key 13 toggles loop or song mode; key 14 records a song from the sections you play; key 16 goes to the SONG screen. |
| A layer locked open | Hold a layer button (FX, EDIT, ARP, SEQ, SEL, GLO or SAVE) and tap HOME. | Releasing the layer button leaves its controls active. PLAY and REC still operate, as do the two octave buttons; pressing another button exits the layer without carrying out that button’s usual action. |
| HOME menu | Hold HOME for 0.7 seconds. | SCREEN changes colour and zoom; LIGHTS changes button glow, key glow and note lights; AUDIO changes speaker low cut and USB recording level; SYSTEM offers calibration, ABOUT and keyboard velocity. |
| ABOUT screen | In HOME menu > SYSTEM, select ABOUT and press OCT+. | Version, build date, credits, licence and source address. |
| Hardware calibration | Power on with both octave buttons, or open it from HOME menu > SYSTEM using OCT+. | Press each named button and turn each named encoder right; 30 seconds without input restores the old table, while any later menu close or the power-on calibration path can still save settings. |
| USB rescue | Switch on holding OCT- alone (also entered by itself after two failed starts). | A minimal mode with audio off that only waits for a reinstall from the browser installer. |
| Update-mode countdown | Hold both octave buttons while stopped. | A countdown starts after two seconds; after five seconds the firmware flushes pending music and enters its updater, and releasing either octave button before that cancels. |
| ENV page | Tap ENV to ENV, or turn SELECT within its pages. | Four knobs adjust the values shown in order. This page applies to synth tracks. |
| ENV DEST page | Tap ENV to ENV DEST, or turn SELECT within its pages. | Four knobs adjust the values shown in order. This page applies to synth tracks. |
| LFO page | Tap LFO to LFO, or turn SELECT within its pages. | Four knobs adjust the values shown in order. This page applies to synth tracks. |
| LFO DEST page | Tap LFO to LFO DEST, or turn SELECT within its pages. | Four knobs adjust the values shown in order. This page applies to synth tracks. |
| FX page | Tap FX to FX, or turn SELECT within its pages. | Four knobs adjust the values shown in order. This page applies to synth tracks. |
| FILTER page | Tap FX to FILTER, or turn SELECT within its pages. | Track filter for synth parts; the drum track shows DRUM TRACK here, although FX held with KNOB 4 can change its filter. |
| KEEP page | Tap FX to KEEP, or turn SELECT within its pages. | PHONE, TAPE or HALF can stay on across stop and power-off; only one runs at a time, and RESET returns effects to their defaults. |
| SLICER page | Tap FX to SLICER, or turn SELECT within its pages. | Four knobs adjust the selected track; this page works on synth and drum tracks. |
| DLY page | Tap FX to DLY, or turn SELECT within its pages. | Four knobs adjust the values shown in order. |
| REV/CHO page | Tap FX to REV/CHO, or turn SELECT within its pages. | Four knobs adjust the values shown in order. |
| SEL page | Tap SEL to SEL, or turn SELECT within its pages. | Four knobs adjust the values shown in order. This page applies to synth tracks. |
| SEL 2 page | Tap SEL to SEL 2, or turn SELECT within its pages. | Four knobs adjust the values shown in order. This page applies to synth tracks. |
| VOICE page | Tap EDIT to VOICE, or turn SELECT within its pages. | Four knobs adjust the values shown in order. This page applies to synth tracks. |
| VOICE 2 page | Tap EDIT to VOICE 2, or turn SELECT within its pages. | Four knobs adjust the values shown in order. This page applies to synth tracks. |
| GLOBAL page | Tap GLO to GLOBAL, or turn SELECT within its pages. | Four knobs adjust the values shown in order. |
| MASTER page | Tap GLO to MASTER, or turn SELECT within its pages. | Four knobs adjust the values shown in order. |
| SYSTEM page | Tap GLO to SYSTEM, or turn SELECT within its pages. | Four knobs adjust the values shown in order. |
| DRUMS page | Tap GLO to DRUMS, or turn SELECT within its pages. | Four knobs adjust the values shown in order. |
| ARP page | Tap ARP to ARP, or turn SELECT within its pages. | Four knobs adjust the values shown in order. This page applies to synth tracks. |
| ARP 2 page | Tap ARP to ARP 2, or turn SELECT within its pages. | Four knobs adjust the values shown in order. This page applies to synth tracks. |
| PATTERN page | Tap SEQ to PATTERN, or turn SELECT within its pages. | Four knobs adjust the selected track; this page works on synth and drum tracks. |
| ANALOG OSC 1/4 | Choose ANALOG on a synth track, then tap EDIT until OSC 1/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| ANALOG FLT 2/4 | Choose ANALOG on a synth track, then tap EDIT until FLT 2/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| DIGITAL OPS 1/4 | Choose DIGITAL on a synth track, then tap EDIT until OPS 1/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| DIGITAL MOD 2/4 | Choose DIGITAL on a synth track, then tap EDIT until MOD 2/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| WHEEL BARS 1/4 | Choose WHEEL on a synth track, then tap EDIT until BARS 1/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| WHEEL TONE 2/4 | Choose WHEEL on a synth track, then tap EDIT until TONE 2/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| FM6 OPS 1/4 | Choose FM6 on a synth track, then tap EDIT until OPS 1/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| FM6 PATCH 2/4 | Choose FM6 on a synth track, then tap EDIT until PATCH 2/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| VOICE VOWL 1/4 | Choose VOICE on a synth track, then tap EDIT until VOWL 1/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| VOICE TONE 2/4 | Choose VOICE on a synth track, then tap EDIT until TONE 2/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| GRAIN GRAN 1/4 | Choose GRAIN on a synth track, then tap EDIT until GRAN 1/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| GRAIN SPRY 2/4 | Choose GRAIN on a synth track, then tap EDIT until SPRY 2/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| LOFI CHIP 1/4 | Choose LOFI on a synth track, then tap EDIT until CHIP 1/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| LOFI MOTN 2/4 | Choose LOFI on a synth track, then tap EDIT until MOTN 2/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| NOISE SRC 1/4 | Choose NOISE on a synth track, then tap EDIT until SRC 1/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| NOISE MOVE 2/4 | Choose NOISE on a synth track, then tap EDIT until MOVE 2/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| PHASE PHS 1/4 | Choose PHASE on a synth track, then tap EDIT until PHS 1/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| PHASE LINE 2/4 | Choose PHASE on a synth track, then tap EDIT until LINE 2/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| PHYS BODY 1/4 | Choose PHYS on a synth track, then tap EDIT until BODY 1/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| PHYS EXCT 2/4 | Choose PHYS on a synth track, then tap EDIT until EXCT 2/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| SAMPLE SET 1/4 | Choose SAMPLE on a synth track, then tap EDIT until SET 1/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| SAMPLE TONE 2/4 | Choose SAMPLE on a synth track, then tap EDIT until TONE 2/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| TRIO OSC 1/4 | Choose TRIO on a synth track, then tap EDIT until OSC 1/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
| TRIO TONE 2/4 | Choose TRIO on a synth track, then tap EDIT until TONE 2/4 appears. | Edits four sound parameters of the selected engine; changes can later be kept in a user sound or project. |
Play, browse sounds and use the panel
| Do this | What happens |
|---|---|
| Press PLAY/STOP | Starts or stops all four tracks; it keeps working inside every layer. |
| Hold REC | Held about 2 seconds, with a ring after 0.7 seconds: clears the selected track’s notes, locks, nudges and fill conditions; releasing before the ring fills cancels, and undo returns only notes and length; the changed working loop is autosaved later. |
| Press HOME | Goes to the TRACKS screen (from pages, the DRUMS screen and the SONG screen). |
| Hold HOME | Held 0.7 s: opens the menu. |
| Hold FX + HOME | Locks the FX layer open so both hands are free; LOCK shows on the screen. |
| Hold EDIT + HOME | Locks the EDIT layer open so both hands are free; LOCK shows on the screen. |
| Hold ARP + HOME | Locks the ARP layer open so both hands are free; LOCK shows on the screen. |
| Hold SEQ + HOME | Locks the SEQ layer open so both hands are free; LOCK shows on the screen. |
| Hold SEL + HOME | Locks the SEL layer open so both hands are free; LOCK shows on the screen. |
| Hold GLO + HOME | Locks the GLO layer open so both hands are free; LOCK shows on the screen. |
| Hold SAVE + HOME | Locks the SAVE layer open so both hands are free; LOCK shows on the screen. |
| Press ENV | Opens the ENV pages (ENV, ENV DEST); again for the next page; ENV has no layer. |
| Press LFO | Opens LFO or LFO DEST, advancing on another tap. |
| Press FX | Tapped (under 0.45 s, nothing else touched): opens the FX pages; again for the next page. |
| Hold FX | Held: the punch-in effects layer (its screen shows after 0.14 s). |
| Press SEL | Tapped: opens the SEL pages (SEL, SEL 2); again for the next page. |
| Hold SEL | Held: the key and chord layer. |
| Press EDIT | Tapped: opens one of the engine’s two sound pages, VOICE or VOICE 2, advancing on another tap. |
| Hold EDIT | Held: the erase layer. |
| Press ARP | Tapped: opens the arpeggiator pages (ARP, ARP 2); again for the next page. |
| Hold ARP | Held: the note-repeat layer (not the arpeggiator). |
| Press SEQ | Tapped: opens the SEQ pages (STEP, PATTERN, SONG); again for the next page. |
| Hold SEQ | Held: the step-entry layer. |
| Press GLO | Tapped: cycles GLOBAL, MASTER, SYSTEM and DRUMS. |
| Hold GLO | Held: the mix layer. |
| Hold SAVE | Held: the song layer. |
| Power on holding OCT− | Starts in USB rescue (audio off) so the firmware can be reinstalled from the browser. |
| Power on holding OCT− + OCT+ | Starts panel calibration and saves settings afterwards, even after its 30-second idle cancellation, without a question. |
| Turn ALGORITHM | Selects track 1-4 on every screen; recording or an armed take follows it; It does nothing in the menu, on the SONG screen or while a free take runs; turns inside a layer are dropped. |
| Turn MASTER | Sets headphone and line volume, and USB recording level unless USB AUDIO is FULL; the visualiser stays visible even at zero volume. |
| Screen | Shows brief feedback such as EMPTY SLOT, STOP BEFORE SAVE, AGAIN and SAVED. |
Record and edit the working loop
SEQ STEP page (synth tracks)
Tap SEQ on a synth track (its first page).
| Do this | What happens |
|---|---|
| Press EDIT | Clears the cursor step’s note, tie and rest data and advances, leaving its locks, nudge and fill condition alone; undo restores the notes, and the working loop autosaves later. |
| Turn KNOB 1 | Moves the step cursor. |
| Turn KNOB 2 | Transposes all notes on the step; an empty step gets the last note used. |
| Turn KNOB 3 | Chooses NOTE, TIE or REST for this step. |
| Turn KNOB 4 | Chooses no flag, accent, slide or both. |
| Press F3 | Writes this key's note (or chord) into the step under the cursor; let go of all keys to move on. |
| Release F3 | Advances the cursor once every key is up after a note was written. |
| Press F#3 | Writes its mapped note into the cursor step, except with KEYS WHITE or chord mode, where this black key writes nothing; after all keys are released the cursor advances if a note entry was opened. |
| Release F#3 | Advances the cursor once every key is up after a note was written. |
| Press G3 | Writes this key's note (or chord) into the step under the cursor; let go of all keys to move on. |
| Release G3 | Advances the cursor once every key is up after a note was written. |
| Press G#3 | Writes its mapped note into the cursor step, except with KEYS WHITE or chord mode, where this black key writes nothing; after all keys are released the cursor advances if a note entry was opened. |
| Release G#3 | Advances the cursor once every key is up after a note was written. |
| Press A3 | Writes this key's note (or chord) into the step under the cursor; let go of all keys to move on. |
| Release A3 | Advances the cursor once every key is up after a note was written. |
| Press A#3 | Writes its mapped note into the cursor step, except with KEYS WHITE or chord mode, where this black key writes nothing; after all keys are released the cursor advances if a note entry was opened. |
| Release A#3 | Advances the cursor once every key is up after a note was written. |
| Press B3 | Writes this key's note (or chord) into the step under the cursor; let go of all keys to move on. |
| Release B3 | Advances the cursor once every key is up after a note was written. |
| Press C4 | Writes this key's note (or chord) into the step under the cursor; let go of all keys to move on. |
| Release C4 | Advances the cursor once every key is up after a note was written. |
| Press C#4 | Writes its mapped note into the cursor step, except with KEYS WHITE or chord mode, where this black key writes nothing; after all keys are released the cursor advances if a note entry was opened. |
| Release C#4 | Advances the cursor once every key is up after a note was written. |
| Press D4 | Writes this key's note (or chord) into the step under the cursor; let go of all keys to move on. |
| Release D4 | Advances the cursor once every key is up after a note was written. |
| Press D#4 | Writes its mapped note into the cursor step, except with KEYS WHITE or chord mode, where this black key writes nothing; after all keys are released the cursor advances if a note entry was opened. |
| Release D#4 | Advances the cursor once every key is up after a note was written. |
| Press E4 | Writes this key's note (or chord) into the step under the cursor; let go of all keys to move on. |
| Release E4 | Advances the cursor once every key is up after a note was written. |
| Press F4 | Writes this key's note (or chord) into the step under the cursor; let go of all keys to move on. |
| Release F4 | Advances the cursor once every key is up after a note was written. |
| Press F#4 | Writes its mapped note into the cursor step, except with KEYS WHITE or chord mode, where this black key writes nothing; after all keys are released the cursor advances if a note entry was opened. |
| Release F#4 | Advances the cursor once every key is up after a note was written. |
| Press G4 | Writes this key's note (or chord) into the step under the cursor; let go of all keys to move on. |
| Release G4 | Advances the cursor once every key is up after a note was written. |
| Press G#4 | Writes its mapped note into the cursor step, except with KEYS WHITE or chord mode, where this black key writes nothing; after all keys are released the cursor advances if a note entry was opened. |
| Release G#4 | Advances the cursor once every key is up after a note was written. |
| Press A4 | Writes this key's note (or chord) into the step under the cursor; let go of all keys to move on. |
| Release A4 | Advances the cursor once every key is up after a note was written. |
| Press A#4 | Writes its mapped note into the cursor step, except with KEYS WHITE or chord mode, where this black key writes nothing; after all keys are released the cursor advances if a note entry was opened. |
| Release A#4 | Advances the cursor once every key is up after a note was written. |
| Press B4 | Writes this key's note (or chord) into the step under the cursor; let go of all keys to move on. |
| Release B4 | Advances the cursor once every key is up after a note was written. |
| Press C5 | Writes this key's note (or chord) into the step under the cursor; let go of all keys to move on. |
| Release C5 | Advances the cursor once every key is up after a note was written. |
| Press C#5 | Writes its mapped note into the cursor step, except with KEYS WHITE or chord mode, where this black key writes nothing; after all keys are released the cursor advances if a note entry was opened. |
| Release C#5 | Advances the cursor once every key is up after a note was written. |
| Press D5 | Writes this key's note (or chord) into the step under the cursor; let go of all keys to move on. |
| Release D5 | Advances the cursor once every key is up after a note was written. |
| Press D#5 | Writes its mapped note into the cursor step, except with KEYS WHITE or chord mode, where this black key writes nothing; after all keys are released the cursor advances if a note entry was opened. |
| Release D#5 | Advances the cursor once every key is up after a note was written. |
| Press E5 | Writes this key's note (or chord) into the step under the cursor; let go of all keys to move on. |
| Release E5 | Advances the cursor once every key is up after a note was written. |
| Press F5 | Writes this key's note (or chord) into the step under the cursor; let go of all keys to move on. |
| Release F5 | Advances the cursor once every key is up after a note was written. |
| Press F#5 | Writes its mapped note into the cursor step, except with KEYS WHITE or chord mode, where this black key writes nothing; after all keys are released the cursor advances if a note entry was opened. |
| Release F#5 | Advances the cursor once every key is up after a note was written. |
| Press G5 | Writes this key's note (or chord) into the step under the cursor; let go of all keys to move on. |
| Release G5 | Advances the cursor once every key is up after a note was written. |
| Screen | The four step values, and a small piano roll of 16 steps: notes by pitch, ties as lines, accents in white, slides slanted, the cursor marked. |
Transport stopped
Press PLAY/STOP while the loop plays.
| Do this | What happens |
|---|---|
| Press REC | Arms recording (rec ready); press again to disarm (REC OFF). |
| OCT− + OCT+ | Hold both octave buttons for 5 seconds while stopped to flush the working loop, dirty sections and changed song order, then enter update mode; releasing before the end cancels. |
Transport playing
Press PLAY.
| Do this | What happens |
|---|---|
| Press REC | Starts recording the selected track at once; press again to stop recording while the loop plays on. |
Song mode
Hold SAVE and press white key 13, or press OCT- on the SONG screen.
| Do this | What happens |
|---|---|
| Press PLAY/STOP | Plays the song order from the top; if a section in it is empty it refuses with EMPTY SECTION: REC. |
| Press REC | While the song plays it refuses (STOP THE SONG FIRST); when stopped, arming switches back to loop mode. |
REC armed (rec ready)
Tap REC while stopped.
| Do this | What happens |
|---|---|
| Press PLAY/STOP | Starts the loop and recording from the top, or, with START set to count, plays one bar of clicks first. |
| Turn SELECT | Sets the tempo, with faster turns taking larger steps. |
| Turn KNOB 1 | Empty project only: free (no click, and your playing sets the tempo) or tempo (play against the tempo already set). |
| Turn KNOB 2 | When recording at a tempo: the selected track's loop length, 1, 2 or 4 bars. |
| Turn KNOB 3 | When recording at a tempo: note (your first note starts it) or count (PLAY clicks one bar first). |
| Turn KNOB 4 | Does nothing while recording is armed. |
| Screen | Shows the armed track and the recording choices MODE, LENGTH and START when available; there is no QUANT dial. |
Count-in
Armed with START set to count, press PLAY.
| Do this | What happens |
|---|---|
| Press PLAY/STOP | Stops the count-in and goes back to waiting armed. |
| Press REC | Cancels the count-in and disarms. |
| Screen | A big 4-3-2-1 countdown. |
Free take
Arm an empty project with MODE free, then play a note.
| Do this | What happens |
|---|---|
| Press PLAY/STOP | Throws the free take away; nothing changes. |
| Press REC | Closes the free take into a 1, 2 or 4 bar loop at the fitted tempo and starts playback with notes rounded to steps. |
| Turn KNOB 1 | Does nothing during a free take or count-in. |
| Turn KNOB 2 | Does nothing during a free take or count-in. |
| Turn KNOB 3 | Does nothing during a free take or count-in. |
| Turn KNOB 4 | Does nothing during a free take or count-in. |
| Screen | Seconds played, the loop length and tempo it would make now, and a reminder to press REC on the 1. |
Clear-track ring
Hold REC past 0.7 s.
| Do this | What happens |
|---|---|
| Screen | A red ring filling around the word clear and the track number; keep holding to clear. |
PATTERN page
Tap SEQ to PATTERN, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets the selected pattern length from 1 to 64 steps. |
| Turn KNOB 2 | Chooses the pattern step division, from quarter notes through two bars. |
| Turn KNOB 3 | Sets the selected pattern swing on top of global swing. |
| Turn KNOB 4 | Sets the pattern note gate length. |
| Screen | Shows PATTERN and its four parameter columns, with feedback for the value being adjusted. |
Coming from another firmware
Pick the firmware on your FM-1 now to see what installing SLOOP DX7 Banks does to its data.
1 · Before you switch, back up on Stock V15
- Back up first. Keep the DX7 .syx banks you loaded so you can send them again (a bank arrives over MIDI SysEx and you pick A-D). Another route: installing Baud Girl’s FM-1+VA keeps your saved stock presets, and its Device Manager can then save all 128 presets as a .syx file. FM-1+VA is closed source; install it at your own risk. It is unknown whether stock's 16 patterns come through or can then be backed up. Write down patterns you care about. To come back, you need M-VAVE's own V15 file from its download page; the installers check it byte for byte. Stock V15’s automatic pattern saves and SAVE writes may also replace ChoralRoot’s legacy sounds 1–32, VA patches, FM6 patches 1–32, CZ patches 1–32 and FM TONE patches, kept for returning to ChoralRoot 0.21 or older. Stock V15’s write locations are uncertain. Stock V15 has no backup of its own; it sends notes over MIDI, never voice data.
2 · What happens to your Stock V15 data
Possibly at risk
- stock settings (and possibly patterns)
- stock Bluetooth data
- stock presets (128, banks A-D)
What Les checked
SLOOP DX7 Banks v2.5-b28-test
StatusNot scanned yet
We couldn't tell which file in this release is the FM-1 one, so we didn't scan it.
Les has mapped its controls for v2.5-b28-test.
Les scans every firmware here whose file is public, and shows what it checked and what it found. A scan lowers the risk; it can't rule it out. This firmware is made by its author, not by Les or M-VAVE. Back up first, and install at your own risk. How Les scans firmware
Everything else on SLOOP DX7 Banks
Play notes, chords and drums
Playing a synth track
Turn ALGORITHM to track 1, 2 or 3 and hold no function button.
| Do this | What happens |
|---|---|
| Press OCT− | Moves the keyboard an octave down (range -3 to +3). |
| OCT− + OCT+ | Both together: back to octave 0. |
| Press OCT+ | Moves the keyboard an octave up (range -3 to +3). |
| OCT+ + OCT− | Both together: back to octave 0. |
| Press F3 | Plays F3 on the selected synth track, moved by the octave buttons and transpose. |
| Release F3 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press F#3 | Plays F#3 on the selected synth track, moved by the octave buttons and transpose. |
| Release F#3 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press G3 | Plays G3 on the selected synth track, moved by the octave buttons and transpose. |
| Release G3 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press G#3 | Plays G#3 on the selected synth track, moved by the octave buttons and transpose. |
| Release G#3 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press A3 | Plays A3 on the selected synth track, moved by the octave buttons and transpose. |
| Release A3 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press A#3 | Plays A#3 on the selected synth track, moved by the octave buttons and transpose. |
| Release A#3 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press B3 | Plays B3 on the selected synth track, moved by the octave buttons and transpose. |
| Release B3 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press C4 | Plays C4 on the selected synth track, moved by the octave buttons and transpose. |
| Release C4 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press C#4 | Plays C#4 on the selected synth track, moved by the octave buttons and transpose. |
| Release C#4 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press D4 | Plays D4 on the selected synth track, moved by the octave buttons and transpose. |
| Release D4 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press D#4 | Plays D#4 on the selected synth track, moved by the octave buttons and transpose. |
| Release D#4 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press E4 | Plays E4 on the selected synth track, moved by the octave buttons and transpose. |
| Release E4 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press F4 | Plays F4 on the selected synth track, moved by the octave buttons and transpose. |
| Release F4 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press F#4 | Plays F#4 on the selected synth track, moved by the octave buttons and transpose. |
| Release F#4 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press G4 | Plays G4 on the selected synth track, moved by the octave buttons and transpose. |
| Release G4 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press G#4 | Plays G#4 on the selected synth track, moved by the octave buttons and transpose. |
| Release G#4 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press A4 | Plays A4 on the selected synth track, moved by the octave buttons and transpose. |
| Release A4 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press A#4 | Plays A#4 on the selected synth track, moved by the octave buttons and transpose. |
| Release A#4 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press B4 | Plays B4 on the selected synth track, moved by the octave buttons and transpose. |
| Release B4 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press C5 | Plays C5 on the selected synth track, moved by the octave buttons and transpose. |
| Release C5 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press C#5 | Plays C#5 on the selected synth track, moved by the octave buttons and transpose. |
| Release C#5 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press D5 | Plays D5 on the selected synth track, moved by the octave buttons and transpose. |
| Release D5 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press D#5 | Plays D#5 on the selected synth track, moved by the octave buttons and transpose. |
| Release D#5 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press E5 | Plays E5 on the selected synth track, moved by the octave buttons and transpose. |
| Release E5 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press F5 | Plays F5 on the selected synth track, moved by the octave buttons and transpose. |
| Release F5 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press F#5 | Plays F#5 on the selected synth track, moved by the octave buttons and transpose. |
| Release F#5 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
| Press G5 | Plays G5 on the selected synth track, moved by the octave buttons and transpose. |
| Release G5 | Releases this key's notes; an arpeggio latched with HOLD can continue. |
Chord mode on a synth track
Hold SEL and turn KNOB 1 to a chord type (or set CHORD on the SEL page).
| Do this | What happens |
|---|---|
| Press F3 | Plays the scale's IV chord an octave down (counting from C4 as I, in a seven-note scale). |
| Hold F#3 | While held, flips the chords you play between major and minor (pressed during a chord, it changes under your finger). |
| Release F#3 | Removes this key's chord modifier from the chords still held. |
| Press G3 | Plays the scale's V chord an octave down (counting from C4 as I, in a seven-note scale). |
| Hold G#3 | While held, adds the 7th from the scale (pressed during a chord, it changes under your finger). |
| Release G#3 | Removes this key's chord modifier from the chords still held. |
| Press A3 | Plays the scale's VI chord an octave down (counting from C4 as I, in a seven-note scale). |
| Hold A#3 | While held, turns the chords into sus4 (pressed during a chord, it changes under your finger). |
| Release A#3 | Removes this key's chord modifier from the chords still held. |
| Press B3 | Plays the scale's VII chord an octave down (counting from C4 as I, in a seven-note scale). |
| Press C4 | Plays the scale's I chord (counting from C4 as I, in a seven-note scale). |
| Hold C#4 | While held, adds the 9th from the scale (pressed during a chord, it changes under your finger). |
| Release C#4 | Removes this key's chord modifier from the chords still held. |
| Press D4 | Plays the scale's II chord (counting from C4 as I, in a seven-note scale). |
| Hold D#4 | While held, inverts the chords (pressed during a chord, it changes under your finger). |
| Release D#4 | Removes this key's chord modifier from the chords still held. |
| Press E4 | Plays the scale's III chord (counting from C4 as I, in a seven-note scale). |
| Press F4 | Plays the scale's IV chord (counting from C4 as I, in a seven-note scale). |
| Hold F#4 | While held, flips the chords you play between major and minor (pressed during a chord, it changes under your finger). |
| Release F#4 | Removes this key's chord modifier from the chords still held. |
| Press G4 | Plays the scale's V chord (counting from C4 as I, in a seven-note scale). |
| Hold G#4 | While held, adds the 7th from the scale (pressed during a chord, it changes under your finger). |
| Release G#4 | Removes this key's chord modifier from the chords still held. |
| Press A4 | Plays the scale's VI chord (counting from C4 as I, in a seven-note scale). |
| Hold A#4 | While held, turns the chords into sus4 (pressed during a chord, it changes under your finger). |
| Release A#4 | Removes this key's chord modifier from the chords still held. |
| Press B4 | Plays the scale's VII chord (counting from C4 as I, in a seven-note scale). |
| Press C5 | Plays the scale's I chord an octave up (counting from C4 as I, in a seven-note scale). |
| Hold C#5 | While held, adds the 9th from the scale (pressed during a chord, it changes under your finger). |
| Release C#5 | Removes this key's chord modifier from the chords still held. |
| Press D5 | Plays the scale's II chord an octave up (counting from C4 as I, in a seven-note scale). |
| Hold D#5 | While held, inverts the chords (pressed during a chord, it changes under your finger). |
| Release D#5 | Removes this key's chord modifier from the chords still held. |
| Press E5 | Plays the scale's III chord an octave up (counting from C4 as I, in a seven-note scale). |
| Press F5 | Plays the scale's IV chord an octave up (counting from C4 as I, in a seven-note scale). |
| Hold F#5 | While held, flips the chords you play between major and minor (pressed during a chord, it changes under your finger). |
| Release F#5 | Removes this key's chord modifier from the chords still held. |
| Press G5 | Plays the scale's V chord an octave up (counting from C4 as I, in a seven-note scale). |
Playing the drum track
Turn ALGORITHM to track 4.
| Do this | What happens |
|---|---|
| Hold OCT− | While held, keys hit at ghost level. |
| Hold OCT+ | While held, keys hit at hard level. |
| Press F3 | Plays KICK. |
| Press F#3 | Plays KICK, the same sound as the white key to its left. |
| Press G3 | Plays KICK 2. |
| Press G#3 | Plays KICK 2, the same sound as the white key to its left. |
| Press A3 | Plays SNARE. |
| Press A#3 | Plays SNARE, the same sound as the white key to its left. |
| Press B3 | Plays CLAP. |
| Press C4 | Plays HAT. |
| Press C#4 | Plays HAT, the same sound as the white key to its left. |
| Press D4 | Plays OPEN HAT. |
| Press D#4 | Plays OPEN HAT, the same sound as the white key to its left. |
| Press E4 | Plays PEDAL (the pedal hi-hat). |
| Press F4 | Plays RIM. |
| Press F#4 | Plays RIM, the same sound as the white key to its left. |
| Press G4 | Plays SNARE 2. |
| Press G#4 | Plays SNARE 2, the same sound as the white key to its left. |
| Press A4 | Plays LOW TOM. |
| Press A#4 | Plays LOW TOM, the same sound as the white key to its left. |
| Press B4 | Plays HI TOM. |
| Press C5 | Plays CRASH. |
| Press C#5 | Plays CRASH, the same sound as the white key to its left. |
| Press D5 | Plays RIDE. |
| Press D#5 | Plays RIDE, the same sound as the white key to its left. |
| Press E5 | Plays SHAKER. |
| Press F5 | Plays CONGA. |
| Press F#5 | Plays CONGA, the same sound as the white key to its left. |
| Press G5 | Plays COWBELL. |
TRACKS screen
Tap HOME.
| Do this | What happens |
|---|---|
| Press HOME | Opens the visualiser. |
| Press EDIT | With the drum track selected, opens its GRID or KIT screen. |
| Press SEQ | With the drum track selected, opens its GRID or KIT screen. |
| Press SAVE | Opens the SONG screen. |
| Turn SELECT | Sets the tempo, with faster turns taking larger steps. |
| Turn PRESETS | Immediately loads factory sounds, loaded DX7 banks and user presets in order, replacing unsaved sound edits without a question or undo; on the drum track it chooses kits. |
| Turn KNOB 1 | Sets global swing for the four tracks; fast turns move farther. |
| Turn KNOB 2 | Sets the selected track level; the first turn unmutes a muted track and fast turns move farther. |
| Turn KNOB 3 | Sets the selected pattern length from 1 to 64 steps; fast turns move farther. |
| Turn KNOB 4 | Sets the selected track pan; fast turns move farther. |
| Screen | Tempo and transport on top; each track as a row with its sound, 16 steps, playhead, rec, solo or mute badge and level; dials for swing, level, steps, pan. |
| Hold HOME + turn PRESETS | On a synth track, jumps to the first sound of the previous or next kind or DX7 bank without a question or undo when the first PRESETS turn comes within about 0.7 seconds of pressing HOME, suppressing HOME’s menu and visualiser actions; waiting until the HOME menu opens makes PRESETS a menu control instead. |
Visualiser
Tap HOME while the TRACKS screen is showing.
| Do this | What happens |
|---|---|
| Press HOME | Closes the visualiser, back to TRACKS. |
| Turn SELECT | Next or previous visualiser style (12, round); the choice is kept. |
| Turn KNOB 1 | Does nothing while the visualiser shows. |
| Turn KNOB 2 | Does nothing while the visualiser shows. |
| Turn KNOB 3 | Does nothing while the visualiser shows. |
| Turn KNOB 4 | Does nothing while the visualiser shows. |
| Screen | One of 12 full-screen styles (oscilloscope, spectrum, spectrogram, Lissajous, VU meters, circle, tape, LCD, bounce, orbit, wires, the SLOOP logo); the style's name shows briefly. |
DRUMS screen, grid page
Select the drum track and tap EDIT or SEQ on TRACKS; DRUMS returns to its last page, so turn SELECT fully left to reach GRID before using keys as steps.
| Do this | What happens |
|---|---|
| Press EDIT | Switches to the kit page. |
| Press SEQ | Switches to the kit page. |
| Press SAVE | Opens the SONG screen. |
| Turn SELECT | Moves between GRID and KIT, stopping at the ends. |
| Turn PRESETS | Picks the drum kit. |
| Turn ALGORITHM | Selects the track; moving off the drum track goes back to TRACKS. |
| Turn KNOB 1 | Picks the drum sound (you hear it). |
| Turn KNOB 2 | Steps the cursor through the pattern and plays the hits on that step. |
| Turn KNOB 3 | Right adds a hit of the sound on the step; left removes it. |
| Turn KNOB 4 | Steps the hit's level: ghost, soft, normal, hard. |
| Press F3 | Sets or clears the selected drum sound on step 1 of this page, sounding an added hit; clearing its final hit also deletes the step’s locks, nudge and fill condition, which undo cannot restore; song playback refuses the edit and the working loop autosaves later. |
| Press F#3 | Shows steps 1-16 of the grid. |
| Press G3 | Sets or clears the selected drum sound on step 2 of this page, sounding an added hit; clearing its final hit also deletes the step’s locks, nudge and fill condition, which undo cannot restore; song playback refuses the edit and the working loop autosaves later. |
| Press G#3 | Shows steps 17-32 of the grid. |
| Press A3 | Sets or clears the selected drum sound on step 3 of this page, sounding an added hit; clearing its final hit also deletes the step’s locks, nudge and fill condition, which undo cannot restore; song playback refuses the edit and the working loop autosaves later. |
| Press A#3 | Shows steps 33-48 of the grid. |
| Press B3 | Sets or clears the selected drum sound on step 4 of this page, sounding an added hit; clearing its final hit also deletes the step’s locks, nudge and fill condition, which undo cannot restore; song playback refuses the edit and the working loop autosaves later. |
| Press C4 | Sets or clears the selected drum sound on step 5 of this page, sounding an added hit; clearing its final hit also deletes the step’s locks, nudge and fill condition, which undo cannot restore; song playback refuses the edit and the working loop autosaves later. |
| Press C#4 | Shows steps 49-64 of the grid. |
| Press D4 | Sets or clears the selected drum sound on step 6 of this page, sounding an added hit; clearing its final hit also deletes the step’s locks, nudge and fill condition, which undo cannot restore; song playback refuses the edit and the working loop autosaves later. |
| Press E4 | Sets or clears the selected drum sound on step 7 of this page, sounding an added hit; clearing its final hit also deletes the step’s locks, nudge and fill condition, which undo cannot restore; song playback refuses the edit and the working loop autosaves later. |
| Press F4 | Sets or clears the selected drum sound on step 8 of this page, sounding an added hit; clearing its final hit also deletes the step’s locks, nudge and fill condition, which undo cannot restore; song playback refuses the edit and the working loop autosaves later. |
| Press G4 | Sets or clears the selected drum sound on step 9 of this page, sounding an added hit; clearing its final hit also deletes the step’s locks, nudge and fill condition, which undo cannot restore; song playback refuses the edit and the working loop autosaves later. |
| Press A4 | Sets or clears the selected drum sound on step 10 of this page, sounding an added hit; clearing its final hit also deletes the step’s locks, nudge and fill condition, which undo cannot restore; song playback refuses the edit and the working loop autosaves later. |
| Press B4 | Sets or clears the selected drum sound on step 11 of this page, sounding an added hit; clearing its final hit also deletes the step’s locks, nudge and fill condition, which undo cannot restore; song playback refuses the edit and the working loop autosaves later. |
| Press C5 | Sets or clears the selected drum sound on step 12 of this page, sounding an added hit; clearing its final hit also deletes the step’s locks, nudge and fill condition, which undo cannot restore; song playback refuses the edit and the working loop autosaves later. |
| Press D5 | Sets or clears the selected drum sound on step 13 of this page, sounding an added hit; clearing its final hit also deletes the step’s locks, nudge and fill condition, which undo cannot restore; song playback refuses the edit and the working loop autosaves later. |
| Press E5 | Sets or clears the selected drum sound on step 14 of this page, sounding an added hit; clearing its final hit also deletes the step’s locks, nudge and fill condition, which undo cannot restore; song playback refuses the edit and the working loop autosaves later. |
| Press F5 | Sets or clears the selected drum sound on step 15 of this page, sounding an added hit; clearing its final hit also deletes the step’s locks, nudge and fill condition, which undo cannot restore; song playback refuses the edit and the working loop autosaves later. |
| Press G5 | Sets or clears the selected drum sound on step 16 of this page, sounding an added hit; clearing its final hit also deletes the step’s locks, nudge and fill condition, which undo cannot restore; song playback refuses the edit and the working loop autosaves later. |
| Screen | 16 sounds by 16 steps, hit levels as shades, ratchets as notches, the cursor framed; dials sound, step, hit, level. |
DRUMS screen, kit page
On the DRUMS grid tap EDIT or SEQ once, or turn SELECT toward KIT.
| Do this | What happens |
|---|---|
| Press EDIT | Switches from KIT to GRID. |
| Press SEQ | Switches from KIT to GRID. |
| Press SAVE | Opens the SONG screen. |
| Turn SELECT | Moves between GRID and KIT, stopping at the ends. |
| Turn PRESETS | Picks the drum kit. |
| Turn ALGORITHM | Selects the track; moving off the drum track goes back to TRACKS. |
| Turn KNOB 1 | Picks the drum kit. |
| Turn KNOB 2 | Drum track level. |
| Turn KNOB 3 | Drum reverb send. |
| Turn KNOB 4 | Drum track pan. |
| Screen | 16 pads that flash on each hit; dials kit, level, reverb, pan. |
Shape sounds and effects
A button's pages
Tap a page button; tap it again or turn SELECT to move within that family.
| Do this | What happens |
|---|---|
| Press SAVE | Opens PRESETS, USER, PROJECT and TOOLS, advancing on another tap. |
| Turn SELECT | Previous or next page of the same button, stopping at the ends. |
| Turn PRESETS | Ignored on the other pages so a stray turn cannot replace the sound being edited. |
| Turn KNOB 1 | Sets this page's 1st value; empty columns and pages marked DRUM TRACK ignore turns, and wider ranges speed up on fast turns. |
| Turn KNOB 2 | Sets this page's 2nd value; empty columns and pages marked DRUM TRACK ignore turns, and wider ranges speed up on fast turns. |
| Turn KNOB 3 | Sets this page's 3rd value; empty columns and pages marked DRUM TRACK ignore turns, and wider ranges speed up on fast turns. |
| Turn KNOB 4 | Sets this page's 4th value; empty columns and pages marked DRUM TRACK ignore turns, and wider ranges speed up on fast turns. |
| Screen | Shows each page's values and graph, the sound and engine, and its position among the family's pages; SONG counts in the SEQ family. |
ENV page
Tap ENV to ENV, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets the selected synth track attack time. |
| Turn KNOB 2 | Sets the selected synth track decay time. |
| Turn KNOB 3 | Sets the selected synth track sustain level. |
| Turn KNOB 4 | Sets the selected synth track release time. |
| Screen | Shows ENV and its four parameter columns, with feedback for the value being adjusted. |
ENV DEST page
Tap ENV to ENV DEST, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets how strongly the envelope moves the engine brightness. |
| Turn KNOB 2 | Sets the envelope depth for pitch. |
| Turn KNOB 3 | Sets the envelope depth for the engine shape. |
| Turn KNOB 4 | Does nothing on this page. |
| Screen | Shows ENV DEST and its four parameter columns, with feedback for the value being adjusted. |
LFO page
Tap LFO to LFO, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets LFO speed. |
| Turn KNOB 2 | Chooses sine, triangle, saw, square or sample-and-hold modulation. |
| Turn KNOB 3 | Sets the LFO starting phase. |
| Turn KNOB 4 | Sets how long the LFO takes to fade in. |
| Screen | Shows LFO and its four parameter columns, with feedback for the value being adjusted. |
LFO DEST page
Tap LFO to LFO DEST, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets the LFO pitch depth. |
| Turn KNOB 2 | Sets the LFO brightness depth. |
| Turn KNOB 3 | Sets the LFO shape depth. |
| Turn KNOB 4 | Sets the LFO amplitude depth. |
| Screen | Shows LFO DEST and its four parameter columns, with feedback for the value being adjusted. |
FX page
Tap FX to FX, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets the selected synth track distortion amount. |
| Turn KNOB 2 | Sets the selected synth track chorus send. |
| Turn KNOB 3 | Sets the selected synth track delay send. |
| Turn KNOB 4 | Sets the selected synth track reverb send. |
| Screen | Shows FX and its four parameter columns, with feedback for the value being adjusted. |
FILTER page
Tap FX to FILTER, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Turns the selected synth track filter from low-pass through off to high-pass. |
| Turn KNOB 2 | Does nothing on this page. |
| Turn KNOB 3 | Does nothing on this page. |
| Turn KNOB 4 | Does nothing on this page. |
| Screen | Shows FILTER and its four parameter columns, with feedback for the value being adjusted. |
KEEP page
Tap FX to KEEP, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Turns PHONE on to the right and off to the left, allowing one kept effect at a time and saving the setting immediately without a question. |
| Turn KNOB 2 | Turns TAPE on to the right and off to the left, allowing one kept effect at a time and saving the setting immediately without a question. |
| Turn KNOB 3 | Turns HALF on to the right and off to the left, allowing one kept effect at a time and saving the setting immediately without a question. |
| Turn KNOB 4 | Two rightward detents within about 1.5 seconds reset the selected track sends, filter and slicer plus shared effects and kept effect, without undo; clearing a kept effect saves settings immediately. |
| Screen | Shows KEEP and its four parameter columns, with feedback for the value being adjusted. |
SLICER page
Tap FX to SLICER, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses off, gate or stutter for the selected track slicer. |
| Turn KNOB 2 | Chooses one of sixteen slicer patterns. |
| Turn KNOB 3 | Chooses the slicer timing division. |
| Turn KNOB 4 | Sets the slicer depth. |
| Screen | Shows SLICER and its four parameter columns, with feedback for the value being adjusted. |
DLY page
Tap FX to DLY, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses the shared delay time as a tempo division. |
| Turn KNOB 2 | Sets the shared delay feedback. |
| Turn KNOB 3 | Sets the tone of the delay repeats. |
| Turn KNOB 4 | Sets the shared delay mix. |
| Screen | Shows DLY and its four parameter columns, with feedback for the value being adjusted. |
REV/CHO page
Tap FX to REV/CHO, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets the shared reverb size. |
| Turn KNOB 2 | Sets the shared reverb damping. |
| Turn KNOB 3 | Sets the shared chorus speed. |
| Turn KNOB 4 | Sets the shared chorus depth. |
| Screen | Shows REV/CHO and its four parameter columns, with feedback for the value being adjusted. |
SEL page
Tap SEL to SEL, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets the selected synth track root note. |
| Turn KNOB 2 | Chooses the selected synth track scale. |
| Turn KNOB 3 | Chooses normal chromatic keys, scale snapping or the scale on white keys. |
| Turn KNOB 4 | Chooses off, triad, seventh, ninth, suspended fourth or power chords. |
| Screen | Shows SEL and its four parameter columns, with feedback for the value being adjusted. |
SEL 2 page
Tap SEL to SEL 2, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Transposes the selected synth track up or down by at most 24 semitones. |
| Turn KNOB 2 | Sets chord strum direction and spacing, up to 60 ms per note. |
| Turn KNOB 3 | Turns chord voice leading on or off. |
| Turn KNOB 4 | Does nothing on this page. |
| Screen | Shows SEL 2 and its four parameter columns, with feedback for the value being adjusted. |
VOICE page
Tap EDIT to VOICE, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses polyphonic, mono, legato or unison voice behavior. |
| Turn KNOB 2 | Sets glide time. |
| Turn KNOB 3 | Chooses glide at a fixed rate or fixed time. |
| Turn KNOB 4 | Chooses last, lowest or highest note priority for mono playing. |
| Screen | Shows VOICE and its four parameter columns, with feedback for the value being adjusted. |
VOICE 2 page
Tap EDIT to VOICE 2, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses rotating voice allocation or reuse. |
| Turn KNOB 2 | Sets unison voice detuning. |
| Turn KNOB 3 | Sets the selected synth track pan. |
| Turn KNOB 4 | Mutes or unmutes the selected synth track. |
| Screen | Shows VOICE 2 and its four parameter columns, with feedback for the value being adjusted. |
MASTER page
Tap GLO to MASTER, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets master dust coloration. |
| Turn KNOB 2 | Sets how much kick hits duck the synth tracks. |
| Turn KNOB 3 | Turns the master filter from low-pass through off to high-pass. |
| Turn KNOB 4 | Chooses the note-repeat rate. |
| Screen | Shows MASTER and its four parameter columns, with feedback for the value being adjusted. |
ARP page
Tap ARP to ARP, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses off, up, down, up/down, random or played order. |
| Turn KNOB 2 | Chooses the arpeggiator timing division. |
| Turn KNOB 3 | Sets the arpeggiator span from one to four octaves. |
| Turn KNOB 4 | Sets arpeggiator note gate length. |
| Screen | Shows ARP and its four parameter columns, with feedback for the value being adjusted. |
ARP 2 page
Tap ARP to ARP 2, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets the arpeggiator swing. |
| Turn KNOB 2 | Sets the chance of each arpeggiator note sounding. |
| Turn KNOB 3 | Turns arpeggiator note latching on or off. |
| Turn KNOB 4 | Chooses pitch ordering or key press ordering for the arpeggiator. |
| Screen | Shows ARP 2 and its four parameter columns, with feedback for the value being adjusted. |
ANALOG OSC 1/4
Choose ANALOG on a synth track, then tap EDIT until OSC 1/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses the oscillator waveform. |
| Turn KNOB 2 | Sets oscillator detuning. |
| Turn KNOB 3 | Sets the mix between oscillators. |
| Turn KNOB 4 | Sets oscillator noise amount. |
| Screen | Shows ANALOG with page title OSC 1/4 and WAVE, DTN, MIX, NOIS in KNOB 1–4 order. |
ANALOG FLT 2/4
Choose ANALOG on a synth track, then tap EDIT until FLT 2/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets filter cutoff. |
| Turn KNOB 2 | Sets filter resonance. |
| Turn KNOB 3 | Sets filter drive. |
| Turn KNOB 4 | Sets filter key tracking. |
| Screen | Shows ANALOG with page title FLT 2/4 and CUT, RES, DRV, KTR in KNOB 1–4 order. |
DIGITAL OPS 1/4
Choose DIGITAL on a synth track, then tap EDIT until OPS 1/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses one of eight FM algorithms. |
| Turn KNOB 2 | Sets operator 2 frequency ratio. |
| Turn KNOB 3 | Sets operator 3 frequency ratio. |
| Turn KNOB 4 | Sets operator 4 frequency ratio. |
| Screen | Shows DIGITAL with page title OPS 1/4 and ALG, R2, R3, R4 in KNOB 1–4 order. |
DIGITAL MOD 2/4
Choose DIGITAL on a synth track, then tap EDIT until MOD 2/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets FM modulation amount. |
| Turn KNOB 2 | Sets modulator envelope decay. |
| Turn KNOB 3 | Sets feedback. |
| Turn KNOB 4 | Does nothing on this page. |
| Screen | Shows DIGITAL with page title MOD 2/4 and IDX, MDEC, FB, - in KNOB 1–4 order. |
WHEEL BARS 1/4
Choose WHEEL on a synth track, then tap EDIT until BARS 1/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses a drawbar registration. |
| Turn KNOB 2 | Adjusts the low drawbar group. |
| Turn KNOB 3 | Adjusts the middle drawbar group. |
| Turn KNOB 4 | Adjusts the high drawbar group. |
| Screen | Shows WHEEL with page title BARS 1/4 and REG, SUB, BODY, TOP in KNOB 1–4 order. |
WHEEL TONE 2/4
Choose WHEEL on a synth track, then tap EDIT until TONE 2/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses organ percussion. |
| Turn KNOB 2 | Sets organ key click. |
| Turn KNOB 3 | Sets organ drive. |
| Turn KNOB 4 | Chooses no rotary effect, slow or fast. |
| Screen | Shows WHEEL with page title TONE 2/4 and PERC, CLICK, DRV, ROTR in KNOB 1–4 order. |
FM6 OPS 1/4
Choose FM6 on a synth track, then tap EDIT until OPS 1/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Keeps the patch algorithm or chooses algorithm 1–32. |
| Turn KNOB 2 | Offsets patch feedback. |
| Turn KNOB 3 | Offsets modulator levels to change brightness. |
| Turn KNOB 4 | Offsets modulator frequency ratios. |
| Screen | Shows FM6 with page title OPS 1/4 and ALG, FB, MLVL, MRAT in KNOB 1–4 order. |
FM6 PATCH 2/4
Choose FM6 on a synth track, then tap EDIT until PATCH 2/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Speeds up or slows down modulator envelopes. |
| Turn KNOB 2 | Offsets modulator velocity sensitivity. |
| Turn KNOB 3 | Spreads carrier pitches. |
| Turn KNOB 4 | Loads F1–F8, B1–B27 or D1–D384, with an empty or damaged D slot playing INIT VOICE. |
| Screen | Shows FM6 with page title PATCH 2/4 and MEG, VMOD, DTUN, PTCH in KNOB 1–4 order. |
VOICE VOWL 1/4
Choose VOICE on a synth track, then tap EDIT until VOWL 1/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets the starting vowel. |
| Turn KNOB 2 | Sets the destination vowel. |
| Turn KNOB 3 | Sets vowel transition time. |
| Turn KNOB 4 | Shifts the formants up or down by at most 12 semitones. |
| Screen | Shows VOICE with page title VOWL 1/4 and VOWL, VOWL2, TALK, SHIFT in KNOB 1–4 order. |
VOICE TONE 2/4
Choose VOICE on a synth track, then tap EDIT until TONE 2/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets the buzz of the voice. |
| Turn KNOB 2 | Sets breath noise. |
| Turn KNOB 3 | Sets formant resonance. |
| Turn KNOB 4 | Sets vowel randomness. |
| Screen | Shows VOICE with page title TONE 2/4 and BUZZ, BRTH, Q, RAND in KNOB 1–4 order. |
GRAIN GRAN 1/4
Choose GRAIN on a synth track, then tap EDIT until GRAN 1/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses the sample source. |
| Turn KNOB 2 | Sets the centre position for grains. |
| Turn KNOB 3 | Sets grain length. |
| Turn KNOB 4 | Sets grain density. |
| Screen | Shows GRAIN with page title GRAN 1/4 and SRC, POS, SIZE, DENS in KNOB 1–4 order. |
GRAIN SPRY 2/4
Choose GRAIN on a synth track, then tap EDIT until SPRY 2/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Transposes grains up or down by at most 24 semitones. |
| Turn KNOB 2 | Sets grain position and timing spread. |
| Turn KNOB 3 | Sets random pitch variation and reverse-grain chance. |
| Turn KNOB 4 | Sets grain tone. |
| Screen | Shows GRAIN with page title SPRY 2/4 and PTCH, SPRD, RAND, TONE in KNOB 1–4 order. |
LOFI CHIP 1/4
Choose LOFI on a synth track, then tap EDIT until CHIP 1/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses the chip model. |
| Turn KNOB 2 | Chooses the chip waveform. |
| Turn KNOB 3 | Sets pulse width, or chooses one of sixteen wave tables with WRAM. |
| Turn KNOB 4 | Sets crush amount, or the stepped-envelope decay with STEP. |
| Screen | Shows LOFI with page title CHIP 1/4 and CHIP, WAVE, DUTY, CRSH in KNOB 1–4 order. |
LOFI MOTN 2/4
Choose LOFI on a synth track, then tap EDIT until MOTN 2/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets the downward pitch sweep. |
| Turn KNOB 2 | Sets vibrato. |
| Turn KNOB 3 | Chooses no chip arpeggio, octave, major or minor. |
| Turn KNOB 4 | Sets the tone. |
| Screen | Shows LOFI with page title MOTN 2/4 and SWP, VIB, ARP, TONE in KNOB 1–4 order. |
NOISE SRC 1/4
Choose NOISE on a synth track, then tap EDIT until SRC 1/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses analog noise, dust, shift-register noise or metallic noise. |
| Turn KNOB 2 | Moves noise colour between white, pink and brown. |
| Turn KNOB 3 | Sets filter frequency. |
| Turn KNOB 4 | Sets filter resonance. |
| Screen | Shows NOISE with page title SRC 1/4 and MODE, COLR, FREQ, RES in KNOB 1–4 order. |
NOISE MOVE 2/4
Choose NOISE on a synth track, then tap EDIT until MOVE 2/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets filter key tracking. |
| Turn KNOB 2 | Sets impulse density; shift-register and metallic modes choose register length. |
| Turn KNOB 3 | Sets slow random drift. |
| Turn KNOB 4 | Sets crush; shift-register and metallic modes set clock pitch above the key. |
| Screen | Shows NOISE with page title MOVE 2/4 and TRK, DENS, DRFT, CRSH in KNOB 1–4 order. |
PHASE PHS 1/4
Choose PHASE on a synth track, then tap EDIT until PHS 1/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses the first phase-distortion waveform. |
| Turn KNOB 2 | Chooses the alternating second waveform or disables it. |
| Turn KNOB 3 | Sets phase distortion depth. |
| Turn KNOB 4 | Sets the envelope depth for phase distortion. |
| Screen | Shows PHASE with page title PHS 1/4 and WAVE, WAVE2, DCW, ENV in KNOB 1–4 order. |
PHASE LINE 2/4
Choose PHASE on a synth track, then tap EDIT until LINE 2/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets detuning between oscillator lines. |
| Turn KNOB 2 | Chooses a mixed or ring-modulated second line. |
| Turn KNOB 3 | Sets the sub-oscillator level. |
| Turn KNOB 4 | Does nothing on this page. |
| Screen | Shows PHASE with page title LINE 2/4 and DTN, LINE, SUB, - in KNOB 1–4 order. |
PHYS BODY 1/4
Choose PHYS on a synth track, then tap EDIT until BODY 1/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses modal, string, membrane or sympathetic-string modeling. |
| Turn KNOB 2 | Sets resonator structure; membrane mode uses harmonicity and sympathetic mode chooses a chord. |
| Turn KNOB 3 | Sets model brightness. |
| Turn KNOB 4 | Sets model damping. |
| Screen | Shows PHYS with page title BODY 1/4 and MODEL, STRC, BRIT, DAMP in KNOB 1–4 order. |
PHYS EXCT 2/4
Choose PHYS on a synth track, then tap EDIT until EXCT 2/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets strike or pluck position; sympathetic mode sets sympathetic-string strength. |
| Turn KNOB 2 | Sets velocity accent. |
| Turn KNOB 3 | Sets bow excitation; membrane mode sets pitch bend and sympathetic mode sets buzz. |
| Turn KNOB 4 | Sets exciter mix. |
| Screen | Shows PHYS with page title EXCT 2/4 and POS, ACC, BOW, EXC in KNOB 1–4 order. |
SAMPLE SET 1/4
Choose SAMPLE on a synth track, then tap EDIT until SET 1/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses the factory or user sample set. |
| Turn KNOB 2 | Tunes the sample up or down by at most 24 semitones. |
| Turn KNOB 3 | Sets sample bit reduction. |
| Turn KNOB 4 | Turns sample looping on or off. |
| Screen | Shows SAMPLE with page title SET 1/4 and SET, TUNE, BITS, LOOP in KNOB 1–4 order. |
SAMPLE TONE 2/4
Choose SAMPLE on a synth track, then tap EDIT until TONE 2/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets the sample tone cutoff. |
| Turn KNOB 2 | Does nothing on this page. |
| Turn KNOB 3 | Sets sample drive. |
| Turn KNOB 4 | Does nothing on this page. |
| Screen | Shows SAMPLE with page title TONE 2/4 and CUT, -, DRV, - in KNOB 1–4 order. |
TRIO OSC 1/4
Choose TRIO on a synth track, then tap EDIT until OSC 1/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses the oscillator waveform combination. |
| Turn KNOB 2 | Tunes oscillator 2 within 24 semitones of oscillator 1. |
| Turn KNOB 3 | Tunes oscillator 3 within 24 semitones of oscillator 1. |
| Turn KNOB 4 | Sets oscillator detuning. |
| Screen | Shows TRIO with page title OSC 1/4 and WAVE, INT2, INT3, DTN in KNOB 1–4 order. |
TRIO TONE 2/4
Choose TRIO on a synth track, then tap EDIT until TONE 2/4 appears.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses low-pass, band-pass, high-pass or notch filtering. |
| Turn KNOB 2 | Sets filter cutoff. |
| Turn KNOB 3 | Sets filter resonance. |
| Turn KNOB 4 | Sets pulse width. |
| Screen | Shows TRIO with page title TONE 2/4 and MODE, CUT, RES, PW in KNOB 1–4 order. |
Perform with held layers
FX layer (punch)
Hold FX.
| Do this | What happens |
|---|---|
| Turn SELECT | Sets tempo while a layer is active, with faster turns taking larger steps. |
| Hold FX + turn KNOB 1 | Master filter on one knob: turn left for low-pass, right for high-pass; the middle leaves the sound open; Fast turns move farther on wider value ranges. |
| Hold FX + turn KNOB 2 | Master DUST (old sampler and vinyl colour); Fast turns move farther on wider value ranges. |
| Hold FX + turn KNOB 3 | Master DUCK (the kick pumps the synth tracks); Fast turns move farther on wider value ranges. |
| Hold FX + turn KNOB 4 | A filter for the selected track alone, set the same way as the master one; Fast turns move farther on wider value ranges. |
| Hold FX + F3 | Loops the last quarter note, in time; The effect lasts while the key is held. |
| Release F3 | Returns to the KEEP effect, or the dry mix when KEEP is off. |
| Hold FX + F#3 | Does nothing in the FX layer. |
| Hold FX + G3 | Loops the last eighth note, in time; The effect lasts while the key is held. |
| Release G3 | Returns to the KEEP effect, or the dry mix when KEEP is off. |
| Hold FX + G#3 | Does nothing in the FX layer. |
| Hold FX + A3 | Loops the last sixteenth, in time; The effect lasts while the key is held. |
| Release A3 | Returns to the KEEP effect, or the dry mix when KEEP is off. |
| Hold FX + A#3 | Does nothing in the FX layer. |
| Hold FX + B3 | Loops the last 1/32, in time; The effect lasts while the key is held. |
| Release B3 | Returns to the KEEP effect, or the dry mix when KEEP is off. |
| Hold FX + C4 | Stutters in 1/16 triplets; The effect lasts while the key is held. |
| Release C4 | Returns to the KEEP effect, or the dry mix when KEEP is off. |
| Hold FX + C#4 | Does nothing in the FX layer. |
| Hold FX + D4 | Plays the mix backwards; The effect lasts while the key is held. |
| Release D4 | Returns to the KEEP effect, or the dry mix when KEEP is off. |
| Hold FX + D#4 | Does nothing in the FX layer. |
| Hold FX + E4 | Slows the mix to a stop like a tape; The effect lasts while the key is held. |
| Release E4 | Returns to the KEEP effect, or the dry mix when KEEP is off. |
| Hold FX + F4 | Plays the mix at half speed; The effect lasts while the key is held. |
| Release F4 | Returns to the KEEP effect, or the dry mix when KEEP is off. |
| Hold FX + F#4 | Does nothing in the FX layer. |
| Hold FX + G4 | Sweeps a low-pass filter over the mix; The effect lasts while the key is held. |
| Release G4 | Returns to the KEEP effect, or the dry mix when KEEP is off. |
| Hold FX + G#4 | Does nothing in the FX layer. |
| Hold FX + A4 | Sweeps a high-pass filter over the mix; The effect lasts while the key is held. |
| Release A4 | Returns to the KEEP effect, or the dry mix when KEEP is off. |
| Hold FX + A#4 | Does nothing in the FX layer. |
| Hold FX + B4 | Squeezes the mix into a phone-speaker band; The effect lasts while the key is held. |
| Release B4 | Returns to the KEEP effect, or the dry mix when KEEP is off. |
| Hold FX + C5 | Crushes the mix to fewer bits; The effect lasts while the key is held. |
| Release C5 | Returns to the KEEP effect, or the dry mix when KEEP is off. |
| Hold FX + C#5 | Does nothing in the FX layer. |
| Hold FX + D5 | Drops the sample rate for aliasing; The effect lasts while the key is held. |
| Release D5 | Returns to the KEEP effect, or the dry mix when KEEP is off. |
| Hold FX + D#5 | Does nothing in the FX layer. |
| Hold FX + E5 | Chops the mix in 1/16 gates; The effect lasts while the key is held. |
| Release E5 | Returns to the KEEP effect, or the dry mix when KEEP is off. |
| Hold FX + F5 | Adds a dotted-1/8 echo; The effect lasts while the key is held. |
| Release F5 | Returns to the KEEP effect, or the dry mix when KEEP is off. |
| Hold FX + F#5 | Does nothing in the FX layer. |
| Hold FX + G5 | Wobbles the pitch like worn tape; The effect lasts while the key is held. |
| Release G5 | Returns to the KEEP effect, or the dry mix when KEEP is off. |
| Screen | Shows sixteen white-key effect tiles and four performance dials, with the active effect highlighted. |
EDIT layer (erase)
Hold EDIT.
| Do this | What happens |
|---|---|
| Hold EDIT + OCT− | Restores one track's notes and pattern length from the last undo snapshot, leaving nudges, parameter locks and fill conditions unchanged. |
| Hold EDIT + OCT+ | Reapplies the notes and pattern length that undo restored. |
| Turn SELECT | Sets tempo while a layer is active, with faster turns taking larger steps. |
| Hold EDIT + turn KNOB 1 | Shifts the note or drum steps right or left by one position, while nudges, parameter locks and fill conditions stay at their old step positions. |
| Hold EDIT + turn KNOB 2 | Right copies the note or drum steps into a second pass, up to 64 steps; left halves the length; nudges, parameter locks and fill conditions are not copied or moved. |
| Hold EDIT + turn KNOB 3 | Moves every note a semitone up or down (synth tracks). |
| Hold EDIT + turn KNOB 4 | Does nothing. |
| Hold EDIT + F3 | Erases this key's note (synth, with its chord in chord mode) or KICK (drums): playing, from each step that passes while held; stopped, from the whole pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + F#3 | Erases KICK on drums, or this key's mapped synth note unless WHITE keys or chord mode makes it silent; while playing it erases passing steps, and while stopped it erases throughout the pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + G3 | Erases this key's note (synth, with its chord in chord mode) or KICK 2 (drums): playing, from each step that passes while held; stopped, from the whole pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + G#3 | Erases KICK 2 on drums, or this key's mapped synth note unless WHITE keys or chord mode makes it silent; while playing it erases passing steps, and while stopped it erases throughout the pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + A3 | Erases this key's note (synth, with its chord in chord mode) or SNARE (drums): playing, from each step that passes while held; stopped, from the whole pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + A#3 | Erases SNARE on drums, or this key's mapped synth note unless WHITE keys or chord mode makes it silent; while playing it erases passing steps, and while stopped it erases throughout the pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + B3 | Erases this key's note (synth, with its chord in chord mode) or CLAP (drums): playing, from each step that passes while held; stopped, from the whole pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + C4 | Erases this key's note (synth, with its chord in chord mode) or HAT (drums): playing, from each step that passes while held; stopped, from the whole pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + C#4 | Erases HAT on drums, or this key's mapped synth note unless WHITE keys or chord mode makes it silent; while playing it erases passing steps, and while stopped it erases throughout the pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + D4 | Erases this key's note (synth, with its chord in chord mode) or OPEN HAT (drums): playing, from each step that passes while held; stopped, from the whole pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + D#4 | Erases OPEN HAT on drums, or this key's mapped synth note unless WHITE keys or chord mode makes it silent; while playing it erases passing steps, and while stopped it erases throughout the pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + E4 | Erases this key's note (synth, with its chord in chord mode) or PEDAL (the pedal hi-hat) (drums): playing, from each step that passes while held; stopped, from the whole pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + F4 | Erases this key's note (synth, with its chord in chord mode) or RIM (drums): playing, from each step that passes while held; stopped, from the whole pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + F#4 | Erases RIM on drums, or this key's mapped synth note unless WHITE keys or chord mode makes it silent; while playing it erases passing steps, and while stopped it erases throughout the pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + G4 | Erases this key's note (synth, with its chord in chord mode) or SNARE 2 (drums): playing, from each step that passes while held; stopped, from the whole pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + G#4 | Erases SNARE 2 on drums, or this key's mapped synth note unless WHITE keys or chord mode makes it silent; while playing it erases passing steps, and while stopped it erases throughout the pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + A4 | Erases this key's note (synth, with its chord in chord mode) or LOW TOM (drums): playing, from each step that passes while held; stopped, from the whole pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + A#4 | Erases LOW TOM on drums, or this key's mapped synth note unless WHITE keys or chord mode makes it silent; while playing it erases passing steps, and while stopped it erases throughout the pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + B4 | Erases this key's note (synth, with its chord in chord mode) or HI TOM (drums): playing, from each step that passes while held; stopped, from the whole pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + C5 | Erases this key's note (synth, with its chord in chord mode) or CRASH (drums): playing, from each step that passes while held; stopped, from the whole pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + C#5 | Erases CRASH on drums, or this key's mapped synth note unless WHITE keys or chord mode makes it silent; while playing it erases passing steps, and while stopped it erases throughout the pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + D5 | Erases this key's note (synth, with its chord in chord mode) or RIDE (drums): playing, from each step that passes while held; stopped, from the whole pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + D#5 | Erases RIDE on drums, or this key's mapped synth note unless WHITE keys or chord mode makes it silent; while playing it erases passing steps, and while stopped it erases throughout the pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + E5 | Erases this key's note (synth, with its chord in chord mode) or SHAKER (drums): playing, from each step that passes while held; stopped, from the whole pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + F5 | Erases this key's note (synth, with its chord in chord mode) or CONGA (drums): playing, from each step that passes while held; stopped, from the whole pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + F#5 | Erases CONGA on drums, or this key's mapped synth note unless WHITE keys or chord mode makes it silent; while playing it erases passing steps, and while stopped it erases throughout the pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Hold EDIT + G5 | Erases this key's note (synth, with its chord in chord mode) or COWBELL (drums): playing, from each step that passes while held; stopped, from the whole pattern; this edits the working loop now without a question, autosaves later, and undo restores notes only. |
| Screen | 16 tiles naming each key's note or drum sound, red while held, and the undo or redo hint. |
ARP layer (note repeat)
Hold ARP.
| Do this | What happens |
|---|---|
| Hold OCT− | On the drum track, held before a roll key goes down: the roll plays ghost hits. |
| Hold OCT+ | On the drum track, held before a roll key goes down: the roll plays hard hits. |
| Turn SELECT | Sets tempo while a layer is active, with faster turns taking larger steps. |
| Hold ARP + turn KNOB 1 | Roll rate: 1/8, 1/16, 1/32, 1/32 triplet, 1/64. |
| Hold ARP + turn KNOB 2 | Does nothing in the ARP layer. |
| Hold ARP + turn KNOB 3 | Does nothing in the ARP layer. |
| Hold ARP + turn KNOB 4 | Does nothing in the ARP layer. |
| Hold ARP + F3 | Repeats this key's note or drum sound in time at the roll rate until released (a single note, even in chord mode). |
| Hold ARP + F#3 | Repeats this key's note or drum sound in time at the roll rate until released; on a synth track with chord mode on or KEYS set to WHITE the black keys are silent, so nothing repeats. |
| Hold ARP + G3 | Repeats this key's note or drum sound in time at the roll rate until released (a single note, even in chord mode). |
| Hold ARP + G#3 | Repeats this key's note or drum sound in time at the roll rate until released; on a synth track with chord mode on or KEYS set to WHITE the black keys are silent, so nothing repeats. |
| Hold ARP + A3 | Repeats this key's note or drum sound in time at the roll rate until released (a single note, even in chord mode). |
| Hold ARP + A#3 | Repeats this key's note or drum sound in time at the roll rate until released; on a synth track with chord mode on or KEYS set to WHITE the black keys are silent, so nothing repeats. |
| Hold ARP + B3 | Repeats this key's note or drum sound in time at the roll rate until released (a single note, even in chord mode). |
| Hold ARP + C4 | Repeats this key's note or drum sound in time at the roll rate until released (a single note, even in chord mode). |
| Hold ARP + C#4 | Repeats this key's note or drum sound in time at the roll rate until released; on a synth track with chord mode on or KEYS set to WHITE the black keys are silent, so nothing repeats. |
| Hold ARP + D4 | Repeats this key's note or drum sound in time at the roll rate until released (a single note, even in chord mode). |
| Hold ARP + D#4 | Repeats this key's note or drum sound in time at the roll rate until released; on a synth track with chord mode on or KEYS set to WHITE the black keys are silent, so nothing repeats. |
| Hold ARP + E4 | Repeats this key's note or drum sound in time at the roll rate until released (a single note, even in chord mode). |
| Hold ARP + F4 | Repeats this key's note or drum sound in time at the roll rate until released (a single note, even in chord mode). |
| Hold ARP + F#4 | Repeats this key's note or drum sound in time at the roll rate until released; on a synth track with chord mode on or KEYS set to WHITE the black keys are silent, so nothing repeats. |
| Hold ARP + G4 | Repeats this key's note or drum sound in time at the roll rate until released (a single note, even in chord mode). |
| Hold ARP + G#4 | Repeats this key's note or drum sound in time at the roll rate until released; on a synth track with chord mode on or KEYS set to WHITE the black keys are silent, so nothing repeats. |
| Hold ARP + A4 | Repeats this key's note or drum sound in time at the roll rate until released (a single note, even in chord mode). |
| Hold ARP + A#4 | Repeats this key's note or drum sound in time at the roll rate until released; on a synth track with chord mode on or KEYS set to WHITE the black keys are silent, so nothing repeats. |
| Hold ARP + B4 | Repeats this key's note or drum sound in time at the roll rate until released (a single note, even in chord mode). |
| Hold ARP + C5 | Repeats this key's note or drum sound in time at the roll rate until released (a single note, even in chord mode). |
| Hold ARP + C#5 | Repeats this key's note or drum sound in time at the roll rate until released; on a synth track with chord mode on or KEYS set to WHITE the black keys are silent, so nothing repeats. |
| Hold ARP + D5 | Repeats this key's note or drum sound in time at the roll rate until released (a single note, even in chord mode). |
| Hold ARP + D#5 | Repeats this key's note or drum sound in time at the roll rate until released; on a synth track with chord mode on or KEYS set to WHITE the black keys are silent, so nothing repeats. |
| Hold ARP + E5 | Repeats this key's note or drum sound in time at the roll rate until released (a single note, even in chord mode). |
| Hold ARP + F5 | Repeats this key's note or drum sound in time at the roll rate until released (a single note, even in chord mode). |
| Hold ARP + F#5 | Repeats this key's note or drum sound in time at the roll rate until released; on a synth track with chord mode on or KEYS set to WHITE the black keys are silent, so nothing repeats. |
| Hold ARP + G5 | Repeats this key's note or drum sound in time at the roll rate until released (a single note, even in chord mode). |
| Screen | Shows the roll rate, note or drum tiles and the held-key highlights. |
SEQ layer (steps)
Hold SEQ.
| Do this | What happens |
|---|---|
| Hold SEQ + OCT− | Steps to the previous page of 16 steps, wrapping round. |
| Hold SEQ + OCT+ | Steps to the next page of 16 steps, wrapping round. |
| Turn SELECT | Sets tempo while a layer is active, with faster turns taking larger steps. |
| Hold SEQ + turn KNOB 1 | Drums: the sound new steps get (you hear it); synths: the note new steps get. |
| Hold SEQ + turn KNOB 2 | The track's step division: 1/4, 1/8, 1/16, 1/32, 8T, 16T, 1/2, 1 bar or 2 bars. |
| Hold SEQ + turn KNOB 3 | The track's own swing, added to the global one; Fast turns move farther on wider value ranges. |
| Hold SEQ + turn KNOB 4 | The track's length, 1-64 steps; Fast turns move farther on wider value ranges. |
| Hold SEQ + F3 | Controls step 1 on the displayed page: pressing an empty step adds the selected drum hit or recent synth notes; an occupied step is removed on key-up unless a knob adjustment kept it. |
| Release F3 | If the occupied step was held without editing, removes its notes or selected drum hit on release without a question; when no hits remain, also clears its locks, nudge and fill condition, which undo cannot recover; the working loop autosaves later. |
| Hold SEQ + F#3 | Shows steps 1-16 (if the track is that long). |
| Hold SEQ + G3 | Controls step 2 on the displayed page: pressing an empty step adds the selected drum hit or recent synth notes; an occupied step is removed on key-up unless a knob adjustment kept it. |
| Release G3 | If the occupied step was held without editing, removes its notes or selected drum hit on release without a question; when no hits remain, also clears its locks, nudge and fill condition, which undo cannot recover; the working loop autosaves later. |
| Hold SEQ + G#3 | Shows steps 17-32 (if the track is that long). |
| Hold SEQ + A3 | Controls step 3 on the displayed page: pressing an empty step adds the selected drum hit or recent synth notes; an occupied step is removed on key-up unless a knob adjustment kept it. |
| Release A3 | If the occupied step was held without editing, removes its notes or selected drum hit on release without a question; when no hits remain, also clears its locks, nudge and fill condition, which undo cannot recover; the working loop autosaves later. |
| Hold SEQ + A#3 | Shows steps 33-48 (if the track is that long). |
| Hold SEQ + B3 | Controls step 4 on the displayed page: pressing an empty step adds the selected drum hit or recent synth notes; an occupied step is removed on key-up unless a knob adjustment kept it. |
| Release B3 | If the occupied step was held without editing, removes its notes or selected drum hit on release without a question; when no hits remain, also clears its locks, nudge and fill condition, which undo cannot recover; the working loop autosaves later. |
| Hold SEQ + C4 | Controls step 5 on the displayed page: pressing an empty step adds the selected drum hit or recent synth notes; an occupied step is removed on key-up unless a knob adjustment kept it. |
| Release C4 | If the occupied step was held without editing, removes its notes or selected drum hit on release without a question; when no hits remain, also clears its locks, nudge and fill condition, which undo cannot recover; the working loop autosaves later. |
| Hold SEQ + C#4 | Shows steps 49-64 (if the track is that long). |
| Hold SEQ + D4 | Controls step 6 on the displayed page: pressing an empty step adds the selected drum hit or recent synth notes; an occupied step is removed on key-up unless a knob adjustment kept it. |
| Release D4 | If the occupied step was held without editing, removes its notes or selected drum hit on release without a question; when no hits remain, also clears its locks, nudge and fill condition, which undo cannot recover; the working loop autosaves later. |
| Hold SEQ + E4 | Controls step 7 on the displayed page: pressing an empty step adds the selected drum hit or recent synth notes; an occupied step is removed on key-up unless a knob adjustment kept it. |
| Release E4 | If the occupied step was held without editing, removes its notes or selected drum hit on release without a question; when no hits remain, also clears its locks, nudge and fill condition, which undo cannot recover; the working loop autosaves later. |
| Hold SEQ + F4 | Controls step 8 on the displayed page: pressing an empty step adds the selected drum hit or recent synth notes; an occupied step is removed on key-up unless a knob adjustment kept it. |
| Release F4 | If the occupied step was held without editing, removes its notes or selected drum hit on release without a question; when no hits remain, also clears its locks, nudge and fill condition, which undo cannot recover; the working loop autosaves later. |
| Hold SEQ + G4 | Controls step 9 on the displayed page: pressing an empty step adds the selected drum hit or recent synth notes; an occupied step is removed on key-up unless a knob adjustment kept it. |
| Release G4 | If the occupied step was held without editing, removes its notes or selected drum hit on release without a question; when no hits remain, also clears its locks, nudge and fill condition, which undo cannot recover; the working loop autosaves later. |
| Hold SEQ + A4 | Controls step 10 on the displayed page: pressing an empty step adds the selected drum hit or recent synth notes; an occupied step is removed on key-up unless a knob adjustment kept it. |
| Release A4 | If the occupied step was held without editing, removes its notes or selected drum hit on release without a question; when no hits remain, also clears its locks, nudge and fill condition, which undo cannot recover; the working loop autosaves later. |
| Hold SEQ + B4 | Controls step 11 on the displayed page: pressing an empty step adds the selected drum hit or recent synth notes; an occupied step is removed on key-up unless a knob adjustment kept it. |
| Release B4 | If the occupied step was held without editing, removes its notes or selected drum hit on release without a question; when no hits remain, also clears its locks, nudge and fill condition, which undo cannot recover; the working loop autosaves later. |
| Hold SEQ + C5 | Controls step 12 on the displayed page: pressing an empty step adds the selected drum hit or recent synth notes; an occupied step is removed on key-up unless a knob adjustment kept it. |
| Release C5 | If the occupied step was held without editing, removes its notes or selected drum hit on release without a question; when no hits remain, also clears its locks, nudge and fill condition, which undo cannot recover; the working loop autosaves later. |
| Hold SEQ + D5 | Controls step 13 on the displayed page: pressing an empty step adds the selected drum hit or recent synth notes; an occupied step is removed on key-up unless a knob adjustment kept it. |
| Release D5 | If the occupied step was held without editing, removes its notes or selected drum hit on release without a question; when no hits remain, also clears its locks, nudge and fill condition, which undo cannot recover; the working loop autosaves later. |
| Hold SEQ + E5 | Controls step 14 on the displayed page: pressing an empty step adds the selected drum hit or recent synth notes; an occupied step is removed on key-up unless a knob adjustment kept it. |
| Release E5 | If the occupied step was held without editing, removes its notes or selected drum hit on release without a question; when no hits remain, also clears its locks, nudge and fill condition, which undo cannot recover; the working loop autosaves later. |
| Hold SEQ + F5 | Controls step 15 on the displayed page: pressing an empty step adds the selected drum hit or recent synth notes; an occupied step is removed on key-up unless a knob adjustment kept it. |
| Release F5 | If the occupied step was held without editing, removes its notes or selected drum hit on release without a question; when no hits remain, also clears its locks, nudge and fill condition, which undo cannot recover; the working loop autosaves later. |
| Hold SEQ + G5 | Controls step 16 on the displayed page: pressing an empty step adds the selected drum hit or recent synth notes; an occupied step is removed on key-up unless a knob adjustment kept it. |
| Release G5 | If the occupied step was held without editing, removes its notes or selected drum hit on release without a question; when no hits remain, also clears its locks, nudge and fill condition, which undo cannot recover; the working loop autosaves later. |
| Screen | 16 step tiles (level shades, ratchet marks, a dot for nudge or lock, F or x for fill conditions), the page number and the dials; with a step held, its lock in the title. |
SEQ layer with step keys held
Hold SEQ, then hold one or more step keys.
| Do this | What happens |
|---|---|
| Hold SEQ + OCT− | Clears the held steps' nudges, parameter locks and fill conditions at once without a question, and undo cannot recover them. |
| Hold SEQ + OCT+ | Cycles the held steps' fill condition: normal, fill only, no fill. |
| Turn SELECT | Sets tempo while a layer is active, with faster turns taking larger steps. |
| Hold SEQ + turn PRESETS | Makes or changes a lock on the held steps, with the first click offset from the current track value; a full lock pool refuses a new lock with NO LOCK LEFT. |
| Hold SEQ + turn ALGORITHM | Picks which sound parameter the step lock acts on (the last one touched comes first). |
| Hold SEQ + turn KNOB 1 | Drums: which sound of the held step the next knobs edit; synths: moves the held steps' notes. |
| Hold SEQ + turn KNOB 2 | Sets each held note or drum hit to ghost, soft, normal or hard; this is a four-level change rather than a full velocity dial. |
| Hold SEQ + turn KNOB 3 | Repeats inside the step, x1 to x4. |
| Hold SEQ + turn KNOB 4 | Shifts the held steps off the grid: up to 32/64 of a step early or 31/64 late. |
| Screen | Shows the held steps and their note or drum level, ratchet, nudge and selected lock. |
SEL layer (key and chords)
Hold SEL.
| Do this | What happens |
|---|---|
| Turn SELECT | Sets tempo while a layer is active, with faster turns taking larger steps. |
| Hold SEL + turn KNOB 1 | For the selected synth track, the chord type: off, triad, 7th, 9th, sus4, power. |
| Hold SEL + turn KNOB 2 | One scale for all three synth tracks, chosen from 16. |
| Hold SEL + turn KNOB 3 | KEYS of the selected track: off, snap, white. |
| Hold SEL + turn KNOB 4 | Transposes the selected track, plus or minus 24 semitones. |
| Hold SEL + F3 | Sets the song key to F for all three synth tracks. |
| Hold SEL + F#3 | Sets the song key to F# for all three synth tracks. |
| Hold SEL + G3 | Sets the song key to G for all three synth tracks. |
| Hold SEL + G#3 | Sets the song key to G# for all three synth tracks. |
| Hold SEL + A3 | Sets the song key to A for all three synth tracks. |
| Hold SEL + A#3 | Sets the song key to A# for all three synth tracks. |
| Hold SEL + B3 | Sets the song key to B for all three synth tracks. |
| Hold SEL + C4 | Sets the song key to C for all three synth tracks. |
| Hold SEL + C#4 | Sets the song key to C# for all three synth tracks. |
| Hold SEL + D4 | Sets the song key to D for all three synth tracks. |
| Hold SEL + D#4 | Sets the song key to D# for all three synth tracks. |
| Hold SEL + E4 | Sets the song key to E for all three synth tracks. |
| Hold SEL + F4 | Sets the song key to F for all three synth tracks. |
| Hold SEL + F#4 | Sets the song key to F# for all three synth tracks. |
| Hold SEL + G4 | Sets the song key to G for all three synth tracks. |
| Hold SEL + G#4 | Sets the song key to G# for all three synth tracks. |
| Hold SEL + A4 | Sets the song key to A for all three synth tracks. |
| Hold SEL + A#4 | Sets the song key to A# for all three synth tracks. |
| Hold SEL + B4 | Sets the song key to B for all three synth tracks. |
| Hold SEL + C5 | Sets the song key to C for all three synth tracks. |
| Hold SEL + C#5 | Sets the song key to C# for all three synth tracks. |
| Hold SEL + D5 | Sets the song key to D for all three synth tracks. |
| Hold SEL + D#5 | Sets the song key to D# for all three synth tracks. |
| Hold SEL + E5 | Sets the song key to E for all three synth tracks. |
| Hold SEL + F5 | Sets the song key to F for all three synth tracks. |
| Hold SEL + F#5 | Sets the song key to F# for all three synth tracks. |
| Hold SEL + G5 | Sets the song key to G for all three synth tracks. |
| Screen | 16 tiles with each white key's note, or its chord name in chord mode, the root lit, and the key and scale in the title. |
GLO layer (mix)
Hold GLO.
| Do this | What happens |
|---|---|
| Turn SELECT | Sets tempo while a layer is active, with faster turns taking larger steps. |
| Hold GLO + turn KNOB 1 | Level of track 1; Fast turns move farther on wider value ranges. |
| Hold GLO + turn KNOB 2 | Level of track 2; Fast turns move farther on wider value ranges. |
| Hold GLO + turn KNOB 3 | Level of track 3; Fast turns move farther on wider value ranges. |
| Hold GLO + turn KNOB 4 | Level of track 4 (the drum level); Fast turns move farther on wider value ranges. |
| Hold GLO + F3 | Mutes or unmutes track 1. |
| Hold GLO + G3 | Mutes or unmutes track 2. |
| Hold GLO + A3 | Mutes or unmutes track 3. |
| Hold GLO + B3 | Mutes or unmutes the drum track. |
| Hold GLO + C4 | Solos track 1 (solos add up). |
| Hold GLO + D4 | Solos track 2 (solos add up). |
| Hold GLO + E4 | Solos track 3 (solos add up). |
| Hold GLO + F4 | Solos the drum track (solos add up). |
| Hold GLO + G4 | A fill plays while this key stays down. |
| Release G4 | Ends the held fill. |
| Hold GLO + A4 | Makes the whole next bar a fill; again before then cancels. |
| Hold GLO + G5 | Tap tempo (two taps or more). |
| Screen | Mute 1-4, solo 1-4, fill, bar and the tempo tile, with the four level dials. |
SAVE layer (song)
Hold SAVE.
| Do this | What happens |
|---|---|
| Release SAVE | Starts the chain built from two or more section taps during this hold while a loop is playing; a single tap remains a section jump. |
| Turn SELECT | Sets tempo while a layer is active, with faster turns taking larger steps. |
| Hold SAVE + turn KNOB 1 | Does nothing in the SAVE layer. |
| Hold SAVE + turn KNOB 2 | Does nothing in the SAVE layer. |
| Hold SAVE + turn KNOB 3 | Does nothing in the SAVE layer. |
| Hold SAVE + turn KNOB 4 | Does nothing in the SAVE layer. |
| Hold SAVE + F3 | Replaces the unsaved working loop with section A without a question or undo, immediately while stopped in loop or song mode or at the next bar during loop playback; a playing song refuses the call, later autosave keeps the replacement, and several taps during one SAVE hold during loop playback make a chain. |
| Hold SAVE + G3 | Replaces the unsaved working loop with section B without a question or undo, immediately while stopped in loop or song mode or at the next bar during loop playback; a playing song refuses the call, later autosave keeps the replacement, and several taps during one SAVE hold during loop playback make a chain. |
| Hold SAVE + A3 | Replaces the unsaved working loop with section C without a question or undo, immediately while stopped in loop or song mode or at the next bar during loop playback; a playing song refuses the call, later autosave keeps the replacement, and several taps during one SAVE hold during loop playback make a chain. |
| Hold SAVE + B3 | Replaces the unsaved working loop with section D without a question or undo, immediately while stopped in loop or song mode or at the next bar during loop playback; a playing song refuses the call, later autosave keeps the replacement, and several taps during one SAVE hold during loop playback make a chain. |
| Hold SAVE + C4 | Stores the loop in section A, requiring a second press within 3 seconds if it is occupied; the copy reaches flash after playback stops and the unit is quiet, and undo cannot restore the replaced section. |
| Hold SAVE + D4 | Stores the loop in section B, requiring a second press within 3 seconds if it is occupied; the copy reaches flash after playback stops and the unit is quiet, and undo cannot restore the replaced section. |
| Hold SAVE + E4 | Stores the loop in section C, requiring a second press within 3 seconds if it is occupied; the copy reaches flash after playback stops and the unit is quiet, and undo cannot restore the replaced section. |
| Hold SAVE + F4 | Stores the loop in section D, requiring a second press within 3 seconds if it is occupied; the copy reaches flash after playback stops and the unit is quiet, and undo cannot restore the replaced section. |
| Hold SAVE + D5 | Switches loop mode and song mode. |
| Hold SAVE + E5 | Records the sections played from the next bar, replacing the song order without a question when stopped or toggled off; it saves after transport stops and the unit is quiet, and undo cannot recover the old order. |
| Hold SAVE + G5 | Opens the SONG screen. |
| Screen | Sections A-D (playing lit, next framed), store A-D, loop or song, rec; the title shows a chain being built. |
A layer locked open
Hold a layer button (FX, EDIT, ARP, SEQ, SEL, GLO or SAVE) and tap HOME.
| Do this | What happens |
|---|---|
| Press HOME | Unlocks the locked layer and does nothing else. |
| Turn SELECT | Sets tempo while a layer is active, with faster turns taking larger steps. |
| Screen | The layer's screen with a LOCK badge in the title. |
Store sections, sounds and song order
SAVE pages
Tap SAVE away from TRACKS, DRUMS and SONG, then tap again to change page.
SAVE > PRESETS page
Tap SAVE away from TRACKS, DRUMS or SONG and choose PRESETS.
| Do this | What happens |
|---|---|
| Turn PRESETS | On PRESETS, immediately loads a factory sound, loaded DX7 voice or user sound on a synth track, replacing unsaved sound edits without a question or undo, or changes the kit on the drum track; turns on USER, PROJECT and TOOLS are ignored. |
| Turn KNOB 1 | Loads the sound at once over the selected track's sound and unsaved edits, without undo; factory sounds come first, then loaded DX7 banks and user sounds. |
| Turn KNOB 2 | Chooses the previous or next engine and immediately loads its first sound over the track's sound and unsaved edits, without a question or undo. |
| Turn KNOB 3 | Loads the first sound of the previous or next kind, DX7 bank or user group, replacing unsaved sound edits at once without undo. |
| Turn KNOB 4 | Does nothing on this page. |
| Screen | Lists factory sounds, loaded DX7 voices under DX1–DX12 and user sounds, with the current choice marked and No., ENG and KIND columns. |
| Hold HOME + turn PRESETS | On a synth track, jumps to the first sound of the previous or next kind or DX7 bank without a question or undo when the first PRESETS turn comes within about 0.7 seconds of pressing HOME, suppressing the HOME menu and the return to TRACKS; waiting until the HOME menu opens makes PRESETS a menu control instead. |
SAVE > USER page
Tap SAVE again from PRESETS.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Picks user slot 1-32. |
| Turn KNOB 2 | Loads the user slot into the selected synth track after two rightward detents within about 1.5 seconds, replacing unsaved sound edits without undo. |
| Turn KNOB 3 | Erases the user slot immediately after two rightward detents within about 1.5 seconds while stopped, with no further question or undo. |
| Turn KNOB 4 | Writes the selected synth sound to the user slot after two rightward detents within about 1.5 seconds while stopped, replacing a used slot without another question or undo; SAVED (RAM) lasts only until power-off. |
| Screen | Shows the selected user sound slot with LOAD, ERASE and SAVE actions, dimming load and erase for an empty slot. |
SAVE > PROJECT page
Tap SAVE to PROJECT.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses project slot 1–4. |
| Turn KNOB 2 | Does nothing on this page. |
| Turn KNOB 3 | Loads the selected project over the working loop after two rightward detents within about 1.5 seconds while stopped, replacing unsaved work without undo; the changed working loop is autosaved later. |
| Turn KNOB 4 | Writes the working loop to the selected project slot after two rightward detents within about 1.5 seconds while stopped, replacing it without another question or undo; SAVED (RAM) lasts only until power-off. |
| Screen | Shows whether project slots 1–4 are used or empty and marks the selected slot. |
SAVE > TOOLS page
Tap SAVE to TOOLS.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Clears the selected track pattern after two rightward detents within about 1.5 seconds; undo returns its notes and length, while locks, nudges and fills stay cleared; the changed working loop is autosaved later. |
| Turn KNOB 2 | Resets the selected synth track to its engine's first sound after two rightward detents within about 1.5 seconds, replacing unsaved sound edits without undo; the changed working loop is autosaved later. |
| Turn KNOB 3 | Does nothing on this page. |
| Turn KNOB 4 | Starts a new working loop with default sounds, empty patterns and default tempo after two rightward detents within about 1.5 seconds; stored projects stay, undo restores only one track's notes and length, and song playback must be stopped first; the changed working loop is autosaved later. |
| Screen | Shows CLRSQ, INIT and NEW with an unused third column and a prompt when a second click is required. |
SONG screen
Tap SAVE on the TRACKS or DRUMS screen, or hold SAVE and press white key 16.
| Do this | What happens |
|---|---|
| Press PLAY/STOP | Starts or stops playback from the SONG screen. |
| Press REC | While stopped, stores the working loop in the song entry’s section and saves settings immediately; a used section needs a second REC within 3 seconds, with no undo. |
| Press SEQ | Leaves the SONG screen for the SEQ pages. |
| Press SAVE | Saves the song order to settings flash at once while stopped, without a question or undo. |
| Press OCT− | Switches loop and song mode (only while stopped). |
| Press OCT+ | Twice within 3 seconds while stopped: replaces the working loop with the song entry’s section, with no undo; the changed loop is autosaved later. |
| Turn SELECT | Does nothing on the SONG screen. |
| Turn KNOB 1 | Moves the cursor through the song entries. |
| Turn KNOB 2 | Sets the entry's section A-D (stopped only). |
| Turn KNOB 3 | Sets the entry's length, 1-64 bars (stopped only). |
| Turn KNOB 4 | Sets how many entries the song has, 1-16 (stopped only). |
| Screen | The song entries with their section, bar length and play position, loop or song mode, and a key reminder line. |
Set up, calibrate and recover
HOME menu
Hold HOME for 0.7 seconds.
| Do this | What happens |
|---|---|
| Press PLAY/STOP | Does nothing while the menu is open. |
| Hold HOME | Held 0.7 seconds again: closes the menu and saves settings immediately when stopped, or waits for stopped, quiet time when playing. |
| Press OCT− | Closes the menu, saving settings at once while stopped or later when quiet; from ABOUT, returns to its section. |
| Press OCT+ | Cycles the selected setting or opens calibration or ABOUT; closing the menu saves settings even if calibration timed out, without another question. |
| Turn SELECT | Previous or next menu section, stopping at the ends. |
| Turn PRESETS | Moves the cursor round the section's rows. |
| Turn KNOB 1 | Sets COLOR, LIGHTS or SPEAKER LOWCUT in its section; in SYSTEM it selects calibration, which OCT+ opens. |
| Turn KNOB 2 | Sets ZOOM, KEYS or USB AUDIO in its section; in SYSTEM it selects ABOUT, which OCT+ opens. |
| Turn KNOB 3 | In LIGHTS, changes NOTES; in AUDIO, changes USB SERIAL for the next start; in SYSTEM, sets keyboard and arp velocity from 60 to 127 in eight choices, default 100, leaving drum hits, rolls and sequencer step levels unchanged. |
| Turn KNOB 4 | Does nothing while the menu is open. |
| Screen | Shows SCREEN, LIGHTS, AUDIO and SYSTEM tabs, up to three rows with their knob numbers, and RESTART for a pending USB SERIAL change. |
ABOUT screen
In HOME menu > SYSTEM, select ABOUT and press OCT+.
| Do this | What happens |
|---|---|
| Screen | Shows the version, build date, credits, licence and source address. |
Hardware calibration
Power on with both octave buttons, or open it from HOME menu > SYSTEM using OCT+.
| Do this | What happens |
|---|---|
| Screen | Names each button to press, then each knob to turn right. |
USB rescue
Switch on holding OCT- alone (also entered by itself after two failed starts).
| Do this | What happens |
|---|---|
| Screen | SLOOP USB RESCUE, a prompt to open the installer, and AUDIO OFF. |
Update-mode countdown
Hold both octave buttons while stopped.
| Do this | What happens |
|---|---|
| Screen | UPDATE MODE IN 3, 2, 1 in the title, then UBOOT. |
GLOBAL page
Tap GLO to GLOBAL, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Sets the tempo from 40 to 240 BPM. |
| Turn KNOB 2 | Sets the swing shared by the four tracks. |
| Turn KNOB 3 | Chooses no click, click during recording or click throughout playback. |
| Turn KNOB 4 | Sets master tuning within 50 cents of concert pitch. |
| Screen | Shows GLOBAL and its four parameter columns, with feedback for the value being adjusted. |
SYSTEM page
Tap GLO to SYSTEM, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses keyboard MIDI output alone or keyboard and sequencer output. |
| Turn KNOB 2 | Chooses internal, USB or TRS clock and transport. |
| Turn KNOB 3 | Chooses incoming notes plus clock or clock alone. |
| Turn KNOB 4 | Displays CPU load or USB state; turning does nothing. |
| Screen | Shows SYSTEM and its four parameter columns, with feedback for the value being adjusted. |
DRUMS page
Tap GLO to DRUMS, or turn SELECT within its pages.
| Do this | What happens |
|---|---|
| Turn KNOB 1 | Chooses the drum MIDI input channel, with zero turning it off. |
| Turn KNOB 2 | Sets the drum track level. |
| Turn KNOB 3 | Sets the drum track reverb send. |
| Turn KNOB 4 | Sets the drum track delay send. |
| Screen | Shows DRUMS and its four parameter columns, with feedback for the value being adjusted. |
When edits reach memory
Changes to sounds, notes, locks, nudges, fill conditions and ordinary song parameters change the working loop in RAM; stopped, quiet autosave keeps a changed loop after 2.5 seconds without input, with at least 20 seconds between attempts; nothing saves simply because the power switch goes off.
SAVE-layer stores replace a section in RAM at once, even during playback, then write after stopping and silence, at least 1.5 seconds after input and 5 seconds since the previous attempt; the SONG screen and PROJECT page save immediately while stopped.
Undo and redo swap one track’s notes and pattern length only; they do not restore locks, nudges, fill conditions, sound edits or replaced saved banks.
Read the lights
General lights
| Do this | What happens |
|---|---|
| PLAY/STOP · dim | With menu LIGHTS set above OFF, glows at that level so the label reads in the dark. |
| REC · dim | With menu LIGHTS set above OFF, glows at that level so the label reads in the dark. |
| HOME · dim | With menu LIGHTS set above OFF, glows at that level so the label reads in the dark. |
| FX · dim | With menu LIGHTS set above OFF, glows at that level so the label reads in the dark. |
| SEL · dim | With menu LIGHTS set above OFF, glows at that level so the label reads in the dark. |
| ENV · dim | With menu LIGHTS set above OFF, glows at that level so the label reads in the dark. |
| LFO · dim | With menu LIGHTS set above OFF, glows at that level so the label reads in the dark. |
| EDIT · dim | With menu LIGHTS set above OFF, glows at that level so the label reads in the dark. |
| GLO · dim | With menu LIGHTS set above OFF, glows at that level so the label reads in the dark. |
| ARP · dim | With menu LIGHTS set above OFF, glows at that level so the label reads in the dark. |
| SEQ · dim | With menu LIGHTS set above OFF, glows at that level so the label reads in the dark. |
| SAVE · dim | With menu LIGHTS set above OFF, glows at that level so the label reads in the dark. |
| OCT− · dim | With menu LIGHTS set above OFF, glows at that level so the label reads in the dark. |
| OCT+ · dim | With menu LIGHTS set above OFF, glows at that level so the label reads in the dark. |
| Key lights · dim | With menu KEYS set, the Cs, all white keys or all keys glow at the LIGHTS level. |
| led_f3 · dim | Faintly lit as a row marker (key 1 starts a row of four tiles) whenever a layer is held, and all the time on the drum track. |
| led_c4 · dim | Faintly lit as a row marker (key 5 starts a row of four tiles) whenever a layer is held, and all the time on the drum track. |
| led_g4 · dim | Faintly lit as a row marker (key 9 starts a row of four tiles) whenever a layer is held, and all the time on the drum track. |
| led_d5 · dim | Faintly lit as a row marker (key 13 starts a row of four tiles) whenever a layer is held, and all the time on the drum track. |
Playing a synth track
| Do this | What happens |
|---|---|
| OCT− · lit | Lit while the octave is below 0. |
| OCT+ · lit | Lit while the octave is above 0. |
| Key lights · lit | Keys you hold light up; with menu NOTES on, every note sounding on the track, sequencer included, lights its key too. |
Playing the drum track
| Do this | What happens |
|---|---|
| OCT− · lit | Lit while held (ghost hits). |
| OCT+ · lit | Lit while held (hard hits). |
| Key lights · lit | Each drum hit lights its sound's white key for a moment. |
TRACKS screen
| Do this | What happens |
|---|---|
| HOME · lit | Lit while the TRACKS screen shows. |
A button's pages
| Do this | What happens |
|---|---|
| FX · lit | Lit while one of the FX pages is on screen. |
| SEL · lit | Lit while one of the SEL pages is on screen. |
| ENV · lit | Lit while one of the ENV pages is on screen. |
| LFO · lit | Lit while one of the LFO pages is on screen. |
| EDIT · lit | Lit while one of the EDIT pages is on screen. |
| GLO · lit | Lit while one of the GLO pages is on screen. |
| ARP · lit | Lit while one of the ARP pages is on screen. |
| SEQ · lit | Lit while one of the SEQ pages is on screen. |
| SAVE · lit | Lit while one of the SAVE pages is on screen. |
DRUMS screen, grid page
| Do this | What happens |
|---|---|
| SEQ · lit | Lit on the DRUMS screen, whichever button opened it. |
| Key lights · lit | The chosen sound's steps on this page are lit; the playhead blinks. |
SONG screen
| Do this | What happens |
|---|---|
| SAVE · lit | Lit on the SONG screen. |
Transport stopped
| Do this | What happens |
|---|---|
| PLAY/STOP · off | Dark while the transport is stopped. |
Transport playing
| Do this | What happens |
|---|---|
| PLAY/STOP · flash | Flashes on every beat, timed to when you hear it: a silent metronome. |
| REC · lit | Lit while a track records, and during a free take. |
REC armed (rec ready)
| Do this | What happens |
|---|---|
| REC · blinking | Blinks while armed. |
Count-in
| Do this | What happens |
|---|---|
| PLAY/STOP · flash | Flashes on each of the four count-in beats. |
Clear-track ring
| Do this | What happens |
|---|---|
| REC · blinking | Blinks fast while the clear-track ring fills. |
FX layer (punch)
| Do this | What happens |
|---|---|
| FX · lit | Lit while its layer is held. |
| Key lights · lit | Lights the white key of the selected punch effect, including an effect left on with KEEP. |
| Key lights · dim | With NOTES on, sounding notes glow behind the layer indicators. |
EDIT layer (erase)
| Do this | What happens |
|---|---|
| EDIT · lit | Lit while its layer is held. |
| Key lights · lit | Drum track: the keys of sounds the pattern holds are lit, plus keys held. |
| Key lights · dim | On drums with NOTES on, sounds stored in the pattern glow while drum hits light fully. |
ARP layer (note repeat)
| Do this | What happens |
|---|---|
| ARP · lit | Lit while its layer is held. |
SEQ layer (steps)
| Do this | What happens |
|---|---|
| SEQ · lit | Lit while its layer is held. |
| Key lights · lit | The steps that play on this page are lit; the playhead blinks. |
| Key lights · dim | With NOTES on, sounding notes glow behind the layer indicators. |
SEL layer (key and chords)
| Do this | What happens |
|---|---|
| SEL · lit | Lit while its layer is held. |
| Key lights · lit | Keys in the scale are lit; the root keys blink. |
| Key lights · dim | With NOTES on, the scale glows dimly while roots blink and sounding notes light fully. |
GLO layer (mix)
| Do this | What happens |
|---|---|
| GLO · lit | Lit while its layer is held. |
| Key lights · dim | With NOTES on, sounding notes glow behind the layer indicators. |
| led_f3 · lit | Lit while track 1 is heard (not muted or left out by a solo). |
| led_c4 · lit | Lit while track 1 is soloed. |
| led_g4 · lit | Lit while a fill plays. |
| led_g3 · lit | Lit while track 2 is heard (not muted or left out by a solo). |
| led_a3 · lit | Lit while track 3 is heard (not muted or left out by a solo). |
| led_b3 · lit | Lit while track 4 is heard (not muted or left out by a solo). |
| led_d4 · lit | Lit while track 2 is soloed. |
| led_e4 · lit | Lit while track 3 is soloed. |
| led_f4 · lit | Lit while track 4 is soloed. |
| led_a4 · lit | Lit while a fill bar is armed or playing. |
| led_g5 · flash | Flashes on the beat. |
SAVE layer (song)
| Do this | What happens |
|---|---|
| SAVE · lit | Lit while its layer is held. |
A layer locked open
| Do this | What happens |
|---|---|
| FX · blinking | Blinks while its layer is locked open. |
| SEL · blinking | Blinks while its layer is locked open. |
| EDIT · blinking | Blinks while its layer is locked open. |
| GLO · blinking | Blinks while its layer is locked open. |
| ARP · blinking | Blinks while its layer is locked open. |
| SEQ · blinking | Blinks while its layer is locked open. |
| SAVE · blinking | Blinks while its layer is locked open. |
Use the browser editor
| Do this | What happens |
|---|---|
| Editor | Connecting the editor reads all twelve banks automatically, then fills empty banks 1–4 from the verified factory capture when its default factory-fill option is enabled; Refresh repeats the read and can also trigger that fill, without a replacement question for empty banks. |
| Editor | Bank names live in this browser and backup metadata; changing a name does not rename the unit bank tags. |
| Editor | Delete voice asks before writing the changed bank; Tidy asks then compacts live voices and changes which patch each D slot addresses. |
| Editor | Move voice writes the destination first empty slot then clears the original; full destination writes nothing, and no question is asked for a successful move. |
| Editor | Play on this track selects FM6 and the D slot then sends a short C-major chord on MIDI channel4 at velocity100; it does not store the sound into a bank. |
| Editor | Erase bank asks then writes an empty bank; Export downloads the browser copy as SysEx; Refresh is the step that reads banks from the unit. |
| Editor | Import bank asks if any voices will be replaced; import single voice uses selected slot or first empty and asks if occupied; full bank refuses. |
| Editor | Backup reads the listed unit objects and verifies their CRCs; restore first validates file objects, then writes only objects present, skipping unsupported DX7/SYN/FM6 objects on older devices; absent objects remain. |
| Editor | Load several .syx sorts accepted bank files by name and fills empty banks above the factory four; too many accepted files for the free banks writes nothing, while invalid files are skipped and per-file failures can leave a partial batch. |
| Editor | A project or user sound refers to a DX7 bank slot; moving, tidying, deleting or replacing that voice changes what every referring sound plays, without undo. |
| Editor | The editor can send audio or CHOP results to a user sample slot; a normal sample send asks once, replaces that slot immediately and has no undo. |
USR1–3 each hold about 7.4 seconds at 22 kHz mono; USR4 holds about 2.9 seconds here, so a combined USR3+4 kit has less room and a longer old USR4 sample is rejected.
Before you switch firmware
- Back up first. In this build’s editor, Save a backup reads the unit and downloads the working loop, settings and song order, four sections, both user-sound banks, the editable FM6 bank, SYN kits, four valid sample sets and all twelve DX7 banks; custom bank names come from this browser; the file excludes firmware, foreign saved work, undo history, unused memory and unrecognised slice markers; Refresh reads banks from the unit, while Export .syx downloads the browser’s current bank copy.
- Back up in the firmware you are leaving first, with its own tool (above). Anything below marked at risk can be written over; whether an older saved copy survives depends on how often you saved, so do not count on it.
- What installing SLOOP DX7 Banks does to the firmware you had before.
Show the detail
install (loader): Incoming loader compares, erases/programs and verifies changed app sectors; flash head below 0x4000 and user area from 0x93000 are excluded from app programming. This overlaps all sixteen Open USER projects, its preferences and the first 24 KiB of its sample region. Replacing Open’s sample header leaves its whole sample bank unreadable. The same program writes can also leave PIGEON’s whole sample bank unreadable (successful install through this source loader). install (loader): After an install, the supplied loader checks sector tails for update records and erases only a 4 KiB sector whose last 256 bytes hold a valid update record. It does not skip 0x97000–0xDFFFF. Saved music is not at risk from this record cleanup (After an install, only a 4 KiB sector whose last 256 bytes hold a valid update record (marker 0x5441 at +6 and a matching nonzero CRC16 over bytes 2..79): in practice the family staging-record sector 0xE4000 and, on a first install from stock, stock’s record sector 0xE8000. Saved music does not hold that record; it is not at risk from the cleanup. This loader does not skip 0x97000–0xDFFFF). startup: Erases all five update-staging sectors without asking (first 4 bytes at 0xE0000 or first 8 at 0xE4F00 contain non-FF data). any normal startup with missing, older or misinterpreted DX bank information: At every normal boot, effective claimed count c is dx_layout when nonzero, otherwise dx_layout_old when nonzero, otherwise 4. For 1 <= c < 12, erases banks 1 through 12-c without asking, including this build’s own loaded voices; c >= 12 skips erase. Missing information normally gives c=4 and banks 1–8; misinterpreted c=1 clears banks 1–11. Claim/settings update occurs only if all required erases succeed; failed writes or later settings replacement can make a future boot repeat the erase. Bank 12 is never erased by this routine (Any normal boot with flash_ok and effective positive count below 12; inherited or restored settings can remove or alter the count). startup after bank claim/migration: Immediately saves settings after all required bank erases succeeded, or when migrating an old full twelve-bank count. This can overwrite a foreign settings copy at startup. The preceding check happens on every normal boot, not solely after installation (claim record is newly made/migrated and settings differ; usual default 4 path writes once after eight erases). first idle autosave: Rejected/absent working data leaves hash 0, so unchanged initial state can autosave without any save action, no earlier than 20 s from boot. A matching foreign FELU/type 7 current wrapper selects the opposite sector; otherwise first A (normal stopped/silent/idle guards; changed hash). host upgrade, including rescue: Stages incoming loader/request; failure and later startup cleanup erase the same five sectors (host upgrade command; accepted loader). before intentional reset/update: Flushes dirty sections, pending song/settings, and changed working loop before reset/update; only relevant objects are written (pending dirty data or working hash change).
- Stock V15: Possibly at risk: stock settings (and possibly patterns); stock Bluetooth data; stock presets (128, banks A-D).
- Baud Girl FM-1+VA: Possibly at risk: Baud Girl presets (128); Baud Girl patterns (16, with locks).
- Felucca: At risk by itself: FM6 patches of the FM6 user presets; settings, button calibration, favourites, MIDI LEARN map. At risk when you act: project slot A; project slot B; project slot C; project slot D; the autosave (the music as you left it); FM6 voice bank B1-B32; user sample slot USR1; user sample slot USR2; user sample slot USR3; user presets 1-16; user presets 17-32. SLOOP DX7 Banks reads user sample slot USR1 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used. SLOOP DX7 Banks reads user sample slot USR2 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used. SLOOP DX7 Banks reads user sample slot USR3 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used. SLOOP DX7 Banks keeps stored but does not show user presets 1-16 until you write over the saved data. These sounds stay hidden. Saving elsewhere in the bank keeps them; replacing their slots or restoring a whole bank removes them. SLOOP DX7 Banks keeps stored but does not show user presets 17-32 until you write over the saved data. These sounds stay hidden. Saving elsewhere in the bank keeps them; replacing their slots or restoring a whole bank removes them.
- SLOOP: At risk by itself: the music in progress (autosave); user sample slot USR4; settings, calibration, song order, SYN1-4 kits, MIDI LEARN, theme and favourites. At risk when you act: song section A (a whole project); song section B (a whole project); song section C (a whole project); song section D (a whole project); user sample slot USR1; user sample slot USR2; user sample slot USR3; user sounds U01-U16; user sounds U17-U32; FM6 patch bank B1-B27. SLOOP DX7 Banks reads user sample slot USR1 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used. SLOOP DX7 Banks reads user sample slot USR2 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used. SLOOP DX7 Banks reads user sample slot USR3 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used. SLOOP DX7 Banks reads user sounds U01-U16 until you write over the saved data. Saved sounds can play differently here. Saving another slot keeps them. Replacing their slots or restoring the whole bank removes them. Sounds that use separate voice banks also need those banks. SLOOP DX7 Banks reads user sounds U17-U32 until you write over the saved data. Saved sounds can play differently here. Saving another slot keeps them. Replacing their slots or restoring the whole bank removes them. Sounds that use separate voice banks also need those banks. SLOOP DX7 Banks reads FM6 patch bank B1-B27 until you write over the saved data. Saving over a patch replaces it; other saved patches in this bank are kept. SLOOP DX7 Banks reads user sample slot USR4 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used.
- X0X: At risk by itself: the whole X0X project (settings, sound, all 32 patterns, song, knob motion). At risk when you act: X0X button calibration; break loops slot 1; break loops slot 2; break loops slot 3. SLOOP DX7 Banks reads break loops slot 1 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used. SLOOP DX7 Banks reads break loops slot 2 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used. SLOOP DX7 Banks reads break loops slot 3 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used.
- JIANT: At risk by itself: FM6 patches for the FM6 user sounds; settings, calibration, favourites, MENU options. At risk when you act: song 1 section A (a whole project); song 1 section B (a whole project); song 1 section C (a whole project); song 1 section D (a whole project); song 2: four sections (whole projects); song 3: four sections (whole projects); song 4: four sections (whole projects); song 5: four sections (whole projects); song 6: four sections (whole projects); song 7: four sections (whole projects); song 8: four sections (whole projects); which song is current, every song's rows and scenes; music in progress (RESTORE LAST); FM6 voice bank B1-B32; user sounds U01-U16; user sounds U17-U32. SLOOP DX7 Banks keeps stored but does not show user sounds U01-U16 until you write over the saved data. These sounds stay hidden. Saving elsewhere in the bank keeps them; replacing their slots or restoring a whole bank removes them. SLOOP DX7 Banks keeps stored but does not show user sounds U17-U32 until you write over the saved data. These sounds stay hidden. Saving elsewhere in the bank keeps them; replacing their slots or restoring a whole bank removes them.
- Melodee: At risk by itself: shared user presets U109-U126; project B: patterns, song, sounds, motion, recordings; project C: patterns, song, sounds, motion, recordings; project D: patterns, song, sounds, motion, recordings; settings, factory favourites, calibration, saved template. At risk when you act: shared user presets U289-U378 (partly lost); shared user presets U379-U384; project A: patterns, song, sounds, motion, recordings; shared user presets U145-U288; shared user presets U073-U090; shared user presets U091-U108; shared user presets U001-U018; shared user presets U019-U036; shared user presets U037-U054; shared user presets U055-U072; shared user presets U127-U144.
- FoMni: At risk by itself: FoMni setup (pages, chord buttons, lights). At risk when you act: FoMni button calibration.
- AMB-1: At risk by itself: AMB-1 pieces and setup. At risk when you act: AMB-1 panel calibration.
- ChoralRoot: At risk by itself: 32 imported DX7 voices; options, playing setup and panel calibration. At risk when you act: CZ-1 bank A (16 tones); CZ-1 bank B (16 tones); CZ-1 bank C (16 tones); CZ-1 bank D (16 tones); CZ-1 bank E (16 tones); CZ-1 bank F (16 tones); CZ-1 bank G (16 tones); CZ-1 bank H (16 tones); last session saved with a global save; favourite marks, chord/bass type and filter; 128 saved sounds with their complete engine patches; recorded loop 1; recorded loop 2; recorded loop 3; recorded loop 4; recorded loop 5; recorded loop 6; recorded loop 7; recorded loop 8; recorded loop 9; recorded loop 10.
- GHOULBOX: At risk by itself: FM6 patches for user sounds; settings and panel calibration. At risk when you act: project A; project B; project C; project D; music in progress (RESTORE LAST); FM6 voice bank B1–B32; user sample slot USR1; user sample slot USR2; user sample slot USR3; user sounds 1–16; user sounds 17–32. SLOOP DX7 Banks reads user sample slot USR1 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used. SLOOP DX7 Banks reads user sample slot USR2 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used. SLOOP DX7 Banks reads user sample slot USR3 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used. SLOOP DX7 Banks keeps stored but does not show user sounds 1–16 until you write over the saved data. These sounds stay hidden. Saving elsewhere in the bank keeps them; replacing their slots or restoring a whole bank removes them. SLOOP DX7 Banks keeps stored but does not show user sounds 17–32 until you write over the saved data. These sounds stay hidden. Saving elsewhere in the bank keeps them; replacing their slots or restoring a whole bank removes them.
- M-VAVE FM-1 Open: At risk by itself: Open shared sample audio. At risk when you act: Open USER project 1; Open USER project 2; Open USER project 3; Open USER project 4; Open USER project 5; Open USER project 6; Open USER project 7; Open USER project 8; Open USER project 9; Open USER project 10; Open USER project 11; Open USER project 12; Open USER project 13; Open USER project 14; Open USER project 15; Open USER project 16; Open device preferences.
- FM-106: At risk by itself: octave, last selected preset and MIDI preferences. At risk when you act: older stored user bank, if present (Beta4 does not store new edits).
- Hortator: At risk by itself: settings and panel calibration. At risk when you act: project A; project B; project C; project D; user samples USR1; user samples USR2; user samples USR3. SLOOP DX7 Banks reads user samples USR1 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used. SLOOP DX7 Banks reads user samples USR2 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used. SLOOP DX7 Banks reads user samples USR3 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used.
- OberVave: At risk by itself: pattern 1; pattern 2; pattern 3; pattern 4 (its B-track sound can change if it uses a saved program; its pattern notes remain; other writes can also erase it); pattern 5 (its B-track sound can change if it uses a saved program; its pattern notes remain; other writes can also erase it); pattern 6 (its B-track sound can change if it uses a saved program; its pattern notes remain; other writes can also erase it); pattern 7 (its B-track sound can change if it uses a saved program; its pattern notes remain; other writes can also erase it); saved programs and global settings; pattern 8 (its B-track sound can change if it uses a saved program; its pattern notes remain).
- Polly: At risk by itself: Polly shared memory 4; Optional QY70 style bank; Polly setup and channel sounds. At risk when you act: All four Polly songs; Polly shared memory 1; Polly shared memory 2; Polly shared memory 3; Polly shared memory 5; Polly shared memory 6; Polly shared memory 7; Polly shared memory 8; Polly shared memory 9; Polly shared memory 10; Polly shared memory 11; Polly shared memory 12; Polly shared memory 13; Polly shared memory 14; Polly shared memory 15; Polly shared memory 16; Polly button and encoder calibration.
- Skiff: At risk by itself: project A; project B; project C; project D; user sounds’ own FM6 patches; last session; shared 64-pattern pool (some or all lost); settings, calibration and favourites; user sound bank 1 (only FM6 sounds can lose their own patches and fall back to a factory patch or the initial voice; other sounds remain; other writes can also erase it); user sound bank 2 (only FM6 sounds can lose their own patches and fall back to a factory patch or the initial voice; other sounds remain; other writes can also erase it). At risk when you act: user sample USR1; user sample USR2; user sample USR3. SLOOP DX7 Banks reads user sample USR1 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used. SLOOP DX7 Banks reads user sample USR2 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used. SLOOP DX7 Banks reads user sample USR3 until you write over the saved data. Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used. SLOOP DX7 Banks keeps stored but does not show user sound bank 1 until you write over the saved data. These sounds stay hidden. Saving elsewhere in the bank keeps them; replacing their slots or restoring a whole bank removes them. SLOOP DX7 Banks keeps stored but does not show user sound bank 2 until you write over the saved data. These sounds stay hidden. Saving elsewhere in the bank keeps them; replacing their slots or restoring a whole bank removes them.
- sloopDX: At risk by itself: working loop; settings, calibration, song order, MIDI, theme and favourites. At risk when you act: section A; section B; section C; section D; DX7 bank 1 voices 1–16; DX7 bank 1 voices 17–32; DX7 bank 2 voices 1–16; DX7 bank 2 voices 17–32; DX7 bank 3 voices 1–16; DX7 bank 3 voices 17–32; DX7 bank 4 voices 1–16; DX7 bank 4 voices 17–32; DX7 bank 5 voices 1–16; DX7 bank 5 voices 17–32; DX7 bank 6 voices 1–16; DX7 bank 6 voices 17–32; DX7 bank 7 voices 1–16; DX7 bank 7 voices 17–32; DX7 bank 8 voices 1–16; DX7 bank 8 voices 17–32; selected DX7 bank; MY KIT; user presets 1–16; user presets 17–32. SLOOP DX7 Banks keeps stored but does not show user presets 1–16 until you write over the saved data. Your sounds stay saved but cannot be shown or played. Saving into their slots removes them; saving elsewhere keeps them. Saving on the FM-1 needs another turn of the same control, with no warning that the slot holds a hidden sound. SLOOP DX7 Banks keeps stored but does not show user presets 17–32 until you write over the saved data. Your sounds stay saved but cannot be shown or played. Saving into their slots removes them; saving elsewhere keeps them. Saving on the FM-1 needs another turn of the same control, with no warning that the slot holds a hidden sound.
- Rainbow Mode: At risk by itself: the FM6 patches used by the thirty-two user sounds; your old FM6 bank (B1–B27); Felucca preferences, calibration and favourites; Rainbow WRITE song, greeting name, hat, volume limit and look-alikes; user sounds U01–U16, names and sixteen-step patterns without automation (only FM6 sounds can lose their own patches and fall back to a factory patch or the initial voice; other sounds remain; other writes can also erase it); user sounds U17–U32, names and sixteen-step patterns without automation (only FM6 sounds can lose their own patches and fall back to a factory patch or the initial voice; other sounds remain; other writes can also erase it). At risk when you act: Project A: four tracks and their sounds, notes, automation, song chain and name; Project B: four tracks and their sounds, notes, automation, song chain and name; Project C: four tracks and their sounds, notes, automation, song chain and name; Project D: four tracks and their sounds, notes, automation, song chain and name; the last session in the full version of Felucca; User sample USR1 and any slice positions you set in SLICE; User sample USR2 and any slice positions you set in SLICE; User sample USR3 and any slice positions you set in SLICE. SLOOP DX7 Banks reads user sample USR1 and any slice positions you set in SLICE until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads user sample USR2 and any slice positions you set in SLICE until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads user sample USR3 and any slice positions you set in SLICE until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks keeps stored but does not show user sounds U01–U16, names and sixteen-step patterns without automation until you write over the saved data. Your sounds stay saved but cannot be shown or played. Saving into their slots removes them; saving elsewhere keeps them. Saving on the FM-1 needs another turn of the same control, with no warning that the slot holds a hidden sound. SLOOP DX7 Banks keeps stored but does not show user sounds U17–U32, names and sixteen-step patterns without automation until you write over the saved data. Your sounds stay saved but cannot be shown or played. Saving into their slots removes them; saving elsewhere keeps them. Saving on the FM-1 needs another turn of the same control, with no warning that the slot holds a hidden sound.
- DUELL beta: At risk by itself: saved patches; settings and panel setup. At risk when you act: multis M01–M02; multis M03–M04; multis M05–M06; multis M07–M08; user wavetable USR1; user wavetable USR2; user wavetable USR3; multis M09–M10; multis M11–M12; multis M13–M14; multis M15–M16; patterns P01–P06; patterns P07–P12; patterns P13–P16; last working music; FM6 bank B01–B32.
- FiMba-1 beta: At risk by itself: FiMba-1 beta sound and playing setup. At risk when you act: FiMba-1 beta panel calibration.
- MAKU: At risk by itself: inherited FM6 patches for user presets; settings and calibration. At risk when you act: inherited project A; inherited project B; inherited project C; inherited project D; up to sixteen liked worlds; inherited user sample 1; inherited user sample 2; inherited user sample 3; inherited user preset bank 1; inherited user preset bank 2. SLOOP DX7 Banks reads inherited user sample 1 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads inherited user sample 2 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads inherited user sample 3 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks keeps stored but does not show inherited user preset bank 1 until you write over the saved data. Your sounds stay saved but cannot be shown or played. Saving into their slots removes them; saving elsewhere keeps them. Saving on the FM-1 needs another turn of the same control, with no warning that the slot holds a hidden sound. SLOOP DX7 Banks keeps stored but does not show inherited user preset bank 2 until you write over the saved data. Your sounds stay saved but cannot be shown or played. Saving into their slots removes them; saving elsewhere keeps them. Saving on the FM-1 needs another turn of the same control, with no warning that the slot holds a hidden sound.
- Fart Machine One: At risk when you act: learned button and encoder calibration.
- fm1-chord: At risk by itself: FM6 bank B1-B27; settings, panel calibration, four chord preset setups and the current chord setup. At risk when you act: chord preset P1: full synth project; chord preset P2: full synth project; chord preset P3: full synth project; chord preset P4: full synth project; uploaded sample USR1 and optional SLICE markers; uploaded sample USR2 and optional SLICE markers; uploaded sample USR3 and optional SLICE markers; user sounds 1-16; user sounds 17-32. SLOOP DX7 Banks reads uploaded sample USR1 and optional SLICE markers until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads uploaded sample USR2 and optional SLICE markers until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads uploaded sample USR3 and optional SLICE markers until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks keeps stored but does not show user sounds 1-16 until you write over the saved data. Your sounds stay saved but cannot be shown or played. Saving into their slots removes them; saving elsewhere keeps them. Saving on the FM-1 needs another turn of the same control, with no warning that the slot holds a hidden sound. SLOOP DX7 Banks keeps stored but does not show user sounds 17-32 until you write over the saved data. Your sounds stay saved but cannot be shown or played. Saving into their slots removes them; saving elsewhere keeps them. Saving on the FM-1 needs another turn of the same control, with no warning that the slot holds a hidden sound.
- FuMi-1: At risk by itself: FuMi-1 sound and playing setup. At risk when you act: FuMi-1 button and encoder calibration.
- Jangada: At risk by itself: working music (autosave); preferences, calibration and MIDI LEARN map. At risk when you act: project 1; project 2; project 3; project 4; user sounds U01-U16; user sounds U17-U32; FM6 voices B1-B16; FM6 voices B17-B32; user samples USR1; user samples USR2; user samples USR3. SLOOP DX7 Banks reads user samples USR1 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads user samples USR2 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads user samples USR3 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops.
- WaveLoop FM-1: At risk by itself: FM6 patches and controls for each drum in user sounds; settings, calibration and favourites. At risk when you act: song 1; song 2; song 3; last session saved for the next start; slice positions you set for USR1; slice positions you set for USR2; song 4; song 5; song 6; song 7; song 8; song 9; song 10; song 11; song 12; song order and selection; user sample USR1; user sample USR2; user sounds 1–16; user sounds 17–32. SLOOP DX7 Banks reads user sample USR1 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads user sample USR2 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks keeps stored but does not show user sounds 1–16 until you write over the saved data. Your sounds stay saved but cannot be shown or played. Saving into their slots removes them; saving elsewhere keeps them. Saving on the FM-1 needs another turn of the same control, with no warning that the slot holds a hidden sound. SLOOP DX7 Banks keeps stored but does not show user sounds 17–32 until you write over the saved data. Your sounds stay saved but cannot be shown or played. Saving into their slots removes them; saving elsewhere keeps them. Saving on the FM-1 needs another turn of the same control, with no warning that the slot holds a hidden sound.
- ORBIT: At risk by itself: saved section A (sounds can change or stop playing when separate samples, FM6 patches or SYN kits are replaced; saved notes and sound settings remain; other writes can also erase it); saved section B (sounds can change or stop playing when separate samples, FM6 patches or SYN kits are replaced; saved notes and sound settings remain; other writes can also erase it); saved section C (sounds can change or stop playing when separate samples, FM6 patches or SYN kits are replaced; saved notes and sound settings remain; other writes can also erase it); saved section D (sounds can change or stop playing when separate samples, FM6 patches or SYN kits are replaced; saved notes and sound settings remain; other writes can also erase it); working music kept by autosave; USER sounds U01-U16 (sounds can change or stop playing when separate samples, FM6 patches or SYN kits are replaced; saved notes and sound settings remain; other writes can also erase it); USER sounds U17-U32 (sounds can change or stop playing when separate samples, FM6 patches or SYN kits are replaced; saved notes and sound settings remain; other writes can also erase it); sample slot USR4; settings, calibration, song order, SYN1-SYN4 kits and MIDI preferences. At risk when you act: sample slot USR1; sample slot USR2; sample slot USR3; FM6 bank B1-B27. SLOOP DX7 Banks reads sample slot USR1 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads sample slot USR2 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads sample slot USR3 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads FM6 bank B1-B27 until you write over the saved data. SLOOP DX7 Banks reads sample slot USR4 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops.
- SLOOP Floyd FM: At risk by itself: the working loop kept by autosave; settings, panel calibration and song order. At risk when you act: song section A; song section B; song section C; song section D; user sample slot USR1; user sample slot USR2; user sample slot USR3; user sounds U01–U16; user sounds U17–U32. SLOOP DX7 Banks reads user sample slot USR1 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads user sample slot USR2 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads user sample slot USR3 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads user sounds U01–U16 until you write over the saved data. Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced. FLOYD sounds become FM6 sounds. Separate live envelope changes (how each note changes over time) were never saved. SLOOP DX7 Banks reads user sounds U17–U32 until you write over the saved data. Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced. FLOYD sounds become FM6 sounds. Separate live envelope changes (how each note changes over time) were never saved. SLOOP DX7 Banks reads settings, panel calibration and song order until you write over the saved data. Floyd has no saved count of the DX banks DX7 Banks has set up. At start-up, DX7 Banks erases DX banks 1–8 and saves a new count.
- winampFM Synth: At risk by itself: working music kept by autosave; sample USR4; settings, panel calibration, song order, SYN kits and MIDI. At risk when you act: section A (whole project); section B (whole project); section C (whole project); section D (whole project); sample USR1; sample USR2; sample USR3; user sounds 1-16; user sounds 17-32; FM6 bank B1-B27. SLOOP DX7 Banks reads sample USR1 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads sample USR2 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads sample USR3 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads user sounds 1-16 until you write over the saved data. Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced. SLOOP DX7 Banks reads user sounds 17-32 until you write over the saved data. Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced. SLOOP DX7 Banks reads FM6 bank B1-B27 until you write over the saved data. SLOOP DX7 Banks reads sample USR4 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops.
- Bubba Machine (beta): At risk by itself: sixteen six-track patterns (some or all lost); song order and four scenes (some or all lost). At risk when you act: eight saved sampler takes (some or all lost); twelve uploaded sounds or DX7 banks (some or all lost); screen language pack; system preferences and last pattern.
- Felucca [Salt]: At risk by itself: screen preferences, calibration and favourites. At risk when you act: project 1; project 2; project 3; project 4; user sample USR1; user sample USR2; user sample USR3; user sounds U01-U16; user sounds U17-U32. SLOOP DX7 Banks reads user sample USR1 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads user sample USR2 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads user sample USR3 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads user sounds U01-U16 until you write over the saved data. Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced. SLOOP DX7 Banks reads user sounds U17-U32 until you write over the saved data. Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced.
- PIGEON: At risk by itself: shared song and drum sample bank; the older FM6 patch bank PIGEON no longer uses; older FM6 patches for user presets; preferences, MIDI LEARN and panel calibration. At risk when you act: saved pattern A; saved pattern B; saved pattern C; saved pattern D; slice positions set by hand in the older format; chops, drum-pad and performance edits; last working session; user sample USR1 in the older format; user sample USR2 in the older format; user sample USR3 in the older format; older user preset bank 1; older user preset bank 2. SLOOP DX7 Banks reads user sample USR1 in the older format until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads user sample USR2 in the older format until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads user sample USR3 in the older format until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks keeps stored but does not show older user preset bank 1 until you write over the saved data. Your sounds stay saved but cannot be shown or played. Saving into their slots removes them; saving elsewhere keeps them. Saving on the FM-1 needs another turn of the same control, with no warning that the slot holds a hidden sound. SLOOP DX7 Banks keeps stored but does not show older user preset bank 2 until you write over the saved data. Your sounds stay saved but cannot be shown or played. Saving into their slots removes them; saving elsewhere keeps them. Saving on the FM-1 needs another turn of the same control, with no warning that the slot holds a hidden sound.
- FM1 Move: At risk by itself: project 1 (sounds can change or stop playing when separate samples, FM6 patches or SYN kits are replaced; saved notes and sound settings remain; other writes can also erase it); project 2; the working project kept by autosave; settings, calibration, SYN kits and stored MIDI mappings. At risk when you act: sample slot USR1; sample slot USR2; sample slot USR3; user sounds U01–U16; user sounds U17–U32; FM6 bank B1–B27. SLOOP DX7 Banks reads sample slot USR1 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads sample slot USR2 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads sample slot USR3 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads user sounds U01–U16 until you write over the saved data. Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced. SLOOP DX7 Banks reads user sounds U17–U32 until you write over the saved data. Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced. SLOOP DX7 Banks reads FM6 bank B1–B27 until you write over the saved data.
- FM1 Quest: At risk by itself: working music (autosave); settings, panel mapping, song order and Quest preferences/progress. At risk when you act: song section A; song section B; song section C; song section D; sample USR2; sample USR3; Piano Hero P1; Piano Hero P2; Piano Hero P3; Piano Hero P4; Piano Hero P5; Piano Hero P6; FM Hero H1; FM Hero H2; FM Hero H3; FM Hero H4; FM Hero H5; FM Hero H6; sample USR1; user sounds U01–U16; user sounds U17–U32. SLOOP DX7 Banks reads sample USR1 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP DX7 Banks reads user sounds U01–U16 until you write over the saved data. Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced. SLOOP DX7 Banks reads user sounds U17–U32 until you write over the saved data. Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced.
- Groove OS: Possibly at risk: Groove project slot 1; Groove project slot 2; Groove project slot 3; Groove resume autosave; Groove sound bank A; Groove sound bank B; Groove sound bank C; Groove sound bank D; Groove custom drum sounds and kits; Groove device preferences; Groove crash reports. Groove OS does not publish where or how it stores saved work, so loss is possible even when shared storage cannot be found. Before switching, use export all on its Projects page to save every project and the automatically saved music. Use Save a backup on Your own sounds too. Project exports list the sounds but leave out the audio. Use Save a safety copy on Your FM-1 for the banks, songs, automatically saved music and samples. Keep these files on your computer. Sound banks, custom sounds, settings and crash reports may be lost.
- What the next firmware does to SLOOP DX7 Banks's data.
- Stock V15: Possibly at risk: section A; section B; section C; section D; working loop; user sample USR1; user sample USR2; user sample USR3; user sounds 1–16; user sounds 17–32; FM6 patches B1–B27; user sample USR4; DX7 bank 1 (32 voices); DX7 bank 2 (32 voices); DX7 bank 3 (32 voices); DX7 bank 4 (32 voices); DX7 bank 5 (32 voices); DX7 bank 6 (32 voices); DX7 bank 7 (32 voices); DX7 bank 8 (32 voices); DX7 bank 9 (32 voices); DX7 bank 10 (32 voices); DX7 bank 11 (32 voices); DX7 bank 12 (32 voices).
- Baud Girl FM-1+VA: Possibly at risk: section A; section B; section C; section D; working loop; user sample USR1; user sample USR2; user sample USR3; user sounds 1–16; user sounds 17–32; FM6 patches B1–B27; user sample USR4; DX7 bank 1 (32 voices); DX7 bank 2 (32 voices); DX7 bank 3 (32 voices); DX7 bank 4 (32 voices); DX7 bank 5 (32 voices); DX7 bank 6 (32 voices); DX7 bank 7 (32 voices); DX7 bank 8 (32 voices); DX7 bank 9 (32 voices); DX7 bank 10 (32 voices); DX7 bank 11 (32 voices); DX7 bank 12 (32 voices).
- Felucca: At risk by itself: FM6 patches B1–B27; settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk by itself, under a condition: user sample USR4. At risk when you act: section A; section B; section C; section D; working loop; user sounds 1–16; user sounds 17–32; user sample USR1; user sample USR2; user sample USR3. After Felucca replaces DX7 Banks’ saved settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking, including your own banks 5–8. Back up your DX banks before switching. Felucca may start with RESTORE LAST ON after SLOOP DX7 Banks, even if you turned it OFF before. SLOOP DX7 Banks saves its own settings at several points, replacing the earlier settings with ones Felucca cannot read; an older choice saved by another firmware can also mean the opposite here. Check MENU > SYSTEM > RESTORE LAST before you edit. ON allows automatic saving after edits and a pause with playback stopped, keys and buttons released, and no sound; OFF stops that autosave. Felucca may start with beta 2ND CORE ON or OFF after SLOOP DX7 Banks. Do not rely on your earlier choice: SLOOP DX7 Banks can replace the saved settings with ones Felucca cannot read. Check MENU > SYSTEM > 2ND CORE when you return. ON (BETA) can turn itself OFF and save settings if a sound calculation fails or takes too long; OFF prevents that second-core save. Felucca reads user sample USR1 until you write over the saved data. Playback follows this firmware’s loop rules. The other firmware’s extra loop modes may sound different. Felucca reads user sample USR2 until you write over the saved data. Playback follows this firmware’s loop rules. The other firmware’s extra loop modes may sound different. Felucca reads user sample USR3 until you write over the saved data. Playback follows this firmware’s loop rules. The other firmware’s extra loop modes may sound different.
- SLOOP: At risk by itself: working loop; settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk when you act: section A; section B; section C; section D; DX7 bank 1 (32 voices); DX7 bank 2 (32 voices); DX7 bank 3 (32 voices); DX7 bank 4 (32 voices); DX7 bank 5 (32 voices); DX7 bank 6 (32 voices); DX7 bank 7 (32 voices); DX7 bank 8 (32 voices); DX7 bank 9 (32 voices); DX7 bank 10 (32 voices); DX7 bank 11 (32 voices); DX7 bank 12 (32 voices); user sample USR1; user sample USR2; user sample USR3; user sounds 1–16; user sounds 17–32; FM6 patches B1–B27; user sample USR4. SLOOP can use the saved song order, drum kits and older sections. Back up all your DX banks and settings before switching. SLOOP reads user sample USR1 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. SLOOP reads user sample USR2 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. SLOOP reads user sample USR3 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. SLOOP reads user sounds 1–16 until you write over the saved data. Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced. SLOOP reads user sounds 17–32 until you write over the saved data. Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced. SLOOP reads FM6 patches B1–B27 until you write over the saved data. SLOOP reads user sample USR4 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it.
- X0X: At risk by itself: section A; section B; section C; section D; user sounds 17–32; settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk when you act: user sounds 1–16; user sample USR1; user sample USR2; user sample USR3. Saving X0X’s settings can remove DX7 Banks’ saved count of DX banks already set up. An older copy of the settings can survive the first save. Without that count, DX7 Banks erases DX banks 1–8 at its next start without asking, including your own banks 5–8. Back up your DX banks before switching. After you confirm a restore on the computer, X0X starts erasing before asking again on the FM-1. Saying no keeps X0X’s current project but does not bring back erased data from your previous firmware, even if the computer says nothing changed. X0X reads user sample USR1 until you write over the saved data. Each zone plays as a separate repeating break loop (up to 16 per sample). Key ranges, root notes, loop points and slice markers are not used. X0X reads user sample USR2 until you write over the saved data. Each zone plays as a separate repeating break loop (up to 16 per sample). Key ranges, root notes, loop points and slice markers are not used. X0X reads user sample USR3 until you write over the saved data. Each zone plays as a separate repeating break loop (up to 16 per sample). Key ranges, root notes, loop points and slice markers are not used.
- JIANT: At risk by itself: user sample USR3; settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk by itself, under a condition: working loop; FM6 patches B1–B27; user sample USR4. At risk when you act: section A; section B; section C; section D; user sample USR1; user sample USR2; user sounds 1–16; user sounds 17–32. After JIANT replaces DX7 Banks’ saved settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking, including your own banks 5–8. Back up your DX banks before switching. JIANT may start with RESTORE LAST ON or OFF after SLOOP DX7 Banks, even if you turned it OFF before. SLOOP DX7 Banks saves its own settings at several points, replacing the earlier settings with ones JIANT cannot read; an older choice saved by another firmware can also mean the opposite here. While ON, JIANT can save by itself about 10 seconds after start-up once stopped and idle, even without edits, and again after later edits and a pause. Check MENU > SYSTEM > RESTORE LAST straight after start-up. Hold SAVE once MENU is open to keep that idle wait reset while you check; the open menu alone does not stop it. OFF stops that autosave.
- Melodee: At risk by itself: working loop; user sounds 1–16; user sounds 17–32; settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk by itself, under a condition: section A; section B; section C; section D; user sample USR3; FM6 patches B1–B27; user sample USR4; DX7 bank 12 (32 voices). At risk when you act: user sample USR1; user sample USR2; DX7 bank 1 (32 voices); DX7 bank 2 (32 voices); DX7 bank 3 (32 voices); DX7 bank 4 (32 voices); DX7 bank 5 (32 voices); DX7 bank 6 (32 voices); DX7 bank 7 (32 voices); DX7 bank 8 (32 voices); DX7 bank 9 (32 voices); DX7 bank 10 (32 voices); DX7 bank 11 (32 voices). After Melodee replaces DX7 Banks’ saved settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking, including your own banks 5–8. Back up your DX banks before switching.
- FoMni: At risk by itself: settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk when you act: user sounds 1–16. Saving a FoMni project can remove DX7 Banks’ saved count of DX banks already set up. An older copy of the settings can survive the first save. Without that count, DX7 Banks erases DX banks 1–8 at its next start without asking, including your own banks 5–8. Back up your DX banks before switching.
- AMB-1: At risk by itself: settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk when you act: user sounds 1–16. Saving an AMB-1 project can remove DX7 Banks’ saved count of the DX banks it has set up. An older saved copy of settings may survive the first save. If no saved count remains, DX7 Banks erases DX banks 1–8 at its next start without asking, including your own banks 5–8. Back up your DX banks before switching.
- ChoralRoot: At risk by itself: user sample USR2; user sample USR3; settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk when you act: section A; section B; section C; section D; working loop; user sample USR1; user sounds 1–16; user sounds 17–32. After ChoralRoot replaces DX7 Banks’ saved settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking, including your own banks 5–8. Back up your DX banks before switching. ChoralRoot reads user sounds 1–16 until you write over the saved data. Imported sounds may sound different, even if their names are kept. Confirming Flash Data erases the older banks they came from. ChoralRoot reads user sounds 17–32 until you write over the saved data. Imported sounds may sound different, even if their names are kept. Confirming Flash Data erases the older banks they came from.
- GHOULBOX: At risk by itself: FM6 patches B1–B27; settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk by itself, under a condition: working loop; user sample USR4. At risk when you act: section A; section B; section C; section D; user sounds 1–16; user sounds 17–32; user sample USR1; user sample USR2; user sample USR3. After GHOULBOX replaces DX7 Banks’ saved settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking, including your own banks 5–8. Back up your DX banks before switching. GHOULBOX may start with RESTORE LAST ON after SLOOP DX7 Banks, even if you turned it OFF before. SLOOP DX7 Banks saves its own settings at several points, replacing the earlier settings with ones GHOULBOX cannot read; an older choice saved by another firmware can also mean the opposite here. Check MENU > SYSTEM > RESTORE LAST before you edit. ON allows automatic saving after edits and a pause with playback stopped, keys and buttons released, and no sound; OFF stops that autosave. GHOULBOX reads user sample USR1 until you write over the saved data. GHOULBOX reads user sample USR2 until you write over the saved data. GHOULBOX reads user sample USR3 until you write over the saved data.
- M-VAVE FM-1 Open: At risk by itself: section A; section B; section C; section D; working loop. At risk when you act: user sample USR1; user sample USR2; user sample USR3; user sounds 1–16; user sounds 17–32; FM6 patches B1–B27; user sample USR4; DX7 bank 1 (32 voices); DX7 bank 2 (32 voices); DX7 bank 3 (32 voices); DX7 bank 4 (32 voices); DX7 bank 5 (32 voices); DX7 bank 6 (32 voices); DX7 bank 7 (32 voices); DX7 bank 8 (32 voices); DX7 bank 9 (32 voices); DX7 bank 10 (32 voices); DX7 bank 11 (32 voices); DX7 bank 12 (32 voices); settings, calibration, song order, synthesized drum kits and DX-bank setup. Open stores its settings elsewhere. Sending a sample bank far enough to write over DX7 Banks’ settings can remove its saved count of DX banks already set up. If that count is lost, DX7 Banks erases DX banks 1–8 at its next start without asking, including your own banks 5–8. Back up your DX banks before switching. Workbench adds Open's built-in samples right after installing it, without asking about samples. This replaces only the items marked 'by itself right after the Workbench installs Open', before you can save anything. This follows Open V12's source code; the downloaded Workbench has not been checked against it.
- FM-106: At risk by itself: settings, calibration, song order, synthesized drum kits and DX-bank setup. FM-106 saves settings over one saved copy of DX7 Banks’ settings. An older copy may still hold the number of DX banks already set up. If no saved copy holds that number, DX7 Banks erases DX banks 1–8 when you next start it, including your own banks 5–8, without asking. Back up your DX banks before switching. FM-106 Beta4 does not save edited user sounds, even when it says the save worked. Export them before turning off the FM-1 or changing firmware again.
- Hortator: At risk by itself: settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk when you act: section A; section B; section C; section D. Carried over: user sample USR1 (Hortator uses its own one-shot sound engines, so saved loops and slices play differently); user sample USR2 (Hortator uses its own one-shot sound engines, so saved loops and slices play differently); user sample USR3 (Hortator uses its own one-shot sound engines, so saved loops and slices play differently). After Hortator replaces DX7 Banks’ saved settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking, including your own banks 5–8. Back up your DX banks before switching.
- OberVave: At risk by itself: DX7 bank 6 (32 voices); DX7 bank 7 (32 voices); DX7 bank 8 (32 voices); DX7 bank 9 (32 voices); DX7 bank 10 (32 voices); DX7 bank 11 (32 voices); DX7 bank 12 (32 voices); settings, calibration, song order, synthesized drum kits and DX-bank setup. OberVave saves settings over one saved copy of DX7 Banks’ settings. An older copy may still hold the number of DX banks already set up. If no saved copy holds that number, DX7 Banks erases DX banks 1–8 when you next start it, including your own banks 5–8, without asking. Back up your DX banks before switching.
- Polly: At risk by itself: section A; section B; section C; section D; working loop; user sample USR1; user sample USR2; settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk when you act: user sample USR3; user sounds 1–16; user sounds 17–32; FM6 patches B1–B27; user sample USR4; DX7 bank 1 (32 voices); DX7 bank 2 (32 voices); DX7 bank 3 (32 voices); DX7 bank 4 (32 voices); DX7 bank 5 (32 voices); DX7 bank 6 (32 voices); DX7 bank 7 (32 voices); DX7 bank 8 (32 voices); DX7 bank 9 (32 voices); DX7 bank 10 (32 voices); DX7 bank 11 (32 voices); DX7 bank 12 (32 voices). Saving a Polly project can remove DX7 Banks’ saved count of the DX banks it has set up. An older saved copy of settings may survive the first save. If no saved count remains, DX7 Banks erases DX banks 1–8 at its next start without asking, including your own banks 5–8. Back up your DX banks before switching. After you agree to restore on the computer, Polly starts erasing before the FM-1 asks. Saying no on the FM-1 keeps Polly’s current project, but cannot bring back erased data from your previous firmware, even if the computer says nothing changed.
- Skiff: At risk by itself: FM6 patches B1–B27; user sample USR4; DX7 bank 1 (32 voices); DX7 bank 2 (32 voices); DX7 bank 3 (32 voices); DX7 bank 4 (32 voices); DX7 bank 5 (32 voices); DX7 bank 6 (32 voices); DX7 bank 7 (32 voices); DX7 bank 8 (32 voices); DX7 bank 9 (32 voices); DX7 bank 10 (32 voices); DX7 bank 11 (32 voices); DX7 bank 12 (32 voices); settings, calibration, song order, synthesized drum kits and DX-bank setup; user sample USR1; user sample USR2; user sample USR3. At risk by itself, under a condition: section A; section B; section C; section D; working loop. At risk when you act: user sounds 1–16; user sounds 17–32. After Skiff replaces DX7 Banks’ saved settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking, including your own banks 5–8. Back up your DX banks before switching. Unreadable settings use Skiff’s default RESTORE LAST ON. Skiff reads user sample USR1 until you write over the saved data. Skiff uses its own sound engines, so saved loops or slices can play differently. Skiff reads user sample USR2 until you write over the saved data. Skiff uses its own sound engines, so saved loops or slices can play differently. Skiff reads user sample USR3 until you write over the saved data. Skiff uses its own sound engines, so saved loops or slices can play differently.
- sloopDX: At risk by itself: working loop; user sample USR2; settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk by itself, under a condition: user sample USR1. At risk when you act: section A; section B; section C; section D; user sounds 1–16; user sounds 17–32. After FACTORY RESET in sloopDX, returning to DX7 Banks erases DX banks 1–8 at its first start without asking, including your own banks 5–8. Changing COLOR or USB RATE, removing the theme, or restoring or sending settings in sloopDX can also make DX7 Banks erase banks when you return. COLOR, theme removal or replacing settings can erase banks 1–8. USB RATE alone can erase banks 1–4 or 1–2. Other combinations of these options or replacement settings can erase up to banks 1–11. Back up your DX banks first. sloopDX reads user sounds 1–16 until you write over the saved data. Only sounds in the first engine appear. They play as DX7 sounds. Other sounds stay hidden. Saving other slots keeps them. sloopDX reads user sounds 17–32 until you write over the saved data. Only sounds in the first engine appear. They play as DX7 sounds. Other sounds stay hidden. Saving other slots keeps them.
- Rainbow Mode: At risk by itself: settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk by itself, under a condition: FM6 patches B1–B27. At risk when you act: section A; section B; section C; section D; working loop; user sounds 1–16; user sounds 17–32; user sample USR1; user sample USR2; user sample USR3. After Rainbow Mode replaces DX7 Banks’ saved settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking, including your own banks 5–8. Back up your DX banks before switching. The full Felucca in Rainbow Mode may start with RESTORE LAST ON after SLOOP DX7 Banks, even if you turned it OFF before. SLOOP DX7 Banks saves its own settings at several points, replacing the earlier settings with ones the full Felucca in Rainbow Mode cannot read; an older choice saved by another firmware can also mean the opposite here. Check MENU > SYSTEM > RESTORE LAST in the full Felucca layer before you edit. ON allows automatic saving after edits and a pause with playback stopped, keys and buttons released, and no sound; OFF stops that autosave. Rainbow Mode reads user sample USR1 until you write over the saved data. Playback follows this firmware’s loop rules. The other firmware’s extra loop modes may sound different. Rainbow Mode reads user sample USR2 until you write over the saved data. Playback follows this firmware’s loop rules. The other firmware’s extra loop modes may sound different. Rainbow Mode reads user sample USR3 until you write over the saved data. Playback follows this firmware’s loop rules. The other firmware’s extra loop modes may sound different.
- DUELL beta: At risk by itself: FM6 patches B1–B27; settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk by itself, under a condition: user sample USR4. At risk when you act: section A; section B; section C; section D; working loop; user sample USR1; user sample USR2; user sample USR3; user sounds 1–16; user sounds 17–32. After DUELL beta replaces DX7 Banks’ saved settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking, including your own banks 5–8. Back up your DX banks before switching. The installer starts with its erase option selected for this firmware change. Clear it before installing to avoid this extra erase.
- FiMba-1 beta: At risk by itself: settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk when you act: user sounds 1–16. Saving a FiMba-1 beta project can remove DX7 Banks’ saved count of DX banks already set up. An older copy of the settings can survive the first save. Without that count, DX7 Banks erases DX banks 1–8 at its next start without asking, including your own banks 5–8. Back up your DX banks before switching.
- MAKU: At risk by itself, under a condition: working loop. At risk when you act: FM6 patches B1–B27; settings, calibration, song order, synthesized drum kits and DX-bank setup. After MAKU replaces DX7 Banks’ saved settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking, including your own banks 5–8. Back up your DX banks before switching.
- Fart Machine One: At risk when you act: user sounds 1–16. Fart Machine One does not import or save a music setup or loop. SAVE does nothing. Its recorded loop, tempo and effect choices last only while it stays on. Calibration is separate.
- fm1-chord: At risk by itself: settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk when you act: section A; section B; section C; section D; working loop; user sounds 1–16; user sounds 17–32; user sample USR1; user sample USR2; user sample USR3. After fm1-chord replaces DX7 Banks’ saved settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking, including your own banks 5–8. Back up your DX banks before switching. fm1-chord reads user sample USR1 until you write over the saved data. Saved loop choices use ordinary looping. The ends of loops held by a gate signal can sound different. Only matching saved SLICE markers are restored. fm1-chord reads user sample USR2 until you write over the saved data. Saved loop choices use ordinary looping. The ends of loops held by a gate signal can sound different. Only matching saved SLICE markers are restored. fm1-chord reads user sample USR3 until you write over the saved data. Saved loop choices use ordinary looping. The ends of loops held by a gate signal can sound different. Only matching saved SLICE markers are restored.
- FuMi-1: At risk by itself: settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk when you act: user sounds 1–16. Saving a FuMi-1 project can remove DX7 Banks’ saved count of DX banks already set up. An older copy of the settings can survive the first save. Without that count, DX7 Banks erases DX banks 1–8 at its next start without asking, including your own banks 5–8. Back up your DX banks before switching.
- Jangada: At risk by itself: working loop; settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk when you act: section A; section B; section C; section D; user sounds 1–16; user sounds 17–32; FM6 patches B1–B27; user sample USR4; user sample USR1; user sample USR2; user sample USR3. After Jangada replaces DX7 Banks’ saved settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking, including your own banks 5–8. Back up your DX banks before switching. Jangada reads user sample USR1 until you write over the saved data. Jangada reads user sample USR2 until you write over the saved data. Jangada reads user sample USR3 until you write over the saved data.
- WaveLoop FM-1: At risk by itself: section A; section D; settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk by itself, under a condition: section B; section C; user sample USR3. At risk when you act: working loop; user sounds 1–16; user sounds 17–32; user sample USR1; user sample USR2. After WaveLoop FM-1 replaces DX7 Banks’ saved settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking, including your own banks 5–8. Back up your DX banks before switching. WaveLoop FM-1 reads user sample USR1 until you write over the saved data. Playback follows this firmware’s loop rules. The other firmware’s extra loop modes may sound different. Saved samples may have no slice positions set by you. WaveLoop FM-1 reads user sample USR2 until you write over the saved data. Playback follows this firmware’s loop rules. The other firmware’s extra loop modes may sound different. Saved samples may have no slice positions set by you.
- ORBIT: At risk by itself: working loop (changed to the new format: the next save of this project uses ORBIT's project format; your previous firmware cannot load it if you switch back. Engines and sound controls can mean different things. Saved music can pass the same checks and still sound different); settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk by itself, under a condition: section A; section B; section C; section D. At risk when you act: user sounds 1–16; user sounds 17–32; DX7 bank 1 (32 voices); DX7 bank 2 (32 voices); DX7 bank 3 (32 voices); DX7 bank 4 (32 voices); DX7 bank 5 (32 voices); DX7 bank 6 (32 voices); DX7 bank 7 (32 voices); DX7 bank 8 (32 voices); DX7 bank 9 (32 voices); DX7 bank 10 (32 voices); DX7 bank 11 (32 voices); DX7 bank 12 (32 voices); user sample USR1; user sample USR2; user sample USR3; FM6 patches B1–B27; user sample USR4. After ORBIT saves settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking. It can erase up to banks 1–11 if ORBIT’s MIDI IN is set to one channel from 4–15. The settings save can happen automatically if DX7 Banks’ KEY VELOCITY was 110, 120 or 127. Back up all your DX banks. ORBIT reads user sample USR1 until you write over the saved data. Slice marks set by hand are not loaded. Loop modes follow this firmware's playback rules. ORBIT reads user sample USR2 until you write over the saved data. Slice marks set by hand are not loaded. Loop modes follow this firmware's playback rules. ORBIT reads user sample USR3 until you write over the saved data. Slice marks set by hand are not loaded. Loop modes follow this firmware's playback rules. ORBIT reads FM6 patches B1–B27 until you write over the saved data. The FM6 patch bank is shared. The project and its links to user sounds are not transferred. ORBIT reads user sample USR4 until you write over the saved data. Slice marks set by hand are not loaded. Loop modes follow this firmware's playback rules.
- SLOOP Floyd FM: At risk by itself: working loop; settings, calibration, song order, synthesized drum kits and DX-bank setup (changed to the new format: Saving settings keeps only the older colour, display, calibration and song-order choices. The saved copy lacks newer light options, drum kits, MIDI controls and separately saved options. After Floyd saves settings, DX7 Banks has no saved count of banks already set up when you return. It erases DX banks 1–8 at its first start. Back up your DX banks before switching). At risk when you act: section A; section B; section C; section D; user sample USR1; user sample USR2; user sample USR3. Carried over: user sounds 1–16 (Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced. A saved FM6 sound in engine 9 becomes a FLOYD sound); user sounds 17–32 (Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced. A saved FM6 sound in engine 9 becomes a FLOYD sound). SLOOP Floyd FM reads user sample USR1 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP Floyd FM reads user sample USR2 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops. SLOOP Floyd FM reads user sample USR3 until you write over the saved data. Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops.
- winampFM Synth: At risk by itself: working loop (changed to the new format: the next save of this project uses winampFM's newer project format; your previous firmware cannot load it if you switch back. Engines and sound controls can mean different things. Saved music can pass the same checks and still sound different); settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk by itself, under a condition: section A; section B; section C; section D. At risk when you act: DX7 bank 1 (32 voices); DX7 bank 2 (32 voices); DX7 bank 3 (32 voices); DX7 bank 4 (32 voices); DX7 bank 5 (32 voices); DX7 bank 6 (32 voices); DX7 bank 7 (32 voices); DX7 bank 8 (32 voices); DX7 bank 9 (32 voices); DX7 bank 10 (32 voices); DX7 bank 11 (32 voices); DX7 bank 12 (32 voices); user sample USR1; user sample USR2; user sample USR3; user sounds 1–16; user sounds 17–32; FM6 patches B1–B27; user sample USR4. After winampFM Synth saves settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking. It can erase up to banks 1–11 if winampFM Synth’s MIDI IN is set to one channel from 4–15. The settings save can happen automatically if DX7 Banks’ KEY VELOCITY was 110, 120 or 127. Back up all your DX banks. winampFM Synth reads user sample USR1 until you write over the saved data. Slice marks set by hand are not loaded. Loop modes follow this firmware's playback rules. winampFM Synth reads user sample USR2 until you write over the saved data. Slice marks set by hand are not loaded. Loop modes follow this firmware's playback rules. winampFM Synth reads user sample USR3 until you write over the saved data. Slice marks set by hand are not loaded. Loop modes follow this firmware's playback rules. winampFM Synth reads user sounds 1–16 until you write over the saved data. Shared older sounds may play differently because engines or sound controls mean different things. winampFM Synth reads user sounds 17–32 until you write over the saved data. Shared older sounds may play differently because engines or sound controls mean different things. winampFM Synth reads FM6 patches B1–B27 until you write over the saved data. The FM6 patch bank is shared. The project and its links to user sounds are not transferred. winampFM Synth reads user sample USR4 until you write over the saved data. Slice marks set by hand are not loaded. Loop modes follow this firmware's playback rules.
- Bubba Machine (beta): At risk by itself: section A; section B; section C; section D; working loop; user sample USR1; user sample USR2; user sounds 1–16; user sounds 17–32. At risk by itself, under a condition: user sample USR3. At risk when you act: FM6 patches B1–B27; user sample USR4.
- Felucca [Salt]: At risk by itself: settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk when you act: section A; section B; section C; section D; user sample USR1; user sample USR2; user sample USR3. Carried over: user sounds 1–16 (Only older sounds this firmware supports can play. Some may use a different instrument here. Newer sounds stay stored but hidden and cannot play in Salt); user sounds 17–32 (Only older sounds this firmware supports can play. Some may use a different instrument here. Newer sounds stay stored but hidden and cannot play in Salt). After Felucca [Salt] replaces DX7 Banks’ saved settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking, including your own banks 5–8. Back up your DX banks before switching. Felucca [Salt] reads user sample USR1 until you write over the saved data. Slice positions you set in SLICE stay hidden. This firmware has no storage for slice positions. Playback follows this firmware’s loop rules. The other firmware’s extra loop modes may sound different. Felucca [Salt] reads user sample USR2 until you write over the saved data. Slice positions you set in SLICE stay hidden. This firmware has no storage for slice positions. Playback follows this firmware’s loop rules. The other firmware’s extra loop modes may sound different. Felucca [Salt] reads user sample USR3 until you write over the saved data. Slice positions you set in SLICE stay hidden. This firmware has no storage for slice positions. Playback follows this firmware’s loop rules. The other firmware’s extra loop modes may sound different.
- PIGEON: At risk by itself: FM6 patches B1–B27; settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk by itself, under a condition: user sample USR1. At risk when you act: section A; section B; section C; section D; working loop; user sample USR2; user sample USR3; user sample USR4 (damaged (part written over)); DX7 bank 1 (32 voices); DX7 bank 2 (32 voices); DX7 bank 3 (32 voices); DX7 bank 4 (32 voices); DX7 bank 5 (32 voices); DX7 bank 6 (32 voices); DX7 bank 7 (32 voices); DX7 bank 8 (32 voices); DX7 bank 9 (32 voices); DX7 bank 10 (32 voices); DX7 bank 11 (32 voices); DX7 bank 12 (32 voices); user sounds 1–16; user sounds 17–32. After PIGEON replaces DX7 Banks’ saved settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking, including your own banks 5–8. Back up your DX banks before switching. PIGEON reads user sample USR1 until you write over the saved data. Sample audio can be read. Loops and slices may play differently. PIGEON reads user sample USR2 until you write over the saved data. Sample audio can be read. Loops and slices may play differently. PIGEON reads user sample USR3 until you write over the saved data. Sample audio can be read. Loops and slices may play differently. PIGEON keeps stored but does not show user sounds 1–16 until you write over the saved data. These synth sounds are kept but not shown, for backups. PIGEON does not play them. PIGEON keeps stored but does not show user sounds 17–32 until you write over the saved data. These synth sounds are kept but not shown, for backups. PIGEON does not play them.
- FM1 Move: At risk by itself, under a condition: DX7 bank 7 (32 voices); DX7 bank 8 (32 voices); DX7 bank 9 (32 voices); DX7 bank 10 (32 voices); DX7 bank 11 (32 voices); DX7 bank 12 (32 voices). At risk when you act: user sample USR4; DX7 bank 1 (32 voices); DX7 bank 2 (32 voices); DX7 bank 3 (32 voices); DX7 bank 4 (32 voices); settings, calibration, song order, synthesized drum kits and DX-bank setup; user sample USR1; user sample USR2; user sample USR3; user sounds 1–16; user sounds 17–32; FM6 patches B1–B27. Carried over: working loop (Only the working project is imported. It may play differently. Saved SLOOP sections are not imported). After FM1 Move replaces DX7 Banks’ saved settings, returning to DX7 Banks erases DX banks 1–8 at its first start without asking, including your own banks 5–8. Back up your DX banks before switching. Move blocks ordinary project saves and autosaves while it still recognizes the old fourth sample. Direct project restores and clear commands can still erase it. Move's normal sample backup does not include that fourth sample. FM1 Move reads user sample USR1 until you write over the saved data. Slice marks set by hand are not loaded. Loop modes follow this firmware's playback rules. FM1 Move reads user sample USR2 until you write over the saved data. Slice marks set by hand are not loaded. Loop modes follow this firmware's playback rules. FM1 Move reads user sample USR3 until you write over the saved data. Slice marks set by hand are not loaded. Loop modes follow this firmware's playback rules. FM1 Move reads user sounds 1–16 until you write over the saved data. Shared older sounds may play differently because engines or sound controls mean different things. FM1 Move reads user sounds 17–32 until you write over the saved data. Shared older sounds may play differently because engines or sound controls mean different things. FM1 Move reads FM6 patches B1–B27 until you write over the saved data. The FM6 patch bank is shared. The project and its links to user sounds are not transferred. FM1 Move reads user sample USR4 until you write over the saved data. Slice marks set by hand are not loaded. Loop modes follow this firmware's playback rules.
- FM1 Quest: At risk by itself: working loop; settings, calibration, song order, synthesized drum kits and DX-bank setup. At risk when you act: section A; section B; section C; section D; user sample USR1; user sample USR2; user sample USR3; user sounds 1–16; user sounds 17–32. Quest can play your saved USR1 until you write over it, if its audio and zones fit Quest’s smaller sample slot. Sending a sample to USR1 or erasing it loses the old sample. This includes holding REC on USR1 in IMPORTER when Quest can read it. Sending a sample to USR2 or erasing USR2 can damage the end of the old USR1. Back up USR1 first. FM1 Quest reads user sounds 1–16 until you write over the saved data. Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced. FM1 Quest reads user sounds 17–32 until you write over the saved data. Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced.
- Groove OS: Possibly at risk: settings, calibration, song order, synthesized drum kits and DX-bank setup; section A; section B; section C; section D; user sounds 1–16; user sounds 17–32; working loop; FM6 patches B1–B27; user sample USR1; user sample USR2; user sample USR3; user sample USR4; DX7 bank 1 (32 voices); DX7 bank 2 (32 voices); DX7 bank 3 (32 voices); DX7 bank 4 (32 voices); DX7 bank 5 (32 voices); DX7 bank 6 (32 voices); DX7 bank 7 (32 voices); DX7 bank 8 (32 voices); DX7 bank 9 (32 voices); DX7 bank 10 (32 voices); DX7 bank 11 (32 voices); DX7 bank 12 (32 voices). The official route first puts V15 back, then installs Groove OS. Treat this firmware’s saved work as lost and back it up with its own tools before starting. Groove OS’s project saves, autosave, preferences, sample uploads and extra installed pages can also replace leftover work; nobody has published which parts of storage they use. A sound missing from PRESETS may still occupy storage, and do not count on Groove OS’s own backups to keep it.
- Who reads whose data.
Show the detail
Other firmwares reading SLOOP DX7 Banks's data: Felucca lists SLOOP DX7 Banks's user sounds 1–16; user sounds 17–32; user sample USR1; user sample USR2; user sample USR3, but plays them differently (Only sounds this firmware can read will play. Saving into a slot it cannot read can replace it without an overwrite question. Some sounds play as a different instrument: SLOOP FM6 and Floyd sounds can become PHYS, SLOOP FM6 sounds using algorithm 4 can become DRUM, SLOOPDX sounds become ANALOG, and Quest SLICE sounds can become PHYS; Playback follows this firmware’s loop rules. The other firmware’s extra loop modes may sound different); Rainbow Mode lists SLOOP DX7 Banks's user sounds 1–16; user sounds 17–32; user sample USR1; user sample USR2; user sample USR3, but plays them differently (Only sounds this firmware can read will play. Saving into a slot it cannot read can replace it without an overwrite question. Some sounds play as a different instrument: SLOOP FM6 and Floyd sounds can become PHYS, SLOOP FM6 sounds using algorithm 4 can become DRUM, SLOOPDX sounds become ANALOG, and Quest SLICE sounds can become PHYS; Playback follows this firmware’s loop rules. The other firmware’s extra loop modes may sound different); Felucca [Salt] lists SLOOP DX7 Banks's user sounds 1–16; user sounds 17–32; user sample USR1; user sample USR2; user sample USR3, but plays them differently (Only older sounds this firmware supports can play. Some may use a different instrument here. Newer sounds stay stored but hidden and cannot play in Salt; Slice positions you set in SLICE stay hidden. This firmware has no storage for slice positions. Playback follows this firmware’s loop rules. The other firmware’s extra loop modes may sound different); WaveLoop FM-1 lists SLOOP DX7 Banks's user sounds 1–16; user sounds 17–32; user sample USR1; user sample USR2, but plays them differently (Only sounds this firmware can read will play. Saving into a slot it cannot read can replace it without an overwrite question. Some sounds play as a different instrument: SLOOP FM6 and Floyd sounds can become PHYS, SLOOP FM6 sounds using algorithm 4 can become DRUM, SLOOPDX sounds become ANALOG, and Quest SLICE sounds can become PHYS; Playback follows this firmware’s loop rules. The other firmware’s extra loop modes may sound different); WaveLoop FM-1 reads and uses SLOOP DX7 Banks's user sample USR1; user sample USR2 (Saved samples may have no slice positions set by you); SLOOP takes over SLOOP DX7 Banks's settings, calibration, song order, synthesized drum kits and DX-bank setup; section A; section B; section C; section D; working loop, converting them (Saving settings can change DX7 Banks’ saved count of banks already set up because SLOOP uses those saved options for different playing settings. Returning to DX7 Banks with a missing or incomplete count can erase DX banks at start-up; Once you save this section, its notes and timing use the new format. The previous firmware cannot open that saved copy; Once the working loop is saved automatically, its notes and timing use the new format. The previous firmware cannot open that saved copy); SLOOP lists SLOOP DX7 Banks's user sounds 1–16; user sounds 17–32, but plays them differently (Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced); SLOOP reads and uses SLOOP DX7 Banks's FM6 patches B1–B27; user sample USR1; user sample USR2; user sample USR3; user sample USR4 (Audio loads only if it fits this slot. Sending to or erasing this slot replaces it); sloopDX takes over SLOOP DX7 Banks's settings, calibration, song order, synthesized drum kits and DX-bank setup, converting them (A settings save drops the source firmware’s synthesized drum kits and any saved MIDI controls stored after them. Favourite and display-option numbers can also mean different things); sloopDX lists SLOOP DX7 Banks's user sounds 1–16; user sounds 17–32, but plays them differently (Only sounds in the first engine appear. They play as DX7 sounds. Other sounds stay hidden. Saving other slots keeps them); SLOOP Floyd FM takes over SLOOP DX7 Banks's settings, calibration, song order, synthesized drum kits and DX-bank setup, converting them (Saving settings keeps only the older colour, display, calibration and song-order choices. The saved copy lacks newer light options, drum kits, MIDI controls and separately saved options. After Floyd saves settings, DX7 Banks has no saved count of banks already set up when you return. It erases DX banks 1–8 at its first start. Back up your DX banks before switching); SLOOP Floyd FM lists SLOOP DX7 Banks's user sounds 1–16; user sounds 17–32, but plays them differently (Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced. A saved FM6 sound in engine 9 becomes a FLOYD sound); SLOOP Floyd FM reads and uses SLOOP DX7 Banks's user sample USR1; user sample USR2; user sample USR3 (Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops); FM1 Quest takes over SLOOP DX7 Banks's settings, calibration, song order, synthesized drum kits and DX-bank setup, converting them (A settings save keeps Quest’s calibration and song-order format while dropping the source firmware’s extra drum kits, MIDI controls or theme and favourites. Quest can read saved playing options as game preferences or progress. Quest reads DX7 Banks’ saved bank setup as an unlocked red warrior and keeps that unlock when saving. Returning to DX7 Banks after that settings save does not erase DX banks, unless you restore a Quest settings backup or send settings with computer commands in Quest; then returning to DX7 Banks can erase DX banks 1–2 (up to 1–4) at its first start without asking. Back up your DX banks before restoring or sending settings); FM1 Quest lists SLOOP DX7 Banks's user sounds 1–16; user sounds 17–32, but plays them differently (Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced); FM1 Quest reads and uses SLOOP DX7 Banks's user sample USR1 (USR1 plays only if its audio and zones fit Quest’s 64 KiB slot. Sending into or erasing USR1 replaces it, including holding REC on a readable USR1 in IMPORTER. Sending into or erasing USR2 can damage the end of the old USR1. Extra slice markers are not used here); JIANT takes over SLOOP DX7 Banks's user sounds 1–16; user sounds 17–32, converting them (JIANT no longer has SAMPLE, GRAIN, SLICE or PHYS. Those sounds use its initial ANALOG sound, except old drum and percussion sounds, which become DRUM sounds. Imported names and patterns do not mean the original sample audio or sound is kept); ChoralRoot lists SLOOP DX7 Banks's user sounds 1–16; user sounds 17–32, but plays them differently (Imported sounds may sound different, even if their names are kept. Confirming Flash Data erases the older banks they came from); GHOULBOX lists SLOOP DX7 Banks's user sounds 1–16; user sounds 17–32, but plays them differently; GHOULBOX reads and uses SLOOP DX7 Banks's user sample USR1; user sample USR2; user sample USR3; fm1-chord takes over SLOOP DX7 Banks's user sounds 1–16; user sounds 17–32, converting them (Some sound engine numbers and controls mean different things, so a listed sound may play differently. The separate FM6 patches for those sounds are not recovered); fm1-chord reads and uses SLOOP DX7 Banks's user sample USR1; user sample USR2; user sample USR3 (Saved loop choices use ordinary looping. The ends of loops held by a gate signal can sound different. Only matching saved SLICE markers are restored); MAKU reads and uses SLOOP DX7 Banks's user sounds 1–16; user sounds 17–32; user sample USR1; user sample USR2; user sample USR3 (MAKU leaves these sample bytes in place, but its controls use built-in material; these uploaded samples are not available to play here); Jangada reads and uses SLOOP DX7 Banks's user sample USR1; user sample USR2; user sample USR3; Skiff lists SLOOP DX7 Banks's user sounds 1–16; user sounds 17–32, but plays them differently (The same saved sound format does not guarantee the same sound or pattern playback); Skiff reads and uses SLOOP DX7 Banks's user sample USR1; user sample USR2; user sample USR3 (Skiff uses its own sound engines, so saved loops or slices can play differently); Hortator lists SLOOP DX7 Banks's user sample USR1; user sample USR2; user sample USR3, but plays them differently (Hortator uses its own one-shot sound engines, so saved loops and slices play differently); ORBIT takes over SLOOP DX7 Banks's settings, calibration, song order, synthesized drum kits and DX-bank setup; section A; section B; section C; section D; user sounds 1–16; user sounds 17–32; working loop, converting them (The next settings save adds ORBIT’s MIDI controls. DX7 Banks can then no longer load its saved synthesized drum kits from that copy of the settings. It can still read shared settings and song order; Engines and sound controls can mean different things. Saved music can pass the same checks and still sound different; Only older version-1 sounds can change to this format; engine numbers and sound controls may mean different things and change how they play); ORBIT reads and uses SLOOP DX7 Banks's FM6 patches B1–B27; user sample USR1; user sample USR2; user sample USR3; user sample USR4 (The FM6 patch bank is shared. The project and its links to user sounds are not transferred; Slice marks set by hand are not loaded. Loop modes follow this firmware's playback rules); PIGEON reads and uses SLOOP DX7 Banks's user sample USR1; user sample USR2; user sample USR3 (Sample audio can be read. Loops and slices may play differently); winampFM Synth takes over SLOOP DX7 Banks's section A; section B; section C; section D; working loop, converting them (Engines and sound controls can mean different things. Saved music can pass the same checks and still sound different); winampFM Synth lists SLOOP DX7 Banks's user sounds 1–16; user sounds 17–32, but plays them differently (Shared older sounds may play differently because engines or sound controls mean different things); winampFM Synth reads and uses SLOOP DX7 Banks's FM6 patches B1–B27; user sample USR1; user sample USR2; user sample USR3; user sample USR4 (The FM6 patch bank is shared. The project and its links to user sounds are not transferred; Slice marks set by hand are not loaded. Loop modes follow this firmware's playback rules); FM1 Move lists SLOOP DX7 Banks's user sounds 1–16; user sounds 17–32; working loop, but plays them differently (Shared older sounds may play differently because engines or sound controls mean different things; Only the working project is imported. It may play differently. Saved SLOOP sections are not imported); FM1 Move reads and uses SLOOP DX7 Banks's FM6 patches B1–B27; user sample USR1; user sample USR2; user sample USR3; user sample USR4 (The FM6 patch bank is shared. The project and its links to user sounds are not transferred; Slice marks set by hand are not loaded. Loop modes follow this firmware's playback rules); X0X lists SLOOP DX7 Banks's user sample USR1; user sample USR2; user sample USR3, but plays them differently (Each zone plays as a separate repeating break loop (up to 16 per sample). Key ranges, root notes, loop points and slice markers are not used); Jangada converts only older version 1 sounds in this group. Newer sound versions look empty, and saving anywhere in the group drops them from the rewritten group.; winampFM Synth reads shared settings and calibration; the next settings write can discard preferences or music setup it does not retain.. What SLOOP DX7 Banks reads of other firmwares' data: SLOOP DX7 Banks reads and uses Felucca's user sample slot USR1; user sample slot USR2; user sample slot USR3 (Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used); SLOOP DX7 Banks takes over SLOOP's settings, calibration, song order, SYN1-4 kits, MIDI LEARN, theme and favourites, converting them (Saving settings removes SLOOP’s learned MIDI controls, theme and favourites. Its drum kits load only if MIDI controls were left at their defaults. DX7 Banks can read SLOOP’s KNOB ACCEL, USB RATE, theme and recording options as a different count of banks already set up); SLOOP DX7 Banks lists SLOOP's user sounds U01-U16; user sounds U17-U32, but plays them differently (Saved sounds can play differently here. Saving another slot keeps them. Replacing their slots or restoring the whole bank removes them. Sounds that use separate voice banks also need those banks); SLOOP DX7 Banks reads and uses SLOOP's FM6 patch bank B1-B27; user sample slot USR1; user sample slot USR2; user sample slot USR3; user sample slot USR4 (Saving over a patch replaces it; other saved patches in this bank are kept; Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used); SLOOP DX7 Banks reads and uses X0X's break loops slot 1; break loops slot 2; break loops slot 3 (Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used); SLOOP DX7 Banks reads and uses GHOULBOX's user sample slot USR1; user sample slot USR2; user sample slot USR3 (Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used); SLOOP DX7 Banks takes over Hortator's settings and panel calibration, converting them; SLOOP DX7 Banks reads and uses Hortator's user samples USR1; user samples USR2; user samples USR3 (Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used); SLOOP DX7 Banks reads and uses Skiff's user sample USR1; user sample USR2; user sample USR3 (Samples play only if they pass the check and their zones fit this slot. Sending to or erasing this slot replaces the sample. Extra slice markers are not used); SLOOP DX7 Banks takes over sloopDX's settings, calibration, song order, MIDI, theme and favourites, converting them (Saving settings removes sloopDX’s extra MIDI controls, theme and favourites. It saves this beta’s own drum kits and count of banks already set up. DX7 Banks can read sloopDX’s KNOB ACCEL, USB RATE, theme and recording options as a different count of banks already set up); SLOOP DX7 Banks reads and uses Rainbow Mode's User sample USR1 and any slice positions you set in SLICE; User sample USR2 and any slice positions you set in SLICE; User sample USR3 and any slice positions you set in SLICE (Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops); SLOOP DX7 Banks reads and uses MAKU's inherited user sample 1; inherited user sample 2; inherited user sample 3 (Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops); SLOOP DX7 Banks reads and uses fm1-chord's uploaded sample USR1 and optional SLICE markers; uploaded sample USR2 and optional SLICE markers; uploaded sample USR3 and optional SLICE markers (Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops); SLOOP DX7 Banks reads and uses Jangada's user samples USR1; user samples USR2; user samples USR3 (Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops); SLOOP DX7 Banks reads and uses WaveLoop FM-1's user sample USR1; user sample USR2 (Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops); SLOOP DX7 Banks takes over ORBIT's settings, calibration, song order, SYN1-SYN4 kits and MIDI preferences, converting them (A settings save writes this beta’s drum kits and count of DX banks it has set up, dropping the source firmware’s MIDI controls or theme and favourites. Drum kits load only if the saved settings include the kits without an added MIDI-control block. DX7 Banks can mistake the saved MIDI-input channel for an older count of DX banks it has set up); SLOOP DX7 Banks reads and uses ORBIT's FM6 bank B1-B27; sample slot USR1; sample slot USR2; sample slot USR3; sample slot USR4 (Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops); SLOOP DX7 Banks reads and uses SLOOP Floyd FM's settings, panel calibration and song order; user sample slot USR1; user sample slot USR2; user sample slot USR3 (Floyd has no saved count of the DX banks DX7 Banks has set up. At start-up, DX7 Banks erases DX banks 1–8 and saves a new count; Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops); SLOOP DX7 Banks takes over SLOOP Floyd FM's song section A; song section B; song section C; song section D; working loop kept by autosave, converting them (Once you save this section, its notes and timing use the new format. The previous firmware cannot open that saved copy. FLOYD parts become FM6 sounds. Separate live envelope changes (how each note changes over time) were never saved; Once the working loop is saved automatically, its notes and timing use the new format. The previous firmware cannot open that saved copy. FLOYD parts become FM6 sounds. Separate live envelope changes (how each note changes over time) were never saved); SLOOP DX7 Banks lists SLOOP Floyd FM's user sounds U01–U16; user sounds U17–U32, but plays them differently (Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced. FLOYD sounds become FM6 sounds. Separate live envelope changes (how each note changes over time) were never saved); SLOOP DX7 Banks takes over winampFM Synth's settings, panel calibration, song order, SYN kits and MIDI, converting them (A settings save writes this beta’s drum kits and count of DX banks it has set up, dropping the source firmware’s MIDI controls or theme and favourites. Drum kits load only if the saved settings include the kits without an added MIDI-control block. DX7 Banks can mistake the saved MIDI-input channel for an older count of DX banks it has set up); SLOOP DX7 Banks lists winampFM Synth's user sounds 1-16; user sounds 17-32, but plays them differently (Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced); SLOOP DX7 Banks reads and uses winampFM Synth's FM6 bank B1-B27; sample USR1; sample USR2; sample USR3; sample USR4 (Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops); SLOOP DX7 Banks takes over Felucca [Salt]'s project 1; project 2; project 3; project 4, converting them (Once you save this section, its drum pattern and timing use the new format. SALT cannot open that saved copy); SLOOP DX7 Banks lists Felucca [Salt]'s user sounds U01-U16; user sounds U17-U32, but plays them differently (Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced); SLOOP DX7 Banks reads and uses Felucca [Salt]'s user sample USR1; user sample USR2; user sample USR3 (Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops); SLOOP DX7 Banks reads and uses PIGEON's user sample USR1 in the older format; user sample USR2 in the older format; user sample USR3 in the older format (Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops); SLOOP DX7 Banks lists FM1 Move's user sounds U01–U16; user sounds U17–U32, but plays them differently (Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced); SLOOP DX7 Banks reads and uses FM1 Move's FM6 bank B1–B27; sample slot USR1; sample slot USR2; sample slot USR3 (Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops); SLOOP DX7 Banks takes over FM1 Quest's settings, panel mapping, song order and Quest preferences/progress; song section A; song section B; song section C; song section D; working music (autosave), converting them (Calibration and song order load. Saving settings replaces Quest’s game progress and preferences with this beta’s playing options and count of banks already set up; Once you save this section, its notes and timing use the new format. The previous firmware cannot open that saved copy; Once the working loop is saved automatically, its notes and timing use the new format. The previous firmware cannot open that saved copy); SLOOP DX7 Banks lists FM1 Quest's user sounds U01–U16; user sounds U17–U32, but plays them differently (Only version-1 sounds with an engine available here appear. Shared controls load based on the saved control count; missing controls use defaults. Other sounds stay hidden until their slots are replaced); SLOOP DX7 Banks reads and uses FM1 Quest's sample USR1 (Audio loads only if it fits this slot. Sending to or erasing this slot replaces it. Extra slice markers are ignored. Held loops play as ordinary loops). Everything else of another firmware's looks empty or foreign to the reader.
- Every way each write can happen, for all mapped firmwares: the flash atlas's table.
Back up with the firmware that made your work before switching or starting this build. See the switching advice in Before you switch firmware.
This build stores the working loop, four sections, 32 user sounds, the editable twenty-seven-patch FM6 bank, twelve DX7 banks, four sample slots, SYN1–4 kits, song order and panel settings; the changed working loop autosaves after stopped, quiet time rather than at power-off, and live section stores wait for stopped, quiet time too. Every normal start checks saved bank information; if it is missing, banks 1–8 are erased without asking, including voices you loaded in banks 5–8; inherited settings can instead cause banks 1–4 or as many as banks 1–11 to be erased, and affected sounds then play INIT VOICE.
It shares SLOOP’s project, sound and settings locations, but cannot open SLOOP 2.7.1 sections or its working loop; the first idle autosave writes the other copy, and the second successful alternating save can physically replace the retained newest SLOOP copy; on return, newer SLOOP can select this build’s replacement loop after the first save while the older copy remains; section saves can replace unreadable sections without treating them as used, and saving this build’s projects in newer SLOOP makes them unreadable here.
The parent’s twenty-seven-patch FM6 bank has the same format; matching user sounds can be read with older parameter meanings, while newer fields are ignored; matching samples in USR1–3 can be read, but newer release-loop behaviour differs; USR4 is smaller here, so a large old sample is rejected and its tail can be cleared when banks are claimed; parent settings are only partly understood, some bits get different meanings, and MIDI options, theme and favourites are lost when this build rewrites settings; SYN kits survive only when the parent’s settings have the expected older size.
A settings-dependent bank erase can recur on any normal start, affecting this build’s own loaded voices and other saved work without asking. See the switching advice in Before you switch firmware for the affected saved work.
Restore asks once, then commits present objects one by one; absent objects remain and present empty slots are cleared where supported, while the working loop is applied now and autosaved later; a failure can leave a partial restore, and there is no whole-device undo; newer SLOOP backups are unsafe here because MIDI or theme records can be mistaken for old DX7 banks after earlier banks and kits have already been written, and newer project records also fail later in the restore. Restoring settings from SLOOP 2.5 or an older fork can remove the bank information even after voices were restored; the next start can erase those voices again without asking; use the recovery steps below.
Before leaving this build, save a backup made here after a successful normal start and export your DX7 banks; another firmware’s settings writes, or restoring SLOOP 2.5 or a fork backup from before bank information was saved, can make the next start erase banks again; after returning and letting startup finish, restore that backup made here, including its voices and settings. An older SLOOP upload to its larger USR4 can overwrite DX7 voices, and saving projects in newer SLOOP can make them unreadable here; other firmwares can write at startup or automatically before any SAVE press. Back up before switching. See the switching advice in Before you switch firmware. SLOOP DX7 Banks’ section saves, SONG REC writes, section restores and automatic section writes after a warm reset and automatic writes of pending sections before updates or resets, user-sound saves, sends to the FM-1, erases and restores, including selected DX7 voices, and USR1 sample sends to the FM-1, erases and restores can also replace ChoralRoot’s legacy sounds 1–32, VA patches, FM6 patches 1–32, CZ patches 1–32 and FM TONE patches, kept for returning to ChoralRoot 0.21 or older.
Installing this build
The installer can replace the previous firmware’s saved work while programming this build, before the first start, without a separate saved-work question.
See the switching advice in Before you switch firmware for the affected saved work.
Installer cleanup after an update
After a successful update, the loader erases a block only when it ends in a valid update record, without asking. Saved music does not hold that record, so this cleanup leaves it alone.
Starting with leftover update data
If either update-area probe is occupied, startup erases the whole update area without a question; data elsewhere in that area alone does not trigger it.
See the switching advice in Before you switch firmware for the affected saved work.
Any start with missing, older or misinterpreted bank information
Every normal start checks saved bank information; if it is missing, banks 1–8 are erased without asking, including voices you loaded in banks 5–8; inherited settings can instead cause banks 1–4 or as many as banks 1–11 to be erased, and affected sounds then play INIT VOICE. Before leaving this build, save a backup made here after a successful normal start and export your DX7 banks; another firmware’s settings writes, or restoring SLOOP 2.5 or a fork backup from before bank information was saved, can make the next start erase banks again; after returning and letting startup finish, restore that backup made here, including its voices and settings.
This includes this build’s own voices in banks 1–8 by default, including user-loaded banks 5–8; the worst inherited count clears banks 1–11, covering D1–D352, and sounds referring to erased voices play INIT VOICE.
See the switching advice in Before you switch firmware for the affected saved work.
Settings saved after claiming banks
On any normal start after a successful bank claim or an old-claim migration, startup writes one settings copy without asking; a surviving older copy may remain, but the next save can replace it too.
See the switching advice in Before you switch firmware for the affected saved work.
First and later working-loop autosaves
An unreadable or missing working loop can be replaced by defaults automatically, without a question, once stopped and quiet with 2.5 seconds of input idle and at least 20 seconds since boot or the last attempt; later changed-loop saves alternate between its two copies.
See the switching advice in Before you switch firmware for the affected saved work.
Any later settings save
These settings saves can replace other firmwares’ work without a foreign-work question: menu close, calibration followed by menu close, power-on calibration even if cancelled, system or record options, visualiser style, song order, SYN kit stores and settings restore; FX KEEP writes immediately even during playback, while deferred changes wait for stopped and quiet time.
See the switching advice in Before you switch firmware for the affected saved work.
Saving or restoring a project section
A project save replaces its chosen section at once while stopped; a live section store replaces its RAM copy now and writes it after stopped, quiet time; a readable used section asks for a repeat only on the live and SONG-screen routes, while foreign unreadable sections can look empty; undo cannot recover a replaced section.
See the switching advice in Before you switch firmware for the affected saved work.
Saving, erasing, renaming or restoring user sounds
Panel save or erase asks for a second rightward click, then writes the affected sixteen-sound bank immediately while stopped; a used slot gets no extra question and no undo; a browser restore can replace a whole bank.
See the switching advice in Before you switch firmware for the affected saved work.
Storing or restoring the editable FM6 bank
An editor bank store or restore rewrites one copy of the twenty-seven-patch bank; the device adds no foreign-work question or undo, and an absent backup bank stays untouched.
See the switching advice in Before you switch firmware for the affected saved work.
Sending, erasing or restoring samples
A sample send asks in the browser, erases the header block and replaces further blocks as audio arrives; erase or a present empty backup sample clears the whole selected slot, without undo; a short upload need not touch the whole slot.
See the switching advice in Before you switch firmware for the affected saved work.
Writing or erasing a DX7 bank
A bank operation clears and optionally rewrites one whole bank at once, without a spare copy or undo; the browser asks before a destructive edit or replacement of occupied voices, but not before a move to a free slot; a full destination refuses the move.
See the switching advice in Before you switch firmware for the affected saved work.
The editor filling an empty factory bank
The default editor option fills empty banks 1–4 after reading the unit, without a question, once its factory download passes validation; banks already containing usable voices are skipped and the option can be turned off.
See the switching advice in Before you switch firmware for the affected saved work.
Restoring a whole backup
The browser asks once for the restore, then writes present objects separately; absent objects stay untouched and an empty present object clears the corresponding slot where supported; a later failure can leave earlier objects replaced, without whole-device undo.
See the switching advice in Before you switch firmware for the affected saved work.
Sending another firmware update
A host update, including one in USB rescue, erases and writes the update area without a separate foreign-work question; normal update paths first flush this firmware’s pending music.
See the switching advice in Before you switch firmware for the affected saved work.
Calibrating the panel
Power-on calibration can write settings even after its idle cancellation; menu calibration saves when the menu closes; there is no separate foreign-work question, and a write reaching another firmware’s saved work can make it disappear or default on return.
See the switching advice in Before you switch firmware for the affected saved work.
The risks depend on what is stored where this firmware writes, including partial loss; a surviving older copy can still load until it too is replaced, while some readers use defaults instead of trying an older readable copy after rejecting the newest record’s contents. Stock and Baud Girl internals remain uncertain. See the switching advice in Before you switch firmware. Back up with the firmware that made your work before switching.
Where the docs and the firmware disagree
- PRESETS kind knob: An older guide table leaves the third PRESETS knob unused. KNOB 3 changes kind or DX7 bank.
- FM6 patch choices: The older FM6 table describes factory and B-bank choices only. PTCH also reaches D1–D384; an empty or invalid D voice gives INIT VOICE.
- Keeping effects: One guide sentence sends the owner to FILTER and its second knob for KEEP. The final table and handler put PHONE, TAPE, HALF and RESET on the separate KEEP page.
- Drum track filter page: The older SLOOP reference places the FILTER page on synth and drum tracks; a page-table comment says the same, while the guide’s detailed drum-page list agrees with the handler. This FILTER page is rejected on the drum track; FX held with KNOB 4 can still set that track’s filter.
- Undo after clear: The guide says undo can recover a cleared track without spelling out which edits return. Undo restores notes and pattern length only; cleared locks, nudges and fill conditions stay gone.
- USR4 sample capacity: The older sample summaries give every slot the same roughly 7.4-second capacity. USR1–3 remain about 7.4 seconds each at 22 kHz mono, but USR4 is about 2.9 seconds here; its smaller capacity also reduces a combined USR3+4 kit.
- Which empty banks fill automatically: The DX7 guide says every empty bank is filled when the editor connects. The automatic factory fill considers banks 1–4; banks 5–12 require the owner to load voices.
- Sample preservation when updating: The README broadly promises that updating keeps samples. An old USR4 sample larger than this build’s capacity is rejected, and the bank-claim erase can remove audio from its former tail without asking.
Limits
- No hardware was used: key timing, audio quality, flash endurance and interrupted-write recovery were not measured.
- Closed stock and Baud Girl storage internals and effects of third-party installers remain unestablished beyond the supplied atlas evidence; see the storage fragment.
Mapped from majnikool/sloop-fm1 at v2.5-b28-test (c741193), 2026-10-17. An independent checker found zero errors in round 4 (2026-10-17). These behaviours were read in source, not measured on a unit; citations are in [sloopbanks.json](sloopbanks.json). Code licence: GPL-3.0-only, confirmed in LICENSE and README. Fork by majnikool, based on SLOOP by isod89 and Felucca by Leo Kuroshita. This independent guide uses Les’s own wording and is not affiliated with those projects or M-VAVE.
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How to use grooves in Ableton 120:42 · 4 STEPS
How to use the arpeggiator0:37 · 4 STEPS
How to make a deep bass0:38 · 4 STEPS
How to make an evolving pad0:44 · 4 STEPS
How the Mod Matrix works0:39 · 3 STEPS
How to morph between two versions of a pad0:40 · 4 STEPS
How the two wave knobs on a PolyBrute oscillator work0:42 · 4 STEPS
How to add swing0:34 · 2 STEPS
How to change the bells on the FM-1 AMB-10:36 · 3 STEPS · AMB-1
How to turn the FM-1 AMB-1 into a drone0:37 · 3 STEPS · AMB-1
How to steer the melody on the FM-1 AMB-10:36 · 3 STEPS · AMB-1
How to use the arpeggiator0:41 · 4 STEPS · STOCK
How to play a dominant 7th on the FM-1 with ChoralRoot0:33 · 3 STEPS · CHORALROOT
How to play minor 9th chords with one finger on the FM-1 with ChoralRoot0:37 · 3 STEPS · CHORALROOT
How to play a I-vi-IV-V on the FM-1 with ChoralRoot0:39 · 4 STEPS · CHORALROOT
How to get the Casio CZ sound on the FM-1 with Melodee0:34 · 3 STEPS · MELODEE
How to get a Prophet-5 sound on the FM-1 with Melodee0:40 · 4 STEPS · MELODEE
How to record without quantize on the FM-1 with Melodee0:28 · 2 STEPS · MELODEE
What every FM-1 control doesPick the firmware on yours, then tap any control to see what it does.
How to add glide to one step0:38 · 3 STEPS
How to play a random sequence0:28 · 2 STEPS
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